From Venice to Versailles The Muffat Collective

• Biagio Marini (1594 - 1663): Sonata sopra "Fuggi dolente core", Op. 22 No. 21:
• 1 Marini: Sonata sopra "Fuggi dolente core", Op. 22 No. 21 03:32
• Marin Marais (1656 - 1728): Pièces en Trio, Suite No. 5 in E Minor:
• 2 Marais: Pièces en Trio, Suite No. 5 in E Minor: I. Prelude (Lentement) 03:09
• 3 Marais: Pièces en Trio, Suite No. 5 in E Minor: IV. Rondeau 02:00
• 4 Marais: Pièces en Trio, Suite No. 5 in E Minor: V. Sarabande en Rondeau 02:20
• 5 Marais: Pièces en Trio, Suite No. 5 in E Minor: IX. Caprice (Lentement) 02:28
• 6 Marais: Pièces en Trio, Suite No. 5 in E Minor: X. Passacaille 03:35
• Antonio Vivaldi (1678 - 1741): Trio Sonata in E-Flat Major, Op. 1, No. 7, RV 65:
• 7 Vivaldi: Trio Sonata in E-Flat Major, Op. 1, No. 7, RV 65: I. Preludio (Largo) 02:24
• 8 Vivaldi: Trio Sonata in E-Flat Major, Op. 1, No. 7, RV 65: II. Allemanda (Allegro) 03:07
• 9 Vivaldi: Trio Sonata in E-Flat Major, Op. 1, No. 7, RV 65: III. Sarabanda (Andante) 03:00
• 10 Vivaldi: Trio Sonata in E-Flat Major, Op. 1, No. 7, RV 65: IV. Giga (Presto) 00:58
• François Couperin (1668 - 1733): Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio):
• 11 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): I. Corelli au pied du Parnasse prie les Muses de le recevoir parmi elles 02:01
• 12 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): II. Corelli charmé de la bonne réception qu´on lui fait au Parnasse, en marque sa joie. Il continue avec ceux qui l'accompagnent 02:21
• 13 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): III. Corelli buvant à la source d´Hippocrène. Sa troupe continue 02:44
• 14 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): IV. Enthousiasme de Corelli causé par les eaux d'Hippocrène 01:08
• 15 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): V. Corelli, après son enthousiasme, s'endort et sa troupe joue le sommeil suivant très doux 02:54
• 16 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): VI. Les Muses réveillent Corelli et le placent auprès d'Apollon 00:46
• 17 Couperin: Le Parnasse ou L´Apothéose de Corelli (Grande Sonade en Trio): VII. Remerciement de Corelli 02:37
• Jean Marie Leclair (1697 - 1764): Ouverture in A Major, Op. 13 No. 3:
• 18 Leclair: Ouverture in A Major, Op. 13 No. 3: I. Grave 02:10
• 19 Leclair: Ouverture in A Major, Op. 13 No. 3: II. Allegro 02:19
• 20 Leclair: Ouverture in A Major, Op. 13 No. 3: III. Largo 02:56
• 21 Leclair: Ouverture in A Major, Op. 13 No. 3: IV. Allegro assai 02:28
• Total Runtime 50:57

Info zu From Venice to Versailles

The Muffat Collective is a period instrument quartet with a difference: four incredible musicians and friends dedicated to the emotions, historical context and beauty of the Baroque, an era full of passion, vitality and energy. After several years of delighting live audiences with their exciting and engaging concerts, this album brings the ensemble’s magic to a wider audience.

From Venice to Versailles treats your musical palette with the tastes that defined the Italian and French styles in the 17th century: an exquisite blend of tender melancholy with festivity and beauty. It showcases works by Italian masters Antonio Vivaldi and Biagio Marini, and celebrated French geniuses Marin Marais, François Couperin and Jean-Marie Leclair.

‘Our 17th-century namesake Georg Muffat believed, as do we, that by subtly blending the declamatory passion of Italian music with the grace and richness of the French Baroque he could make “perfection in music”,’ says leader Matthew Greco. ‘The works on our debut album are a homage to the pursuit of Les Goûts réunis (The Styles United) and are some of the most stunning works from the 17th and 18th centuries.’

Matthew Greco, baroque violin, leader
Rafael Font, baroque violin
Anton Baba, baroque cello, viola da gamba
Anthony Abouhamad, baroque keyboards

Matthew Greco
is a concertmaster, soloist and core member of some of the world’s leading period instrument ensembles. He has been a regular member of the Australian Brandenburg Orchestra and concertmaster of the Orchestra of Antipodes (Pinchgut Opera) since 2006. In 2010 he moved to The Netherlands where he studied Baroque violin at The Royale Conservatoire of The Hague and worked with leading European ensembles including De Nederlandse Bachvereniging and Les Talens Lyriques (France). He is a founding member of the Sydney-based ensemble The Muffat Collective and a core member of the Australian Haydn Ensemble.

Matthew currently enjoys teaching baroque violin at the Sydney Conservatorium of Music as well as performing with a variety of international ensembles and festivals in Australia and Europe. Committed to producing a unique and individual sound based on historical performance practices, Matthew believes that seventeenth- and eighteenth-century music is full of vitality and emotions that speak to us now, as much as they did in the past.

When he is not playing the violin, you can find Matthew cooking up a storm in the kitchen.

Rafael Font-Viera
started his violin studies at the age of five in his hometown of Caracas, Venezuela. After completing studies at Guildhall School of Music and Drama, he worked with many leading British early music groups including the Academy of Ancient Music and Orchestra of the Age of Enlightenment. Rafael pursued postgraduate studies in Baroque and Classical violin at the Royal Conservatoire of the Hague and since moving to Sydney, has become a regular member the Australian Brandenburg Orchestra and Orchestra of the Antipodes (Pinchgut Opera).

Rafael is a highly versatile performer, with interests ranging from Monteverdi to Tchaikovsky on both violin and viola. Rafael is also a dedicated music teacher, regularly tutoring violin and viola and conducting ensembles across several schools in Sydney.

When he is not playing the violin, Rafael is likely listening to history podcasts or watching documentaries.

Anton Baba
Australian-born violoncellist, Anton Baba studied Classical cello at the Eastman School of Music (USA 2006) after his initial studies in Perth. He completed postgraduate studies on the Baroque cello at the Royal Conservatorium, The Hague (2013), where he simultaneously undertook studies in viola da gamba. Anton has worked as a skilled viola da gamba and Baroque cello player in the most experienced Baroque ensembles of Europe including Amsterdam Baroque Orchestra and The Gabrieli Consort. Since returning to Australia in 2018, Anton has been a regular member of Orchestra of the Antipodes (Pinchgut Opera), Australian Romantic and Classical Orchestra and Australian Brandenburg Orchestra.

Anton is also a dedicated educator and a founding member of the ACO Foundations team providing music lessons and fostering creative skills for students at St Mary’s North Public School.

When he is not playing the cello, Anton enjoys knitting and throwing a frisbee in his local park.

Anthony Abouhamad
performs on a wide variety of historical keyboard instruments including the harpsichord, organ, fortepiano and clavichord. He earned his PhD at the University of Sydney in the study of historical performance practices. Building an awareness of music’s cultural context is central to his attitude towards music making.

After studying harpsichord and fortepiano at the Royal Conservatory of The Hague, he was employed with chamber groups and orchestras in The Netherlands, France, U.K. and the United States. At home, Anthony enjoys performing with the Sydney, Adelaide, Melbourne and Hobart Symphony Orchestras as well as The Australian Romantic and Classical Orchestra and Orchestra of the Antipodes (Pinchgut Opera).

Currently teaching both musicology and historical performance at the Sydney Conservatorium of Music, Anthony focuses on clarifying the connection between theory and practice providing students with the fundamental tools to refine their own historical performing.

When he is not playing the harpsichord or writing a research paper you can find Anthony swimming at the pool or with friends at the pub.

Dieses Album enthält kein Booklet