Something Like a Storm Matthew Good

• 1 Bad Guys Win 04:24
• 2 Decades 03:40
• 3 Men at the Door 04:55
• 4 There the First Time 04:49
• 5 Days Come Down 04:09
• 6 Something Like a Storm 05:55
• 7 She's Got You Where She Wants You 04:11
• 8 This Is Night 04:58
• 9 Bullets in a Briefcase 04:49
• Total Runtime 41:50

Info zu Something Like a Storm

“The theme of the album is one foreboding, of the gathering of socially divisive storm clouds, from the perspective of the personal to wider frames of inclusion,” Matthew says of Something Like a Storm. “The title comes from a demo originally recorded years ago. Given that it was roughly 20 minutes in length, and comprised of movements, I'd only written the first five lines of lyrics which are now the first lines on the album. Musically, the song on the album doesn't include anything from the original demo.”

Matthew Good has been prolific in the decades since the release of his debut album. His eleven studio albums have combined for nearly one million albums sold in Canada alone. Matthew has also been nominated for 21 Juno Awards including a Rock Album of the Year nomination for Chaotic Neutral, his most recent studio album.

Matthew Good, vocals, guitar

Matthew Good
Throughout his two decades at the forefront of Canadian music, Vancouver-based rock icon Matthew Good has only been one thing: unpredictable.

Refusing to adhere to the path of least resistance—a flat, unwavering, pop/rock cultivator status—Good has successfully shuffled through musical genres and aural approaches. The strains of his early work in The Matthew Good Band are virtually incomparable to that of revered solo efforts such as 2003’s Avalanche, 2007’s Hospital Music and 2009’s Vancouver.

Yet each album and track, beat and chord assert Matthew Good as the epitome of an artist and creator: invoking personal challenge, taking unprecedented courses and carving his own path.

The results speak for themselves. From multiplatinum sales to four Juno awards including Vancouver being heralded as 2011’s Rock Album of the Year, 19 nominations overall and almost one million albums in the hands of fans, Matthew Good’s personal mantra of musical evolution has blossomed internationally.

Such accolades culminate in his 13th studio album and sixth solo venture Arrows of Desire (Frostbyte Media/Universal Music), slated for release on September 24. Precursed by lead track “Had It Coming,” where 2011’s Lights of Endangered Species saw Good delving into passion inspired by starkness, the 10 tracks that comprise Arrows of Desire find Good inspired from a new perspective: bare-bones rock.

“With Lights of Endangered Species, I accomplished a lot of things that I’d longed to do for years,” he says. “After I finished touring the album, I found myself at home looking out the window one morning wondering what to do next. There were a lot of options; a lot of different directional possibilities.”

Having issued albums embracing everything from unifying concepts to symphonic rock however, while many doors remained open, Good found only one of them enticing enough to fully step through thanks to an entirely unwitting encounter.

“I had come across an old playlist on my computer and was listening to it that morning. While I was standing there, ‘Honky’s Ladder’ by The Afghan Whigs came on and—as has been the case since the first time I heard it in 1996—it just overwhelmed me. There are a lot of people that are turned off by the discord of Greg Dulli’s vocals but ever since Up In It came out, the utter abandon that he employs has always inspired me. When it finished, the one-two-three of The Pixies’, ‘I’ve Been Tired’ filled my office. Those first words have been burned into my memory since 1987: ‘She’s a real left winger cause she been down south and held peasants in her arms...’ I knew what I wanted to do. I sat down, picked up a guitar and within five minutes had the opening first verse and chorus of ‘Via Dolorosa.’”

Impassioned by his formative years, Good notes that Arrows of Desire is spawned from a direction he hasn’t explored in years. As strange as it sounds, reflection truly is the perfect post- Lights... muse.

“Arrows of Desire is simple rock,” he asserts with finality. “I grew up listening to bands that were four or five chords who made it magic and that’s kinda what I wanted to get done. That’s not saying there aren’t some complexities on the record because there damn well is, but I don’t know... it was just fun to do.”

Dieses Album enthält kein Booklet