Rachmaninoff: Préludes, Opp. 23 & 32 Leon McCawley

• 1 Morceaux de fantaisie, Op. 3: 04:01
• 2 No. 1 in F-Sharp Minor 03:14
• 3 No. 2 in B-Flat Major 03:34
• 4 No. 3 in D Minor 04:00
• 5 No. 4 in D Major 04:52
• 6 No. 5 in G Minor 03:52
• 7 No. 6 in E-Flat Major 02:54
• 8 No. 7 in C Minor 02:38
• 9 No. 8 in A-Flat Major 03:18
• 10 No. 9 in E-Flat Minor 01:59
• 11 No. 10 in G-Flat Major 03:44
• 12 No. 1 in C Major 01:17
• 13 No. 2 in B-Flat Minor 03:14
• 14 No. 3 in E Major 02:23
• 15 No. 4 in E Minor 05:24
• 16 No. 5 in G Major 03:17
• 17 No. 6 in F Minor 01:24
• 18 No. 7 in F Major 02:21
• 19 No. 8 in A Minor 01:47
• 20 No. 9 in A Major 03:03
• 21 No. 10 in B Minor 05:30
• 22 No. 11 in B Major 02:06
• 23 No. 12 in G-Sharp Minor 02:31
• 24 No. 13 in D-Flat Major 05:09
• Total Runtime 01:17:32

Info zu Rachmaninoff: Préludes, Opp. 23 & 32

It's no doubt due to Rachmaninov's supreme musical gifts that on entering the Moscow Conservatory as a pupil of Nicolai Zverev at the age of thirteen he graduated as a pianist with the highest honours within four years, and a year later, as a composer, he was awarded the Great Gold Medal of the Conservatory. He thus became only the third recipient in the Conservatory's history with the title 'Free Artist'. The Ten Preludes Op. 23, the Op. 3 Prelude and the Thirteen Preludes Op. 32 represent all twenty-four major and minor keys and are considered to be among Rachmaninov's best works for solo piano. The success of his first Prelude proved to be double-edged. It became so popular that it travelled round the world to the point where in the 1920s in New York he heard the Paul Whiteman Band play a jazz version and as a touring virtuoso he would not be allowed to leave without playing it as an encore. His Ten Preludes Op. 23 were composed in a burst of creativity in the year that he married his beloved cousin Natalia. In 1910, at the very height of his powers, Rachmaninov completed his set of 24 Preludes with a final group of 13 comprising his Opus 32. The Preludes have the charm, lyricism and nostalgic melancholy intrinsic to Rachmaninov. They can be played individually or as separate sets but hearing them in sequence demonstrates a rarely perceived but always present aspect of this great pianist composer. Leon McCawley's recordings for SOMM have received great accolades. 'Difficult to know whether McCawley's refined piano playing, his natural yet cultivated musicality or his boundless imagination warrant the greater praise. You must hear the recording, but be warned: you may never want to hear another pianist play the Brahms Op. 118.' IRR Outstanding

“Leaving frantic and over-pressured playing to others, Leon McCawley finds a delicate emotional fervour with no lack of drama in Rachmaninov's 24 Preludes.” (Gramophone Magazine)

Leon McCawley, piano

Leon McCawley
one of Britain's foremost pianists, has forged a highly successful career since winning 1st Prize in the 1993 International Beethoven Piano Competition in Vienna and 2nd Prize at the Leeds International Piano Competition, building on his earlier success as Winner of the Piano Section of BBC Young Musician of the Year in 1990. Since then, McCawley’s impressive discography has established him as a pianist of great integrity and variety, bringing freshness and vitality to classical, romantic and 20th century repertoire. His 2015 CD of Rachmaninov’s Complete Preludes for Somm Recordings is no exception: ’a distinguished issue’ (Gramophone May 2015) and ’Leon McCawley is a real poet of the keyboard in these performances that are alive to Rachmaninov’s wonderful melodic invention’ (The Classical Reviewer March 2015).

McCawley has been praised for the purity of his lyrical and heartfelt playing. In April 2011 he performed the complete Mozart Piano Sonatas over one weekend at King’s Place, London in winning performances: ’There's absolutely no vanity in his playing, which is bright, clean and unfailingly communicative. In his hands the Mozartian oeuvre emerged with striking vividness’ (International Piano). Other notable recitals in past seasons include: London Piano Series at the Wigmore Hall (where he returns for two recitals in 2016), International Piano Series at London’s Southbank Centre, Philharmonie and Konzerthaus in Berlin, Frick Collection and Lincoln Center New York, Hong Kong Arts Festival, Prague Rudolfinum and the Phillips Collection Washington DC. He can be frequently heard on BBC Radio 3 both in performance and interview with most recent broadcasts including In Tune, Wigmore Hall Lunchtime Series and Performance on 3.

As a concerto soloist, McCawley performs with many of the leading British orchestras including the Academy of St Martin-in-the-Fields, London Philharmonic, Royal Philharmonic, Philharmonia, BBC Philharmonic, Bournemouth Symphony, City of Birmingham Symphony and Royal Northern Sinfonia. He has performed several times at BBC Proms. Further afield, McCawley has made concerto appearances with, amongst others, Adelaide Symphony, Cincinnati Symphony, Dallas Symphony, Malaysian Philharmonic, Minnesota Orchestra, Netherlands Philharmonic, Philadelphia Orchestra ( where he was praised as ’a master of tone and articulation’ by the Philadelphia Inquirer), RTÉ Concert and National Symphony Orchestras, St. Petersburg Symphony and Vienna Symphony and worked with conductors such as Mark Elder, Daniele Gatti, Paavo Järvi, Andrew Litton, Kurt Masur, Gianandrea Noseda, Sakari Oramo, Simon Rattle and John Wilson.

McCawley studied at Chetham’s School of Music, Manchester with Heather Slade-Lipkin before continuing his studies at the Curtis Institute of Music, Philadelphia with Eleanor Sokoloff. He also received invaluable guidance from Mieczyslaw Horszowski, Nina Milkina and Murray Perahia.

A keen chamber musician, he has enjoyed fruitful collaborations with a range of ensembles and musicians at many prestigious concert venues including BBC Proms Chamber Series, BBC Radio 3 Lunchtime Series at the Wigmore Hall and Aldeburgh, Brighton, Cheltenham and Edinburgh festivals.

McCawley’s discography includes: Barber Piano Music (EMI Classics); Schumann Piano Music (Avie Records) selected as Editor's Choice in Gramophone; The Complete Piano Works of Hans Gal (Avie), also a Gramophone Editor's Choice; The Complete Mozart Piano Sonatas (Avie) awarded a Diapason d'Or ; Chopin Piano Music (Somm Recordings) ; a new recording of Barber Piano Music (Somm), awarded Critic's Choice in Gramophone in November 2011; Beethoven’s Choral Fantasy with Royal Philharmonic and City of London Choir/Hilary Davan Wetton (Naxos); Brahms Piano Music (Somm), selected as Classic FM CD of the Week in July 2012; Schumann Piano Music (Somm); and Rachmaninov Complete Preludes (Somm). His most recent recording is Vaughan Williams Double Piano Concerto with John Lenehan and Royal Scottish National Orchestra/Martin Yates (Dutton Epoch) , described as ‘not been better served on record before’ and awarded 5 stars by BBC Music Magazine.

Leon McCawley is currently professor of piano at London's Royal College of Music. He is married to the painter Anna Hyunsook Paik.

Booklet für Rachmaninoff: Préludes, Opp. 23 & 32