What's New Linda Ronstadt

• 1 What's New 03:55
• 2 I've Got A Crush On You 03:30
• 3 Guess I'll Hang My Tears Out To Dry 04:18
• 4 Crazy He Calls Me 03:36
• 5 Someone To Watch Over Me 04:14
• 6 I Don't Stand a Ghost Of A Chance 04:09
• 7 What'll I Do? 04:09
• 8 Lover Man [Oh Where Can You Be?] 04:21
• 9 Good - Bye 04:48
• Total Runtime 37:00

Info zu What's New

Linda Ronstadt has released more than 30 studio albums and appeared on over 100 albums by other artists, and sold almost 100 million albums worldwide. This Grammy nominated, Triple Platinum-certified 1983 album entitled What's New consists of nine jazz standards recorded with legendary arranger and bandleader Nelson Riddle. This first of three albums arranged by Nelson for Linda includes such well known songs as I've Got a Crush on You, Someone to Watch Over Me, Crazy He Calls Me and many more.

Linda Ronstadt with the Nelson Riddle Orchestra’s What’s New was a very big deal when it was released in 1983. My guess here is that it was much bigger of a deal than you may remember. Why so you ask? It wasn’t a big deal so much that it was a Linda Ronstadt album, nor was it a big deal because it included the Nelson Riddle Orchestra. What made it a big deal was that it was one of the first times that a genuine rock and roll star tackled the “Great American Songbook.”

I’m sure there are more out there, but the only one I could think of quickly was Ringo Starr’s Sentimental Journey. That album was released in 1970 and while yes, Ringo is a very legitimate rock star, I don’t think his vocal abilities will ever be compared to those of Ms. Ronstadt. At least in a positive note they won’t be.

By the early 80s, the usual crooners, Tony Bennett, Frank Sinatra etc., weren’t the biggest things with the youngsters. Yes, they were indeed respected and probably loved even, especially Frank, but they weren’t really selling many units to younger baby boomers. So when What’s New was released it really opened the eyes to a generation that wasn’t all that familiar with the works of George and Ira Gershwin, Cole Porter, Irving Berlin (except during the Holidays) but this album changed that. Yes, they were known to a point, but not like they should have been.

This really did change all that. It sold three million units in the United States. It also started a trend (for good or bad) that has continued until today. As we know, Paul McCartney just did a standards album. Rod Stewart released a ton of them and the list goes on and on. It’s probably grown tiresome now, in fact I’m sure it has, but it wasn’t in 1983.

I loved the rocker Linda Ronstadt and was a little disappointed when I heard of this albums upcoming release. Then I got a copy of it. No, I didn’t play it when the gang was over on a Saturday night, but I did end up playing this very often. I loved it. It was new to me in many ways even though it was very old. At least the writing was. It was great in the car when you were in a mellow mood. Yes, I did play this often.

Linda’s voice was still a strong as could be at this point. She just nailed these songs. The arrangements were just spectacular. The album was produced by her longtime producer Peter Asher. Peter (formerly of Peter and Gordon) also worked with other great acts at the time like James Taylor, Randy Newman, etc.

It was also engineered by another master, that being George Massenburg. You may also know him from producing the great string of Little Feat albums after their reformation in the late 80s.

Another unique aspect about this album was that it was the first album created by the latest mastering technology at the time called: Pure Analog 32-bit 192 Capture! Yes. It is the first highest resolution album with pure analog sound.

I really only have one thing negative to say about this project and that was one, maybe two of these albums would have been enough. Unfortunately, Asylum Records decided after this album’s success that they wanted two more. The follow up Lush Life wasn’t as good and didn’t sell as well. The trend continued after that with For Sentimental Reasons. What’s New peaked at #3, Lush Life at #13 and Sentimental at #46. The public was sending a clear message at that point. NOTE: What’s New sold enough units that would have normally made it an easy #1 selling album, however, this was the same time period as Michael Jackson, Thriller and Lionel Richie, Can’t Slow Down.

I’d suggest giving this one a listen. You can hear it all below. Especially check out “Someone to Watch Over Me”, the title track “What’s New” and “I’ve Got a Crush On You.” Brilliance I say! (Larry Carta, coolalbumreview.com)

Linda Ronstadt, vocals
Ray Brown, bass
Dennis Budimir, guitar
Tommy Tedesco, guitar
Don Grolnick, piano
John Guerin, drums
Jim Hughart, bass
Plas Johnson, saxophone
Bob Cooper, saxophone
Oscar Brashear, trumpet
Tony Terran, trumpet
Chauncey Welsch, trombone

Producer: Peter Asher

Digitally remastered 2011.

Keine Biografie vorhanden.

Dieses Album enthält kein Booklet