Food of Love Julian Nicholas & Emil Viklický

• 1 Not Yet 08:44
• 2 Halloween 06:40
• 3 Porthcawl 10:04
• 4 The Meeting 02:52
• 5 Weeping & Wayning 05:16
• 6 Cut To... 01:15
• 7 An Aspen Leaf 08:52
• 8 Food of Love 06:38
• 9 A Thousand Ships 09:30
• 10 Ginette 08:09
• Total Runtime 01:08:00

Info for Food of Love

Food of Love wurde ursprünglich 1995 in Prag in den berühmten Karlin Studios (dem ehemaligen Sendezentrum der sowjetischen Besatzungsmacht) aufgenommen und ist seit vielen Jahren vergriffen. Mit der Starbesetzung von Julian Nicholas, Emil Viklický, Robert Balzar und dem verstorbenen Dave Wickins wurde dieses bemerkenswerte Album in zwei Tagen aufgenommen. Die Frische und Spontaneität des Musizierens ist nach Ansicht von Julian darauf zurückzuführen, dass er und Dave Wickins sehr gut befreundet waren und bereits gemeinsame Alben gemacht hatten, und dass sie in Emil einen verwandten Geist gefunden hatten.

Food of Love klingt wie alle großartige Musik, die gemacht wird, wie frisch gepresst... Play on!

Julian Nicholas, Tenor- und Sopranaxophon
Emil Viklický, Klavier
Robert Balzar, Kontrabass
Dave Wickins, Schlagzeug

Julian Nicholas
Having worked with such artists as Martha Reeves, Jimmy Witherspoon, Red Rodney, Carleen Anderson and Joe Lee Wilson, Julian is one of the most versatile and sought-after saxophonists in the British Jazz scene.

Julian has had a significant role in the Brighton and South Coast scene as an innovating artist, organizer and educator. Julian was the first promoter to bring artists such as Dudu Pukwana, Django Bates, Jason Rebello, Chris McGregor, Louis Moholo, Sarah Jane Morris, Steve Arguelles, and Viklický to Brighton. He is co-director of South Coast Jazz Festival which he founded in 2015 with Claire Martin O.B.E

As an in-demand player he has appeared consistently at national venues such as Ronnie Scott’s, The 606, the Vortex, Dean St. Jazz Club at Pizza Express, The Spin in Oxford, Brecon, Cheltenham, Herts and Gateshead jazz festivals. His band supported Nina Simone two years running at The Dome for the Brighton Festival.

Emil Viklický
was born in Olomouc, Czechoslovakia (now the Czech Republic), where in 1971 he graduated from Palacky University with a degree in mathematics. While a student he devoted much time to playing jazz piano. In 1974, he was awarded the prize for best soloist at the Czechoslovak Amateur Jazz Festival, and that same year he joined Karel Velebny's SHQ ensemble. In 1976, he was a prizewinner at the jazz improvisation competition in Lyon, and his composition "Green Satin" (Zeleny saten) earned him first prize in the music conservatory competition in Monaco, where in 1985 his "Cacharel" won second prize in the same competition.

In 1977, he was awarded a year's scholarship to study composition and arrangement with Herb Pomeroy at Berklee College of Music in Boston. He then continued his composition studies with Jarmo Sermila, George Crumb and Vaclav Kucera. Since returning to Prague, he has led his own ensembles (primarily quartets and quintets), composed and arranged, and - since the death of Karel Velebny - worked as director of the Summer Jazz Workshops in Frydlant. He has lectured at a similar workshop event in Glamorgan, Wales. Between 1991 and 1995, Viklicky was President of the Czech Jazz Society, and since 1994 he has worked with the Ad lib Moravia ensemble, whose performances combine elements of Moravian folk music, modern jazz and contemporary serious music. In 1996, the ensemble undertook a highly successful concert tour of Mexico and the United States.

As a pianist, Viklicky often performs in international ensembles alongside musicians from the U.S. and other European countries, including the Lou Blackburn International Quartet, the Benny Bailey Quintet, and multi- instrumentalist Scott Robinson. He has made frequent appearances in Finland (with the Finnczech Quartet and in particular with Jarmo Sermila) and Norway (with the Czech-Norwegian Big Band and Harald Gundhus) and has performed in the USA, Japan, Mexico, Israel, Germany, Luxembourg, the Netherlands (at the North Sea Festival) and elsewhere. The editor of Rolling Stone wrote of Viklicky that "It was a delightful surprise to see such first-class, top-of-the-line jazz in Prague."

As a composer, Viklicky has attracted attention abroad primarily for having created a synthesis of the expressive elements of modern jazz with the melodicism and tonalities of Moravian folk song that is distinctly individual in contemporary jazz. Besides this, however, he also composes "straight-ahead" modern jazz as well as chamber and orchestral works that utilize certain elements of the New Music, and at times his music requires a combination of classical and jazz performers. He also composes incidental and film music and has produced scores for several full-length feature films and television series. Throughout the 1990s he devoted an increasing amount of time to the composition of contemporary classical music for a great variety of instrumental combinations ranging from small chamber ensembles and electronic instruments to symphony orchestras and choruses. Viklicky's work has gained him a number of prestigious awards.

This album contains no booklet.