And All The Birds Were Set Free Julian Costello Quartet

Album info

Album-Release:
2024

HRA-Release:
19.04.2024

Label: 33 Jazz

Genre: Jazz

Subgenre: Contemporary Jazz

Artist: Julian Costello Quartet

Album including Album cover

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FLAC 96 $ 13.50
  • 1 WHY 06:33
  • 2 AND ALL THE BIRDS WERE SET FREE 07:57
  • 3 THE OCTOPUS 04:37
  • 4 THE GECKO 07:23
  • 5 WINTER 07:12
  • 6 SUNFLOWERS 06:20
  • 7 LONDON IS BLUE 06:39
  • 8 SONG FOR ANNA 06:34
  • 9 THERE'S ALWAYS ONE TRACK YOU FAST FORWARD 04:05
  • 10 NO DINOSAURS HERE 05:57
  • 11 DIPPY THE DIPLODICUS 06:05
  • Total Runtime 01:09:22

Info for And All The Birds Were Set Free

The third album for '33JAZZ' from leading UK saxophonist Julian Costello and his quartet - pianist John Turville, Andy Hamill on bass, Tom Hooper on drums and guest vocalist Georgia Mancio. A wonderful album featuring Julian's original compositions.

Julian Costello, saxophone
John Turville, piano
Andy Hamill, double bass
Tom Hooper, drums
Guest:
Georgia Mancio, vocals




Julian Costello
is a London-based musician, composer and teacher. He has a scholarship from Trinity College of Music where he received a Postgraduate Certificate of Performance in the Saxophone. Julian writes the music for the Julian Costello Quartet, plays in a number of jazz big Bands, in a vocal/cello and guitar trio and in a world music trio that uses tabla, guitar/loops and soprano saxophone.

Transitions, the latest album by the Julian Costello Quartet, will be released in September 2017 on 33 Jazz Records. It was recorded at Artesuono Studio in Udine, Italy and mixed and mastered by ECM engineer Stefano Amerio.

This new Quartet features Maciek Pysz on guitar, Yuri Goloubev/Michele Tacchi on bass and Adam Teixeira on drums. They have been playing venues in London and the UK to sell out crowds.

This quirky quartet loves to jam, is full of humour and has been playings concerts as a segue, a continious unbroken set. By the end of the first set, so much tension has built up that the release of pent-up applause by the audience is fantastic.

The critic Ian Mann wrote: "The combination of soprano saxophone and guitar was highly effective and Costello adopted a warm, clarinet like tone on his soprano ... on an episodic piece that also featured some exquisite interplay between Pysz and Costello."



This album contains no booklet.

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