Illusion Suite (2023 Remaster) Stanley Cowell Trio

• 1Maimoun07:48
• 2Ibn Mukhtarr Mustapha04:45
• 3Cal Massey06:02
• 4Miss Viki05:21
• 5Emil Danenberg08:29
• 6Astral Spiritual07:40
• Total Runtime40:05

Info for Illusion Suite (2023 Remaster)

Auf Illusion Suite ist "der Zauber leise", wie Down Beat es 1974 in einer Rezension des Albums ausdrückte. "Es schleicht sich an einen heran und trifft auf subtile Weise ins Ohr. Dinge, die erst an einem vorbeigehen, springen Stück für Stück aus der Faktur hervor. Dieses Album präsentiert [Stanley Cowells] frischen pianistischen Ansatz auf direkteste und präziseste Weise". Auf dem Album – Cowells einzige Aufnahme für ECM – wird das Trio des Pianisten durch Stanley Clarke am Bass und Jimmy Hopps am Schlagzeug ergänzt.

"Stanley Cowell war eine sehr einflussreiche Figur innerhalb der Jazzgemeinde, die trotz seiner langen und erfolgreichen Karriere nie den Durchbruch zum Mainstream schaffte. Cowell begann in den späten 60er Jahren in Gruppen zu spielen, die von Legenden wie Marion Brown, Max Roach, Gary Bartz und Jack De Johnette geleitet wurden, bevor er 1969 seine eigene Karriere als Bandleader begann. In den frühen 70er Jahren war Cowell Mitbegründer des einflussreichen, von Künstlern geführten Jazz-Labels Strata-East, das das bahnbrechende Album Winter in America von Gil Scott-Heron sowie eine Reihe von Werken zukunftsorientierter Künstler wie Billy Harper, Clifford Brown und Cecil McBee veröffentlichte. Trotz all seiner Erfolge blieb Cowell während des größten Teils seiner Karriere unter dem Radar, und seine 1973 bei Manfred Eichers ECM erschienene CD wird ebenfalls übersehen. Illusion Suite zeigt Cowells virtuose Klaviertechnik und seine Beherrschung der Jazzsprache, wobei er verschiedene Stile wie Spiritual, Modal, Bop, Fusion und Free Jazz berührt und auch Elemente aus der afrikanischen Musik einfließen lässt. Zu den Höhepunkten gehören das fröhliche "Maimoun" mit dem wunderschönen Streichbass von Stanley Clarke und der rar gespielte, elektrische Fusion-Jam "Miss Viki". Exemplare dieses Albums sind immer schwieriger zu bekommen, also empfehlen wir, sich bald eines zu besorgen, wenn Sie können..." (Phil Cho)

Stanley Cowell, Klavier
Stanley Clarke, Bass
Jimmy Hopps, Schlagzeug

Aufgenommen am 29. November 1972 im Sound Ideas Studio, New York
Produziert von Manfred Eicher

Digitally remastered by Christoph Stickel

Stanley Cowell
is Professor Emeritus of Jazz Piano at Rutgers-Mason Gross School of the Arts and a Steinway Artist. He performs and records as solo pianist in jazz venues and concert halls using African thumb piano, electroacoustic processes, in diverse ensemble formations from duos to orchestras. He has an impressive list of recordings as a composer and pianist, having performed with Max Roach, Miles Davis, Charles Tolliver, Stan Getz, Sonny Rollins, The Piano Choir, Nasheet Waits, Roy Haynes, Art Pepper, Clifford Jordan, Jimmy Heath, and many more.

His formal training in music includes a bachelor's degree and an honorary doctorate in music from Oberlin Conservatory, a Master of Music from University of Michigan, study at the Mozarteum Akademie in Salzburg, Austria, and graduate work at Wichita State and University of Southern California. Recent compositions and/or performances include Asian Art Suite for Orchestra, Jazz Sextet & Asian Percussion with Toledo Symphony, tour of Italy, Billboard Tokyo, Kennedy Center, Mezzo TV-France, Lincoln Center, Strata-East All Stars European Tour, Village Vanguard. Recent CDs: It’s Time, Are You Real, Reminiscent (SteepleChase), Juneteenth (Vision Fugitive). Article: October, 2015 JazzTimes magazine feature.

Stanley Clarke
Clarke’s bass-playing, showing exceptional skill on both acoustic and electric bass, has made him one of the most influential players in modern jazz history. In addition to his solo career, Clarke, as a founding member of the legendary jazz-rock fusion band Return to Forever, has helped redefine the sound of jazz over the last 50 years. Return to Forever—Clarke with fellow seminal members Chick Corea, Lenny White, and Al Di Meola—would become one of the most popular jazz bands of its day, pulling fans from the rock world to achieve commercial success. As part of his strong belief in giving back, he also established the Stanley Clarke Foundation, a charitable organization which awards scholarships to talented young musicians each year.

Clarke grew up in Philadelphia, Pennsylvania, with his mother encouraging him to study music. He first played the violin and cello before settling on the bass, attending the Settlement Music School, where his focus was on studying classical bass repertoire. Clarke made his professional debut at age 15, joining saxophonist Byard Lancaster at the Showboat jazz club. Following studies at the Philadelphia Musical Academy, Clarke moved to New York City, soon working with legendary performers such as Art Blakey, Gil Evans, Stan Getz, Dexter Gordon, and Horace Silver.

With growing notice of Clarke’s remarkable abilities on the bass, he embarked on a solo career, transporting the bass from the back of the stage to the front as the lead instrument. In the 1970s, Clarke released a trilogy of successful albums—Stanley Clarke, Journey to Love, and School Days—that cemented his career as a soloist. He teamed up with keyboardist George Duke in the 1980s, touring and recording together and scoring a top 20 pop hit, “Sweet Baby.” Clarke continued playing with a host of artists from various genres, from Ronnie Wood and Keith Richards of the Rolling Stones to violinist Jean-Luc Ponty. Always, his distinctive bass stood out. In addition to his innovations with the bass guitar, he also developed instruments such as a piccolo bass guitar and a tenor bass guitar.

Since the 1980s, Clarke has scored for film and television, with more than 75 credits to his name, including the films What’s Love Got To Do with It?, Boyz‘n the Hood, Romeo Must Die, Poetic Justice, and The Transporter.

Honors received by Clarke include the Miles Davis Award from the Festival International de Jazz de Montréal (2011) for his entire body of work, numerous Downbeat Reader's and Critic's Poll "Best Electric Bass Player" wins, Bass Player Magazine’s Lifetime Achievement Award, membership in Guitar Player Magazine’s “Gallery of Greats,” and an honorary doctorate from the University of the Arts in Philadelphia. He is an invited member of the exclusive Academy of Motion Picture Arts & Sciences. In 2016, some of Clarke’s instruments and recordings became a part of the permanent collection at the Smithsonian’s National Museum of African American History and Culture (NMAAHC) in Washington, DC. To date, Clarke has won three Grammy Awards and one Latin Grammy. He is still actively touring, composing, and recording.

This album contains no booklet.