Cuando el Fuego Abrasa Ensemble Bayona & María José Pérez

• Joseph Lauber (1864 - 1952): Piano Quintet in F Major, Op. 6:
• 1 Lauber: Piano Quintet in F Major, Op. 6: I. Allegro moderato 11:53
• 2 Lauber: Piano Quintet in F Major, Op. 6: II. [Theme and Variations]. Andante con moto 09:26
• 3 Lauber: Piano Quintet in F Major, Op. 6: III. Scherzo 06:41
• 4 Lauber: Piano Quintet in F Major, Op. 6: IV. Allegro vivace 08:12
• Christoph Blum (b. 1990): Wildwüchse aus Schweizer Volksliedern, for String Trio:
• 5 Blum: Wildwüchse aus Schweizer Volksliedern, for String Trio 06:05
• Francisco Coll (b. 1985): Cantos, for String Quartet:
• 6 Coll: Cantos, for String Quartet 05:46
• Manuel de Falla (1876 - 1946): El Amor Brujo:
• 7 de Falla: El Amor Brujo: I. Introducción y escena 00:30
• 8 de Falla: El Amor Brujo: II. En la cueva 01:52
• 9 de Falla: El Amor Brujo: III. Canción del amor dolido 01:49
• 10 de Falla: El Amor Brujo: IV. El aparecido 00:13
• 11 de Falla: El Amor Brujo: V. Danza del terror 02:20
• 12 de Falla: El Amor Brujo: VI. El círculo mágico. Romance del pescador 02:16
• 13 de Falla: El Amor Brujo: VII. A media noche. Los sortilegios 00:31
• 14 de Falla: El Amor Brujo: VIII. Danza ritual del fuego 03:53
• 15 de Falla: El Amor Brujo: IX. Escena 01:08
• 16 de Falla: El Amor Brujo: X. Canción del fuego fatuo 01:42
• 17 de Falla: El Amor Brujo: XI. Pantomima 04:30
• 18 de Falla: El Amor Brujo: XII. Danza del juego de amor 03:00
• 19 de Falla: El Amor Brujo: XIII. Final. Las campanas del amanecer 01:29
• Total Runtime 01:13:16

Info zu Cuando el Fuego Abrasa

Für sein erstes Aufnahmeprojekt „Cuando el fuego abrasa“ (Wenn das Feuer brennt) präsentiert das Ensemble Bayona die Markenzeichen seiner Identität: die fruchtbare und enge spanisch-schweizerische Zusammenarbeit und die Förderung und Verbreitung von Musik aus dem frühen 20. Deshalb werden die Werke der zeitgenössischen Komponisten Francisco Coll (Spanien) und Christoph Blum (Schweiz) mit zwei Werken vom Anfang des letzten Jahrhunderts kombiniert: El amor brujo von Manuel de Falla (arrangiert für Quintett und Cantaora von José Luis Turina) und, in Zusammenarbeit mit der Universität Lausanne, eine historische Wiederaufnahme des Quintetts über Schweizer Themen von Joseph Lauber. Hervorragendes Ensemblespiel und intensive Darbietungen bieten die Gelegenheit, diese zutiefst faszinierenden Werke zu entdecken!

María José Pérez, Gesang
Ensemble Bayona:
Maria Florea, Violine
Simone Roggen, Violine
María Moros, Viola
Eros Jaca, Violoncello, künstlerischer Leiter
Camille Sublet, Klavier

The Ensemble Bayona
a regular guest at the Auditorio de Zaragoza, focuses its attention on the repertoire of the first half of the 20th century, exploring the bridges between classical and contemporary music. They believe in a musical philosophy free of limitations and prejudices.

The Ensemble Bayona was awarded the Dwight and Ursula Mamlok Prize 2020 and made their debut in the Konzerthaus Berlin in October 2021. The concert was recorded by Radio Deutschlandfunk.

Ensemble Bayona believes in the strength of the interdisciplinary nature of music, a perspective that makes every single one of their projects stand out. They were honoured to receive the prize CREAR 2018 from the Youth College of Aragón in recognition of these innovative elements/ideas in their first concert in the Auditorium de Zaragoza. This ensemble has a flexible formation, which combines strings, winds, piano and percussion according to the requirements of each programme. Being Eros Jaca the artistic director, its members are distinguished performers who share the strong desire to rise above the traditional concept of the classical concert and create authentic communication between the performers and the audience.

In Switzerland the Ensemble has performed in the concert series of the Stadttheater Olten and in the renowned Aargauer Kunsthaus, among others, and has collaborated with the association guerillaclassics and the Stanley Thomas Johnson Stiftung. In the 2022/23 season, various concerts are planned in the Auditorio Príncipe Felipe in Oviedo, as well as in the Festival Múver organized by the Department of Aragon (Spain), in the USA (Billings) and in Switzerland.

María José Pérez Rodríguez
was born in Almeria, Spain in 1985. She started performing at a very young age. She has appeared at major flamenco events throughout Spain.

She has won important awards, including the First Prize in the Córdoba National Competition “Don Antonio Chacón” (2007); the First Prize in the Young Flamenco Contest organized by the Seville Peñas Federation and the Bienal de Arte Flamenco (2004); the “Golden Melon” at the International Flamenco Festival in Lo Ferro-Murcia (2003); and the highly coveted Lampara Minera of the International Festival of Cante de las Minas de La Unión (2015).

She participated in various critically acclaimed productions, including Mario Maya’s ‘Diálogo del Amargo’; ‘Andalucía, Flamenco y Humanidad’, ‘Ocho territorios’ and ‘Divino Tesoro,’ among others. The flamencologist Marcos Escánez said about her: “she possesses a clean, brilliant, vigorous voice and rich in nuances, presenting in her performances a very flamenco phrasing and an extraordinary knowledge of the different styles she performs, always in the most orthodox and classic style, with commendable honesty.”

Booklet für Cuando el Fuego Abrasa