Vanished Gardens Charles Lloyd & The Marvels and Lucinda Williams

• 1 Defiant 08:41
• 2 Dust 07:58
• 3 Vanished Gardens 09:03
• 4 Ventura 06:22
• 5 Ballad Of The Sad Young Men 06:17
• 6 We've Come Too Far To Turn Around 06:30
• 7 Blues For Langston And LaRue 05:38
• 8 Unsuffer Me 11:40
• 9 Monk's Mood 05:15
• 10 Angel 05:53
• Total Runtime 01:13:17

Info for Vanished Gardens

Kaum zu glauben: Am 15. März 2018 feierte Saxophon-Legende Charles Lloyd seinen achtzigsten Geburtstag. Genauso alterlos wie der Musiker ist aber auch noch immer seine Musik. Mal spielte er puren Jazz mit Cannonball Adderley oder Keith Jarrett, mal begab er sich in psychedelische Rock-Gefilde mit niemand geringerem als den Doors, den Beach Boys oder den Grateful Dead. Immer noch durchzieht Lloyds Musik eine tiefe Spiritualität und Größe.

Zusammen mit seiner Band The Marvels (u.a. mit Gitarren-Legende Bill Frisell) ist Charles Lloyd in der jüngeren Vergangenheit schon live und im Studio Kollaborationen mit Folkrock-Berühmtheit Lucinda Williams eingegangen. Auf Lloyds neuem Studioalbum ist die Sängerin jetzt auf insgesamt fünf Titeln als unwahrscheinlich starke Stimme zu hören. Neben eigenen Songs von Lloyd und Williams sind auch Titel von Thelonious Monk und Jimi Hendrix Teil des Album-Repertoires.

Athmosphärische Jazz/Folkrock-Songs mit rhythmischen Highlights.

Bill Frisell, Gitarre
Greg Leisz, Pedal Steel Gitarre
Reuben Rogers, Bass
Eric Harland, Schlagzeug

Zur Info: wir bieten dieses Album in der nativen Abtastrate von 48 kHz, 24-Bit an. Die uns zur Verfügung gestellte 96 kHz-Version wurde hochgerechnet und bietet keinen hörbaren Mehrwert!

Charles Lloyd
NEA Jazz Masters and recipient of the Ordre de Chevalier des Arts et Lettres, Charles Lloyd, continues to elevate the art form with each performance and recording. Born in Memphis, Tennessee March 15, 1938. From an early age, Lloyd was immersed in that city's rich musical life and was exposed to jazz. He began playing the saxophone at the age of 9. Pianist Phineas Newborn became his mentor, and took him to Irvin Reason for lessons. His closest friend in high school was trumpeter, Booker Little. Lloyd worked in Phineas Sr's band, and became a sideman in the Blues bands of B.B. King, Howlin' Wolf, Johnnie Ace, Bobbie "Blue" Bland, and others.

In 1956 Lloyd moved to Los Angeles and graduated from the University of Southern California. During this period Lloyd played in Gerald Wilson's big band, and formed his own group that included Billy Higgins, Don Cherry, Bobby Hutcherson, Scott LAFaro, and Terry Trotter. Lloyd joined Chico Hamilton in 1960. His influence as a composer quickly pushed the group in a more progressive post-bop direction when Hamilton asked him to be the group's "music director." In 1964 Lloyd left Hamilton's group to join alto saxophonist Cannonball Adderley. He recorded two albums as a leader for Columbia Records, Discovery and Of Course, Of Course; his sidemen included Gabor Szabo, Don Friedman, Herbie Hancock, Ron Carter, Tony Williams, and Pete La Roca. In 1965 Lloyd formed a quartet with pianist, Keith Jarrett, bassist, Cecil McBee, drummer, Jack DeJohnette. It was a meeting of of straight-ahead post-bop, Free jazz, rock, and world music. Their music quickly caught the attention of jazz fans and critics. They achieved crossover success with young rock fans and became the first jazz group to play in the famed Fillmore. The album Forest Flower, Live at Monterey, sold over one million copies.

When approached by pianist, Michel Petrucciani in 1981, he resumed performing for two years to help Petrucciani get a footing on the world stage, before retreating again to his secluded life in Big Sur. Following a near death experience in 1986, Lloyd decided to rededicate himself to music. In 1989, Lloyd reestablished an active touring schedule and began recording for ECM Records. Noteworthy albums include Fish Out of Water, Canto, Voice In The Night, The Water Is Wide (featuring Brad Mehldau, John Abercrombie, Larry Grenadier and Billy Higgins) Sangam with Zakir Hussain and Eric Harland.

His 'New Quartet' with Jason Moran, piano, Reuben Rogers, bass and Eric Harland, drums has three recordings on ECM; Rabo de Nube (2008 ) was voted #1 recording for the 2008 Jazz Times Reader's and Critic's Poll, and Mirror ( 2010 ) and Passin’ Thru on Blue Note Records (2017). Commissioned by Jazztopad in Wroclaw, Poland to write a new composition to premiere at their 2013 festival, Lloyd wrote Wild Man Dance Suite for piano, bass, drums, cimbalom and lyra, released on Blue Note Records in April 2015. Lloyd formed a new group called The Marvels featuring Bill Frisell on guitar, Reuben Rogers, Eric Harland and Greg Leisz on steel guitar. Their first release I Long To See You (Blue Note 2016) featured guest tracks by Willie Nelson and Norah Jones. Vanished Gardens ( Blue Notes Records 2018 ) is a Marvels collaboration with the great American singer and poet, Lucinda Williams.

Jazztopad Festival created two additional and important commissions for Lloyd – the 2017 project titled Red Waters, Black Sky, was an homage to his great grandmother Sallie Sunflower Whitecloud, who refused to walk the Trail of Tears and all of the indigenous people who had their homelands taken away from them. This multi media project, project was written for string quartet, choir and the Marvels. The lush arrangements were written by Michael Gibbs. Lloyd’s wife Dorothy Darr created the video that became the backdrop for the performance. In 2019, Jazztopad requested a new performance of the Wildman Dance Suite, this time with orchestra. Michael Gibbs, again, wrote the arrangements and the resulting performance was a resounding success.

In celebration of his 80th birthday in 2018, Blue Note Records released a limited edition box set; 8, Kindred Spirits, Live from the Lobero featured fellow Memphian, Booker T. Jones. The box set includes CD, LP and DVD of the concert along with a 96 page book of photos commemorating Lloyd’s life and legacy. His newest recording, the sixth for Blue Note Records (2021) is Tone Poem, and once again, features the Marvels.

This album contains no booklet.