Nihil Novi Marcus Strickland's Twi-Life

• 1 Tic Toc 03:47
• 2 The Chant 02:45
• 3 Talking Loud 04:32
• 4 Alive 05:44
• 5 Sissoko's Voyage 04:42
• 6 Mantra 01:19
• 7 Cycle 04:16
• 8 Inevitable 04:57
• 9 Drive 03:45
• 10 Cherish Family 00:41
• 11 Celestelude 04:33
• 12 Mingus 01:31
• 13 Truth 04:36
• 14 Mirrors 06:08
• Total Runtime 53:16

Info for Nihil Novi

Der New Yorker Saxofonist, Komponist, Bandleader & Produzent Marcus Strickland veröffentlichte bereits sieben von Kritikern gefeierte Alben und wirkte auf Dutzenden Aufnahmen als Sideman von Roy Haynes, Jeff 'Tain' Watts oder Tom Harrell mit. Der Blue Note Künstler wirkt an den zwei der meisterwartetsten Erscheinung für 2016 auf dem New Yorker Label mit: 'Our Point of View' & Twi-Life 'nihil Novi'. Stricklands aktuelles Hauptprojekt 'Twi-Life' ist eine großartige Mischung aus seinen vielen verschiedenen musikalischen Einflüssen, sei es Jazz, Hip Hop, R&B oder Soul. Der Blue Note Saxofonist veröffentlicht nun sein erstes Album auf Revive/Blue Note, unterstützt von einem beeindruckenden Line-Up von Talenten: Produziert von Meshell Ndegeocello, gemischt vom legendären Bob Power (D´Angelo, A Tribe Called Quest, Chaka Kan) gepaart mit vorausschauenden Künstlern wie Robert Glasper, Chris Dave, Pino Palladino, Keyon Harrold oder Jean Baylor.

Marcus' Sound kann ebenfalls auf der kürzlich erschienenen Compilation 'Supreme Sonacy' gehört werden, stellvertretend für die junge boomende New Yorker Jazz-Szene. Ausserdem ist Strickland ein Kern-Mitglied der Blue Note Supergroup 'Our Point of View'mit einigen der meist-gesuchten Künstler der Next Generation. Ein neues Studio Album wird nächstes Jahr erscheinen, featuring Jazz Giganten wie Herbie Hancock & Wayne Shorter.

Marcus Strickland, Tenorsaxophon
Chad Selph, Keyboards, Organ
Kyle Miles, Kontrabass
Charles Haynes, Schlagzeug
Jean Baylor, Gesang

Marcus Strickland
“It all started as a hobby”, Marcus Strickland says of his beat making. “It was what I did after playing sets with Roy Haynes or Jeff ‘Tain’ Watts” or on a break between practicing saxophone etudes. It started separately, and naturally became one with my voice as a composer and saxophonist.”

Marcus Strickland’s debut Blue Note/ Revive Records release Nihil Novi (Latin for Nothing New) is about our relationship with time: how many things in the world can seem new, but are actually cyclical occurrences or developments from where the past left us off. From 2 Live Crew to Twerking, and Rodney King to Eric Garner, be careful what you call new. The multi reedist/ beatmaker made this record with a strong and inspiring urgency that is inclusive of, yet not exclusively from his jazz roots.

"A musician does not grow from forcing themselves into a vacuum. Genres eventually cross pollinate, making our ability to be in the present more relevant than the original given terms. Creativity does not stay within lanes, it feeds off of its surroundings." However, Strickland has a deep rooted respect and admiration for his predecessors, and it shows in his music. "One great tool that we have to navigate the present is culture. Culture, being the culmination of our triumphs and failures, gives us an advantage when dealing with similar situations, and it reminds us of what is important. So for me Nihil Novi is just a reminder to me of what's mostly important to me, musically and emotionally. I just want it to feel good. When I made the beats that inspired this record I was entrenched in J Dilla, Mad Lib, Slum Village, D'Angelo. I learned from them how to add and subtract layers for an overall affect, how powerful even the most subtle melodic line is when it is absent."

“The many layers, pre-production, and the need for fresh ears to this music were the reasons why I wanted to work with a producer on this venture.” Says Strickland. “It’s impossible to learn how to produce without working close with producers, so I mustered up the courage to ask one of the most well regarded of my heroines to produce this record, Meshell Ndegeocello.” The genre-less, bass guru, songstress, producer generously accepted and immediately allotted the tracking, mixing and mastering to highly regarded sound wizard, Bob Power.

"I could not have planned it any better, the way that things sprouted out when I first started introducing this music to drummer Charles Haynes, who co-produced on most of the tracks. He helped me put together the band, I already knew I wanted to work with him, Jean Baylor, Keyon Harrold (who I already worked with on previous Twi-Life projects) and BIGYUKI. Charles introduced me to Kyle Miles and Mitch Henry and a band was born."

This album contains no booklet.