Magalhães: Missa Veni Domine & Missa Vere Dominus est Cupertinos & Luís Toscano

• Filipe de Magalhães (1571 - 1652): Exsurge, quare obdormis Domine?:
• 1Magalhães: Exsurge, quare obdormis Domine?03:09
• Francisco Guerrero (1528 - 1599): Veni Domine:
• 2Guerrero: Veni Domine04:09
• Filipe de Magalhães: Missa Veni Domine:
• 3Magalhães: Missa Veni Domine: Ia. Kyrie I00:53
• 4Magalhães: Missa Veni Domine: Ib. Christe I00:49
• 5Magalhães: Missa Veni Domine: Ic. Christe II00:49
• 6Magalhães: Missa Veni Domine: Id. Kyrie II00:59
• 7Magalhães: Missa Veni Domine: IIa. Gloria in excelsis Deo02:06
• 8Magalhães: Missa Veni Domine: IIb. Qui tollis peccata mundi, miserere02:09
• 9Magalhães: Missa Veni Domine: IIIa. Credo in unum Deum03:19
• 10Magalhães: Missa Veni Domine: IIIb. Crucifixus01:56
• 11Magalhães: Missa Veni Domine: IIIc. Et in Spiritum Sanctum02:23
• 12Magalhães: Missa Veni Domine: IVa. Sanctus01:41
• 13Magalhães: Missa Veni Domine: IVb. Benedictus01:26
• 14Magalhães: Missa Veni Domine: Va. Agnus Dei I01:52
• 15Magalhães: Missa Veni Domine: Vb. Agnus Dei II / Veni Domine02:01
• Filipe de Magalhães: Magnificat:
• 16Magalhães: Magnificat: I. Magnificat anima mea Dominum00:43
• 17Magalhães: Magnificat: II. Et exsultavit00:45
• 18Magalhães: Magnificat: III. Quia respexit01:05
• 19Magalhães: Magnificat: IV. Quia fecit mihi magna00:55
• 20Magalhães: Magnificat: V. Et misericordia eius01:18
• 21Magalhães: Magnificat: VI. Fecit potentiam00:53
• 22Magalhães: Magnificat: VII. Deposuit potentes00:58
• 23Magalhães: Magnificat: VIII. Esurientes implevit bonis00:49
• 24Magalhães: Magnificat: IX. Suscepit Israel01:09
• 25Magalhães: Magnificat: X. Sicut locutus est00:55
• 26Magalhães: Magnificat: XI. Gloria Patri00:59
• 27Magalhães: Magnificat: XII. Sicut erat in principio01:15
• Pierre de Manchicourt (1^510 - 1564): Vere Dominus est:
• 28Manchicourt: Vere Dominus est: I. Vere Dominus est03:48
• 29Manchicourt: Vere Dominus est: II. Haec est domus Domini03:44
• Filipe de Magalhães: Missa Vere Dominus est:
• 30Magalhães: Missa Vere Dominus est: Ia. Kyrie I00:53
• 31Magalhães: Missa Vere Dominus est: Ib. Christe I01:00
• 32Magalhães: Missa Vere Dominus est: Ic. Christe II00:53
• 33Magalhães: Missa Vere Dominus est: Id. Kyrie II01:08
• 34Magalhães: Missa Vere Dominus est: IIa. Gloria in excelsis Deo01:54
• 35Magalhães: Missa Vere Dominus est: IIb. Qui tollis peccata mundi, miserere02:33
• 36Magalhães: Missa Vere Dominus est: IIIa. Credo in unum Deum03:00
• 37Magalhães: Missa Vere Dominus est: IIIb. Crucifixus01:47
• 38Magalhães: Missa Vere Dominus est: IIIc. Et in Spiritum Sanctum02:30
• 39Magalhães: Missa Vere Dominus est: IVa. Sanctus01:48
• 40Magalhães: Missa Vere Dominus est: IVb. Benedictus01:40
• 41Magalhães: Missa Vere Dominus est: Va. Agnus Dei I01:48
• 42Magalhães: Missa Vere Dominus est: Vb. Agnus Dei II02:31
• Filipe de Magalhães: Commissa mea pavesco:
• 43Magalhães: Commissa mea pavesco03:39
• Total Runtime01:16:01

Info for Magalhães: Missa Veni Domine & Missa Vere Dominus est

Filipe de Magalhães (1563-1652) was most probably a companion of Duarte Lobo (c1565-1646) and Manuel Cardoso (1566-1650) at Évora Cathedral, and was arguably the most acclaimed Portuguese composer among his contemporaries. In the extraordinary context of musical activity in Portugal during the sixteenth and seventeenth centuries, he has been pointed out as the favourite pupil of the renowned master Manuel Mendes (c1547-1605), who bequeathed his musical estate to him in exchange for an intended posthumous edition that sadly never came to fruition. By the end of the 1580s, Magalhães was already a music tutor and singer in the service of Évora Cathedral, from which he would leave for Lisbon in 1596. There, according to the pioneering historian and bibliographer Diogo Barbosa Machado (1682-1772), he was appointed ‘master of the Caza da Misericordia of Lisbon’ and, ‘with great credit to his talent’, master of the Royal Chapel—where he succeeded Francisco Garro (d1623)—from 1623 to 1641, leaving an indelible mark as one of the most esteemed Portuguese musicians.

As a pedagogue, Filipe de Magalhães is credited with having guided such distinguished composers as Estêvão de Brito (c1575-1641) and Estêvão Lopes Morago (c1575-after 1630). In 1614 he published Cantus ecclesiasticus, a book consisting mainly of plainsong dedicated to the liturgical Office of the Dead, whose success can be gauged by its continual re-publication over almost two centuries (until at least 1804), and which earned him the title of ‘distinguished master’ in the Art of plainsong, a treatise by Pedro Thalesio (c1563-c1629) published in Coimbra in 1618. Magalhães, nonetheless, had to wait until 1636 to get his two volumes of polyphonic music—the Missarum liber and Cantica Beatissimae Virginis—published in Lisbon at the workshop of Lourenço Craesbeeck. Aside from the chronological coincidence (it was a remarkable year for Craesbeeck which also saw the publication of two of the three Mass books by Manuel Cardoso), Magalhães’s two volumes are also interesting because they are dedicated, respectively, to Philip III of Portugal (Philip IV of Spain) and Dom João, at the time Duke of Braganza but who, four years later, would be proclaimed John IV, King of Portugal, thus concluding the troubled six-decade period (1580-1640) that would come to be known as the Iberian Union. ...

Cupertinos
Luis Toscano, conductor

No biography found.

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