Live At The Village Vanguard (Remaster) John Coltrane Quartet

Album info

Album-Release:
1962

HRA-Release:
23.09.2016

Label: Verve

Genre: Jazz

Subgenre: Avantgarde Jazz

Artist: John Coltrane Quartet

Album including Album cover

I`m sorry!

Dear HIGHRESAUDIO Visitor,

due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1Spiritual13:50
  • 2Softly As In A Morning Sunrise06:40
  • 3Chasin' The Trane16:12
  • Total Runtime36:42

Info for Live At The Village Vanguard (Remaster)

Coltrane "Live at the Village Vanguard“ is the tenth album by jazz musician John Coltrane and his first live album, released in 1962 on Impulse Records. It is the first album to feature the members of the classic quartet of himself with McCoy Tyner, Jimmy Garrison, and Elvin Jones. In contrast to his previous album for Impulse!, this one generated much turmoil among both critics and audience alike with its challenging music.

„This set documents the four-night stand by John Coltrane (sax) and his quintet at the Village Vanguard in New York City, November 1 -- 5, 1961. Although these are not newly discovered tapes -- as the majority of the selections have turned up on no less than five separate releases -- their restoration is significant in assessing motifs in Coltrane's [read: multi-show] live appearances. Coltrane is accompanied by an all-star ensemble of Eric Dolphy (alto sax/bass clarinet), Garvin Bushell (oboe/contrabassoon), Ahmed Abdul-Malik (oud), McCoy Tyner (piano), Jimmy Garrison (bass), Reggie Workman (bass), Elvin Jones (drums), and Roy Haynes (drums). Their presence is as equally vital as Coltrane's -- inspiring as well as informing the dimensions of improvisation. With the knowledge that the entire run was being documented to create some sort of retail document, Coltrane chose nine specific compositions to concentrate on. The choice of material likewise had a tremendous impact on the personnel of the band -- evidenced by Bushnell's contributions during "Spiritual" and Abdul-Malik's within the context of the extended "India." Each set bears its own distinctive shading and emphasis. Parties wishing to hear the run in its entirety are encouraged to check out the multi-disc Complete 1961 Village Vanguard Recordings (1997) as there are multiple takes of the same songs. This allows even the most unsophisticated jazz consumer the opportunity to note the difference in the various versions, while contrasting the player's widely diverse performance styles. The highly recommended box set also includes a nine-panel fold out poster, 48-page liner notes booklet -- with a complete discography for the included material -- and other ephemera, such as rarely published photographs.“ (Lindsay Planer, AMG)

John Coltrane, soprano and tenor saxophone
Eric Dolphy, bass clarinet on "Spiritual"
McCoy Tyner, piano on side one
Reggie Workman, bass on side one
Jimmy Garrison, bass on side two
Elvin Jones, drums

Recorded November 2–3, 1961 at Village Vanguard, New York City
Produced by Bob Thiele

Digitally remastered



John Coltrane
Born September 23, 1926 in Hamlet, North Carolina, John Coltrane was always surrounded by music. His father played several instruments sparking Coltrane’s study of E-flat horn and clarinet. While in high school, Coltrane’s musical influences shifted to the likes of Lester Young and Johnny Hodges prompting him to switch to alto saxophone. He continued his musical training in Philadelphia at Granoff Studios and the Ornstein School of Music. He was called to military service during WWII, where he performed in the U.S. Navy Band in Hawaii.

After the war, Coltrane began playing tenor saxophone with the Eddie 'CleanHead' Vinson Band, and was later quoted as saying, 'A wider area of listening opened up for me. There were many things that people like Hawk, and Ben and Tab Smith were doing in the ‘40’s that I didn’t understand, but that I felt emotionally.' Prior to joining the Dizzy Gillespie band, Coltrane performed with Jimmy Heath where his passion for experimentation began to take shape. However, it was his work with the Miles Davis Quintet in 1958 that would lead to his own musical evolution. ' Miles music gave me plenty of freedom,' he once said. During that period, he became known for using the three-on-one chord approach, and what has been called the ‘sheets of sound,’ a method of playing multiple notes at one time.

By 1960 Coltrane had formed his own quartet which included pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison. Eventually adding players like Eric Dolphy, and Pharoah Sanders. The John Coltrane Quartet created some of the most innovative and expressive music in Jazz history including the hit albums: 'My Favorite Things,' 'Africa Brass,' ' Impressions,' ' Giant Steps,' and his monumental work 'A Love Supreme' which attests to the power, glory, love, and greatness of God. Coltrane felt we must all make a conscious effort to effect positive change in the world, and that his music was an instrument to create positive thought patterns in the minds of people.

In 1967, liver disease took Coltrane’s life leaving many to wonder what might have been. Yet decades after his departure his music can be heard in motion pictures, on television and radio. Recent film projects that have made references to Coltrane’s artistry in dialogue or musical compositions include, 'Mr. Holland’s Opus', 'The General’s Daughter', 'Malcolm X', 'Mo Better Blues', 'Jerry McGuire', 'White Night', 'The Last Graduation', 'Come Unto Thee', 'Eyes On The Prize II' and 'Four Little Girls'. Also, popular television series such as 'NYPD Blue', 'The Cosby Show', 'Day’s Of Our Lives', 'Crime Stories' and 'ER', have also relied on the beautiful melodies of this distinguished saxophonist.

In 1972, 'A Love Supreme' was certified gold by the RIAA for exceeding 500,000 units in Japan. This jazz classic and the classic album 'My Favorite Things' were certified gold in the United States in 2001.

In 1982, the RIAA posthumously awarded John Coltrane a Grammy Award of ' Best Jazz Solo Performance' for the work on his album, 'Bye Bye Blackbird'. In 1997 he received the organizations highest honor, the Lifetime Achievement Award.

On June 18, 1993 Mrs. Alice Coltrane received an invitation to The White House from former President and Mrs. Clinton, in appreciation of John Coltrane’s historical appearance at the Newport Jazz Festival.

In 1995, John Coltrane was honored by the United States Postal Service with a commemorative postage stamp. Issued as part of the musicians and composers series, this collectors item remains in circulation.

In 1999, Universal Studios and its recording division MCA Records recognized John Coltrane’s influence on cinema by naming a street on the Universal Studios lot in his honor.

In 2001, The NEA and the RIAA released 360 songs of the Century . Among them was John Coltrane’s 'My Favorite Things.' (Source: www.johncoltrane.com)

This album contains no booklet.

© 2010-2020 HIGHRESAUDIO