P'ra você Raquel Lojendio & Chiky Martín

• Jayme Ovalle (1894 - 1955):
• 1Modinha02:37
• 2Azulao01:45
• Heitor Villa-Lobos (1887 - 1959):
• 3Melodia sentimental, W55603:08
• 4Modinhas e canções, W406 (Excerpts): No. 1, Cançao do marinheiro02:48
• 5Modinhas e canções, W406 (Excerpts): No. 2, Lundú da Marqueza de Santos02:23
• Carlos Pagliuchi (1885 - 1963):
• 6A casinha pequenina03:09
• Oscar Lorenzo Fernández (1897 - 1948):
• 7Tonada pra voce02:12
• Alberto Ginastera (1916 - 1983):
• 82 Canciones, Op. 3: No. 2, Canción de la luna lunanca01:53
• 95 Canciones populares argentinas, Op. 10 (Excerpts): No. 2, Triste03:20
• 105 Canciones populares argentinas, Op. 10 (Excerpts): No. 3, Zamba01:44
• 115 Canciones populares argentinas, Op. 10 (Excerpts): No. 4, Arrorró02:08
• 122 Canciones, Op. 3: No. 1, Canción al árbol del olvido02:25
• Carlos Guastavino (1912 - 2000):
• 134 Canciones coloniales (Excerpts): No. 1, Cuando acaba de llover03:10
• 1412 Canciones populares (Excerpts): No. 2, El Sampedrino03:40
• 15La tempranera03:27
• 16Pueblito, mi pueblo02:21
• 1712 Canciones populares (Excerpts): No. 8, Pampa sola02:21
• 18Pampamapa03:59
• 194 Canciones coloniales (Excerpts): No. 3, Ya me voy a retirar04:02
• 204 Canciones coloniales (Excerpts): No. 2, Préstame tu pañuelo02:39
• 2112 Canciones populares (Excerpts): No. 1, Bonita rama de sauce03:25
• 22La rosa y el sauce02:51
• 23Se equivocó la paloma02:31
• Total Runtime01:03:58

Info for P'ra você

“I compose music because I love it. I love melodies, I love singing. And I have found out with pleasure that there is a public out there who is very interested in my music whenever I publish it. That’s fantastic! I refuse to just compose music designed to be discovered and understood by future generations.” With these words Carlos Guastavino (Santa Fe, 1912 - Buenos Aires, 2000) expressed himself, aware that his art belonged to those who wanted to hear and sing it, reneging on the customary exercise of the composer who seeks to be recognized by the umpteenth harmonic discovery never before tried out. Guastavino enriched the young voice of the Argentine people with his music, giving it a unique and identifiable tone, supporting the tip of his feet in a folklore to which he gave wings to surpass himself. “Cinco canciones argentinas” (Five Argentinean songs), Op. 10. This work exemplarily shows the most characteristic features of what has come to be known as Ginastera’s period of objective nationalism. Namely, the use of folkloric elements and tonal techniques together with other techniques which are typical of atonalism, especially in piano accompaniment.

Raquel Lojendio, soprano
Chiky Martín, piano

No biography found.

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