Clara & Robert Schumann: Works for Piano Margarita Höhenrieder

Cover Clara & Robert Schumann: Works for Piano

Album info



Label: Solo Musica

Genre: Classical

Subgenre: Instrumental

Artist: Margarita Höhenrieder

Composer: Clara Schumann (1819-1896), Robert Schumann (1810-1856)

Album including Album cover Booklet (PDF)


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FLAC 96 $ 14.70
  • Clara Schumann (1819 - 1896): Piano Sonata in G Minor:
  • 1Piano Sonata in G Minor: I. Allegro08:50
  • 2Piano Sonata in G Minor: II. Adagio02:56
  • 3Piano Sonata in G Minor: III. Scherzo02:55
  • 4Piano Sonata in G Minor: IV. Rondo04:55
  • Robert Schumann (1810 - 1856): Papillons, Op. 2:
  • 5Papillons, Op. 2: No. 1 in D Major00:51
  • 6Papillons, Op. 2: No. 2 in E-Flat Major00:15
  • 7Papillons, Op. 2: No. 3 in F-Sharp Minor00:49
  • 8Papillons, Op. 2: No. 4 in A Major00:47
  • 9Papillons, Op. 2: No. 5 in B-Flat Major01:26
  • 10Papillons, Op. 2: No. 6 in D Minor01:00
  • 11Papillons, Op. 2: No. 7 in F Minor00:50
  • 12Papillons, Op. 2: No. 8 in C-Sharp Minor00:52
  • 13Papillons, Op. 2: No. 9 in B-Flat Minor00:45
  • 14Papillons, Op. 2: No. 10 in C Major01:57
  • 15Papillons, Op. 2: No. 11 in D Major02:30
  • 16Papillons, Op. 2: No. 12 in D Major01:59
  • Clara Schumann: 3 Romances, Op. 11:
  • 173 Romances, Op. 11: No. 1, Andante03:08
  • 183 Romances, Op. 11: No. 2, Andante - Allegro passionato05:01
  • 193 Romances, Op. 11: No. 3, Moderato04:15
  • Robert Schumann: Piano Sonata No. 2 in G Minor, Op. 22 "Grand":
  • 20Piano Sonata No. 2 in G Minor, Op. 22 "Grand": I. So rasch wie möglich06:13
  • 21Piano Sonata No. 2 in G Minor, Op. 22 "Grand": II. Andantino04:43
  • 22Piano Sonata No. 2 in G Minor, Op. 22 "Grand": III. Scherzo. Sehr rasch und markiert01:38
  • 23Piano Sonata No. 2 in G Minor, Op. 22 "Grand": IV Rondo. Presto05:30
  • Total Runtime01:04:05

Info for Clara & Robert Schumann: Works for Piano

Margarita Höhenrieder writes of her new release: "After just a few notes on this exceptionally fine Pleyel grand piano in Kellinghusen, north of Hamburg, in a collection of Eric Feller’s, I found myself plunged into a different century. This pianoforte was built in Paris in about 1855 and professionally restored using historical materials and methods. It is absolutely uniform with the instrument that Chopin possessed, and is of typically French elegance – in sound as well as in appearance. It reflects the soul of the Romantic era. Apart from that, it offers an authentic testimony to the sound of the instruments that Fryderyk Chopin and Robert and Clara Schumann played. Clara’s father, Friedrich Wieck, gave his daughter a Streicher grand, built in Vienna. Personally, I saw this Pleyel as the ideal instrument on which to play the works of Robert and Clara Schumann as authentically as possible while also matching as precisely as possible the exacting demands they place on piano technique. The constant aspiration in today’s music world towards ever larger and more versatile instruments and architecturally and acoustically challenging auditoria meant that I was in search of a convincingly authentic sound for compositions written in and around the 1830s, while also looking out for a suitable performance location – comparable to a mid-19th-century salon and differing from today’s concert halls."

Margarita Höhenrieder, piano

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Booklet for Clara & Robert Schumann: Works for Piano

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