Antonin Dvorak & Martinu: Cello Concertos Christian Poltéra

• 1I. Allegro14:06
• 2II. Adagio ma non troppo11:01
• 3III. Finale: Allegro moderato12:19
• 4I. Allegro moderato07:54
• 5II. Andante moderato09:48
• 6III. Allegro - Andantino - Tempo I06:57
• Total Runtime01:02:05

Info for Antonin Dvorak & Martinu: Cello Concertos

Since 2007, cellist Christian Poltéra has recorded a number of acclaimed discs for BIS, of less often heard concertos by composers such as Othmar Schoeck, Frank Martin and Samuel Barber, as well as contemporary classics including Henri Dutilleux’s ‘Toute un monde lointain…’. Across the world, reviewers have been bowled over by Poltéra’s effortless technique, but even more so by his communicative skills and beautiful sound, typically using adjectives such as ‘glowing’, ‘lyrical’, ‘ripe’ and ‘singing’. These are of course qualities that will enhance any repertoire, and here, on his latest disc, Poltéra has occasion to apply them to one of the truly great Romantic concertos. Antonín Dvořák once famously expressed the opinion that the cello was unsuitable as a solo instrument, going on to compose what was to become one of the most beautiful, as well as popular, concertos in the repertoire. Although the solo part is demanding, the work is by no means a bravura showpiece. Instead, the orchestra and soloist form an integral whole, something which is admirably brought out in the interaction between Poltéra and the Deutsches Symphonie-Orchester Berlin under Thomas Dausgaard. When he composed his First Cello Concerto, in 1930, Dvořák’s compatriot Bohuslav Martinů also wanted to create a work involving dialogue between soloist and orchestra. Inspired by the concerto grosso form of the baroque era, he wrote a first version for cello and chamber orchestra, which he revisited in 1939, expanding it for large orchestra. In 1955 he returned to the concerto once again to create a third and final version, which has become one of his most popular works.

Christian Poltéra, cello
Deutsches Symphonie-Orchester Berlin
Thomas Dausgaard, conductor

Christian Poltéra
Born in Zurich, cellist Christian Poltéra was a pupil of Nancy Chumachenco and Boris Pergamenschikov before studying with Heinrich Schiff in Salzburg and Vienna. Since replacing Yo-Yo Ma performing the Elgar concerto with the Tonhalle Orchestra Zurich under David Zinman at the age of 17, Mr. Poltéra has steadily established himself as one of the most prominent cellists of his generation.

As soloist he has worked with eminent orchestras including the Munich Philharmonic Orchestra, Leipzig Gewandhaus Orchestra, NDR Hamburg Orchestra, Oslo Philharmonic Orchestra, Vienna and Bamberg Symphonies, Royal Liverpool Philharmonic, Orchestra Santa Cecilia in Rome, Orchestre de Paris, Orchestre National de Lyon, BBC Philharmonic, Camerata Salzburg, Deutsche Kammerphilharmonie Bremen, Chamber Orchestra of Europe and Los Angeles Philharmonic under such conductors as Bernard Haitink, Riccardo Chailly, Christoph von Dohnanyi, Sir John Eliot Gardiner, Leonard Slatkin, Sir Andrew Davis, Paavo Järvi, Donald Runnicles, as well as the leading conductors of the younger generation, such as James Gaffigan, Robin Ticciati, Vasily Petrenko and Andris Nelsons. Mr. Poltéra made his solo debut in the US in 2006 with the American Symphony Orchestra at Avery Fisher Hall in New York. Upcoming highlights include appearances with the Deutsches Symphonie-Orchester at the Berlin Philharmonie, the Munich Chamber Orchestra, the Oregon Symphony, and a three week residency with the São Paolo Symphony.

Mr. Poltéra also devotes himself intensively to chamber music, working with such musicians as Gidon Kremer, Christian Tetzlaff, Karen Gomyo, Leonidas Kavakos, Martin Fröst, Kathryn Stott, Lars Vogt, and Leif Ove Andsnes, as well as the Auryn, Belcea, and Zehetmair Quartets. In 2008 he joined Mitsuko Uchida in performances of Messiaen's "Quartet for the End of Time", at Carnegie's Zankel Hall and the Kimmell Center in Philadelphia. Together with violinist Frank Peter Zimmermann and violist Antoine Tamestit, Christian Poltéra has formed a regular string trio that performs at the most prestigious concert venues as well as at the Salzburg and Edinburgh Festivals. In 15-16 the Trio Zimmermann tours in Amsterdam, Vienna, Munich, Madrid, Bilbao, Barcelona, and Hamburg. With Juho Pohjonen and Karen Gomyo he performs in Toronto and Philadelphia in March, 2016.

In 2004 he received the Borletti-Buitoni Award and was selected as a BBC New Generation Artist. In 2006-07 he was a 'Rising Star' of the European Concert Hall Organization. He is a regular guest at renowned festivals (such as Salzburg, Lucerne, Berlin, and Vienna) and made his BBC Proms debut with the BBC Symphony Orchestra in 2007.

Christian Poltéra's discography reflects his wide range of repertoire that includes the cello concertos by Barber, Lutoslawski, Dutilleux, Schoeck, Honegger, Martin, and Toch, as well as chamber music by Prokofiev, Fauré, Mozart, Saint-Saens and Schubert, on the labels BIS Records, Deutsche Grammophon, EMI, and Chandos.

These recordings have won acclaim from the international press, and have been honored with the Diapason d'or, Gramophone Magazine's "Editor's Choice", Strad Magazine's "Strad Selection", and BBC Music Magazine's "Choice".

Now recording regularly for BIS, Mr. Poltéra's recent releases include the cello concertos by Hindemith and Walton (São Paulo Symphony Orchestra / Frank Shipway). CD releases in 15-16 include the Dvorak and Martinu Concerti with the Deutsches Symphonie-Orchester and Thomas Dausgaard.

Christian Poltéra plays the famous cello "Mara", built in 1711 by Antonio Stradivari.

Booklet for Antonin Dvorak & Martinu: Cello Concertos