Ich will schweigen Alice Foccroulle / Béatrice Mayo-Felip / Reinoud Van Mechelen / InAlto & Lambert Colson

• Johann Hermann Schein (1586-1630): Canzon 'Corollarium'
• 1 Canzon corollarium à 5 in A Minor 04:19
• Johann Hermann Schein: Ich will schweigen
• 2 Ich will schweigen 05:53
• Johann Krieger (1652-1735): Fantasia in D Minor
• 3 Fantasia in D Minor 01:50
• Johann Hermann Schein: Exaudiat te Dominus
• 4 Exaudiat te Dominus 08:17
• Johann Hermann Schein: Suite VII
• 5 Suite VII 07:48
• Heinrich Bach (1615-1692): Fugue on Erbarm dich mein, o Herre Gott
• 6 Fugue on Erbarm dich mein, o Herre Gott 03:05
• Johann Hermann Schein: Erbarm dich mein, o Herre Gott
• 7 Erbarm dich mein, o Herre Gott 03:26
• Gottfried Reiche (1667-1734): Fuga XII à 4
• 8 Fuga XII à 4 03:14
• Johann Hermann Schein: Herr Christ, der einig Gottes Sohn
• 9 Herr Christ, der einig Gottes Sohn 01:58
• Johann Schelle (1648-1701): Nun komm, der Heiden Heiland
• 10 Nun komm, der Heiden Heiland 02:15
• Gottfried Reiche (1667-1734): Sonatina à 4
• 11 Sonatina à 4 03:21
• Johann Hermann Schein: Mach dich auf, werde Licht
• 12 Mach dich auf, werde Licht 06:32
• Johann Hermann Schein: Paduana à 4 in D Minor
• 13 Paduana à 4 in D Minor 02:10
• Heinrich Scheidemann (1595-1663): In dich hab ich gehoffet, Herr
• 14 In dich hab ich gehoffet, Herr 05:43
• Johann Sebastian Bach (1685-1750): Fuga sopra Durch Adams Fall ist ganz verderbt, BWV 705
• 15 Fuga sopra Durch Adams Fall ist ganz verderbt, BWV 705 02:47
• Total Runtime 01:02:38

Info for Ich will schweigen

When Johann Hermann Schein became Kantor at the church of Saint Thomas in Leipzig in 1616, he had, on the one hand, to satisfy the liturgical demands of his Lutheran parish and, on the other, compose music that was truly contemporary, sensible to the new style coming out of Italy. Schein exploited the new possibilities brought by the basso continuo, demonstrated his mastery of musical rhetoric and wrote extremely ambitious music of great expressive force. The instrumentation calls for instruments such as the cornet, trombone and dulcian, Schein drawing his musicians from the forces of the Stadtpfeiffer and Ratsmusiker, guilds of instrumentalists attached to the City of Leipzig since the 15th century. For this musical portrait of Schein, one of the greatest German composers of the 17th century and one of J. S. Bach’s most talented predecessors, InAlto presents an itinerary to the sources of the German cantata and testimony to the extraordinary tradition of city musicians perpetuated over the centuries. In addition to Schein’s music, this heritage is represented here by Johann Schelle, Gottfried Reiche and J. S. Bach.

Alice Foccroulle, soprano
Béatrice Mayo-Felip, soprano
Reinoud van Mechelen, tenor
Marc Meisel, organ
Ensemble Inalto
Lambert Colson, conductor

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