My Tribute To Yehudi Menuhin Daniel Hope & Kammerorchester Basel
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- Felix Mendelssohn (1809-1847): Violin Concerto in D minor:
- 11. Allegro10:00
- 22. Andante08:33
- 33. Allegro04:08
- Bechara El-Khoury (*1957):
- 4Unfinished Journey08:25
- Steve Reich (*1936): Duet for two Violins and Strings:
- Antonio Vivaldi (1678-1741): Concerto for two Violins and Strings in A minor:
- 61. Allegro03:19
- 72. Larghetto e spiritoso03:51
- 83. Allegro02:52
- John Tavener (1944-2013): For Soprano, Violin and Strings:
- 9Song Of The Angel04:11
- Arvo Pärt (*1953): For Violin, Tubular and Strings:
- 10Darf ich ...03:32
- Toru Takemitsu (1930-1996): For Violin and Stings:
- 11Nostalghia. In Memory Of Andrei Tarkovskij16:18
- Hans Werner Henze (1926-2012): Serenade for Violin, Cello and Piano:
- 12Adagio adagio04:20
- Edward Elgar (1857-1934): For Violin, Piano and Strings:
- 13Salut d'amour, Op. 1203:11
- Béla Bartók (1881-1945): 44 Duos for two Violins:
- 14No. 35: Rutén kolomejka01:07
- 15No. 28: Bánkódás02:20
- 16No. 15: Katonanóta01:06
- 17No. 14: Párnás Tánc00:34
- 18No. 32: Máramarosi Tánc00:40
- 19No. 36: Szól a duda00:57
- Georg Enescu (1881-1955): For Violin and Piano:
- 20Hora Unirii01:47
- Jo Kunümann (1895-1952): For Violin, Mandolin, Piano and Strings:
- Edward Elgar (1857-1934): For Violin and Piano :
- 22Chanson de nuit, Op. 15, No. 203:50
- Maurice Ravel (1875-1937): For Violin and Piano:
- 231. Kaddisch05:42
Info for My Tribute To Yehudi Menuhin
This year marks the 100th anniversary of violin legend Yehudi Menuhin, and Daniel Hope dedicates a complete album to his former mentor and close friend. After fleeing from the Apartheid regime in South Africa, and ending up in England, Hope’s mother was offered a job as a secretary to Menuhin, and later became his manager. Hope says Menuhin is the reason he became a violinist. This new album is a beautiful selection of works, mostly commissioned by/for Yehudi Menuhin including Takemitsu’s Nostalghia, Reich’s Duet for 2 Violins and String Orchestra and Henze’s Adagio. The Vivaldi Concerto RV 522 for 2 Violins was the piece Hope and Menuhin played together many times in the past.
Daniel Hope, violin
Kammerorchester BaselDaniel Lozakovitj, violin
Simos Papanas, violin
British violinist Daniel Hope has toured the world as a virtuoso soloist for more than twenty years, and as the youngest ever member of the Beaux Arts Trio during its last six seasons. He is renowned for his musical versatility and creativity and for his dedication to humanitarian causes. Hope performs as soloist with the world’s major orchestras and conductors, directs many ensembles from the violin, and plays chamber music in a wide variety of traditional and new venues. Raised in London and educated at Highgate School, Hope earned degrees at the Royal Academy of Music, where he studied with renowned Russian pedagogue Zakhar Bron.
London’s Observer called Hope “the most exciting British string player since Jacqueline du Pré,” and recent New York Times reviews summarized his unique attributes: “... a violinist of probing intellect and commanding style... In a business that likes tidy boxes drawn around its commodities, the British violinist Daniel Hope resists categorization.’
Daniel Hope, an exclusive Deutsche Grammophon artist since 2007, has earned numerous Grammy nominations, a Classical BRIT award, the Deutsche Schallplattenpreis and five ECHO Klassik Prizes. He previously recorded for Warner Classics and Nimbus, playing Bach, Britten, Elgar, Finzi, Foulds, Ireland, Mendelssohn, Mozart, Penderecki, Schnittke, Shostakovich, Tippett, Walton, and Weill. His recording of the Berg Violin Concerto was voted to be the “best available of all time” by Gramophone Magazine in 2010. His Mendelssohn CD for Deutsche Grammophon featuring the Violin Concerto and Octet was voted one of the finest Mendelssohn recordings by the New York Times in 2009. His recent release for Deutsche Grammophon was a tribute to the great and highly influential violinist and composer Joseph Joachim (1831- 1907) and centred around the Bruch concerto, a work with which Joachim was closely associated. The Bruch was recorded with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo. "Four Seasons Recomposed" – the newest release in DG’s “Recomposed” series presents Daniel Hope with the Berlin Konzerthaus Chamber Orchestra, conducted by André de Ridder, in a world première recording of British composer Max Richter’s." Spheres" – which is Hope’s own project, due out in early 2013 – is a curated collection of repertoire celebrating the idea, first brought forward by Pythagoras, that planetary movement creates its own kind of music. This idea has fascinated philosophers, musicians, and mathematicians for centuries. The CD’s program includes music in a variety of styles, from Baroque to minimalist, by Bach, Faure, contemporary masters like Arvo Pärt and Michael Nyman, and younger composers who have specially composed new works for Hope, based on the idea of spherical music. These include Gabriel Prokofiev, Ludovico Einaudi, Alex Baranowski and Aleksey Igudesmann. Hope is joined by the Berlin Rundfunk-choir under the direction of Simon Halsey on this disc.
Hope regularly directs chamber orchestras as violin soloist with ensembles including the Chamber Orchestra of Europe, Camerata Salzburg, and Lucerne Festival Strings. He has performed at the world’s most important festivals, such as the BBC Proms, Hollywood Bowl and the Lucerne, Ravinia, Salzburg, Schleswig-Holstein, and Tanglewood festivals. Daniel Hope has performed in all of the world’s most prestigious venues and with the world’s great orchestras. Highlights include the Boston Symphony, Chicago Symphony, Los Angeles Philharmonic and Toronto Symphony Orchestras, as well as the major orchestras of Berlin, Birmingham, Dallas, Detroit, Dresden, Israel, London, Moscow, Oslo, Paris, Stockholm, and Vienna. He is Associate Music Director of the Savannah Music Festival and Artistic Director at the Mecklenburg-Vorpommern Summer Festival in Germany. He has also published three bestselling books.
Daniel Hope plays the 1742 “ex-Lipiński” Guarneri del Gesù, placed generously at his disposal by an anonymous family from Germany. The instrument carries the name of its owner, the 19th century Polish violinist Karol Lipiński, who shared the stage with Paganini, Schumann and Liszt.