Midnights (3am Edition) Taylor Swift

• 1 Lavender Haze 03:22
• 2 Maroon 03:38
• 3 Anti-Hero 03:20
• 4 Snow On The Beach 04:16
• 5 You're On Your Own, Kid 03:14
• 6 Midnight Rain 02:55
• 7 Question...? 03:30
• 8 Vigilante Shit 02:44
• 9 Bejeweled 03:14
• 10 Labyrinth 04:07
• 11 Karma 03:24
• 12 Sweet Nothing 03:08
• 13 Mastermind 03:11
• 14 The Great War 04:00
• 15 Bigger Than The Whole Sky 03:38
• 16 Paris 03:16
• 17 High Infidelity 03:51
• 18 Glitch 02:28
• 19 Would've, Could've, Should've 04:20
• 20 Dear Reader 03:45
• Total Runtime 01:09:21

Info for Midnights (3am Edition)

U.S. music superstar Taylor Swift released her hotly-anticipated 10th studio album "Midnights". On the 13 tracks of “Midnights,” a self-aware Swift shows off her ability to evolve again. For her 10th original album, the 32-year-old pop star approaches the themes she’s grown up writing about — love, loss, childhood, fame — with a maturity that comes through in sharpened vocals and lyrics focused more on her inner-life than external persona.

“All of me changed like midnight,” Taylor Swift confesses halfway through her latest album, the aptly named and moody “Midnights.” It’s a moment on the electric “Midnight Rain” that finds lyricist Swift at her best, reminding you of her unparalleled ability to make any emotion feel universal.

"This is a collection of music written in the middle of the night, a journey through terrors and sweet dreams,” she wrote. “The floors we pace and the demons we face. For all of us who have tossed and turned and decided to keep the lanterns lit and go searching – hoping that just maybe, when the clock strikes 12 … we’ll meet ourselves. Meet me at midnight."

"Surprise! I think of Midnights as a complete concept album, with those 13 songs forming a full picture of the intensities of that mystifying, mad hour. However! There were other songs we wrote on our journey to find that magic 13. I’m calling them 3am tracks. Lately I’ve been loving the feeling of sharing more of our creative process with you, like we do with 'From The Vault' tracks. So it’s 3am and I’m giving them to you now."

"Everything on Midnights is new work. Nothing is left over from a different album. It might’ve been ideas or concepts or things I’ve thought of maybe making in the past, but I didn’t write anything until I was making this album. I think that, in terms of referencing my previous work, that’s a fun thing for me to do that all does usually lead to something, but if we’re reflecting back on eras past, and music that I’ve made in the past, I think you’ll find that there’s a really good reason for that. But, it doesn’t necessarily have to do with this album. I will leave you with that very cryptic, but very truthful answer." (Taylor Swift)

Taylor Swift

Taylor Swift
is a seven-time GRAMMY winner, and the youngest recipient in history of the music industry’s highest honor, the GRAMMY Award for Album of the Year. She is the best-selling digital music artist of all time, and the only female artist in music history (and just the fourth artist ever) to twice have an album hit the 1 million first-week sales figure (2010’s Speak Now and 2012’s RED). She’s a household name whose insanely catchy yet deeply personal self-penned songs transcend music genres, and a savvy businesswoman who has built a childhood dream into an empire.

But the numbers don’t tell Taylor's story half as well as she could. After all, it’s the intangibles that elevate Swift into the stratosphere of our pop culture planet, allowing the 24-year old singer-songwriter to orbit in a more rarified air. Her large-scale charitable contributions are one thing, but it’s in the small gestures – the notes of compassion she posts on the Instagram photos of lovelorn fans, the genuine hugs she distributes without discretion – where Swift proves time and time again that platinum-selling, record-setting success has not changed her inherent nature. She is awkwardly honest and powerfully empathetic; a brazen superfan, loyal friend, fierce protector of hearts; and one of the world’s greatest ambassadors for the power of just being yourself.

Granted, for Taylor, “being herself” tends towards shimmering, gossamer perfection – but that’s an image regularly blown whenever she dons fake braces and a tri-pony to clown around on late night TV. She’s the first artist since the Beatles (and the only female artist in history) to log six or more weeks at #1 with three consecutive studio albums, and while she’s been named one of Time magazine’s 100 Most Influential People in the World, she’s probably the only person on that list who uses social media to post notes to her best friends and videos of her cats.

As Billboard’s youngest-ever Woman of the Year prepares to release her fifth album, 1989, she finds herself, as always, in the glare of a blinding spotlight of expectation – but if you think that scares her, you haven’t been paying attention. She calls 1989 her most sonically cohesive collection, and armed with first single, “Shake It Off,” she’s ready to blaze into the next phase of her still-young career, where she’ll continue to dance like no one’s watching, write like she stole our collective diary, and inevitably soar to ever-greater heights. All that’s left to wonder is how many more lives she’ll lift in the process.

Booklet for Midnights (3am Edition)