Brahms: Academic Festival Overture / Alto Rhapsody / Variations On A Theme by J. Haydn Yvonne Naef

Cover Brahms: Academic Festival Overture / Alto Rhapsody / Variations On A Theme by J. Haydn

Album info

Album-Release:
2005

HRA-Release:
07.07.2015

Album including Album cover Booklet (PDF)

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  • Johannes Brahms (1833-1897): Academic Festival Overture, Op. 80
  • 1Academic Festival Overture, Op. 8011:38
  • Rhapsody for Alto, Male Chorus and Orchestra
  • 2Alto Rhapsody, Op. 5312:39
  • Variations on a Theme by Haydn, Op. 56a
  • 3Variation 102:03
  • 4Variation 201:21
  • 5Variation 301:05
  • 6Variation 401:49
  • 7Variation 501:57
  • 8Variation 601:00
  • 9Variation 701:23
  • 10Variation 802:32
  • 11Variation 901:06
  • 12Variation 1003:52
  • Total Runtime42:25

Info for Brahms: Academic Festival Overture / Alto Rhapsody / Variations On A Theme by J. Haydn

Memories of Hans Vonk: Towards the end of the 1970’s, I was asked to produce a number of recordings with the Residentie Orkest (Hague Philharmonic Orchestra).The orchestra wanted a new concert hall, and was trying to earn some extra money, among other things, through its own record label. Most of these recordings were to be conducted by Hans Vonk, with whom I had never previously worked, despite the fact that I had often seen him conduct. “A difficult guy, Hans Vonk, best of luck,” a colleague mumbled. And during the meeting just before the first recording took place, Hans himself added the following: “I don’t really like recordings; no way will I listen to the takes; and if things don’t work out, we will stop immediately.”

But within ten minutes, we were busy recording an absolutely electrifying performance of Tchaikovsky’s Symphony No. 5. I will never forget hearing the programme “Discotabel” on the radio, in which this recording was played during the “blind-test”. A couple of jury-members were convinced they were listening to a top orchestra from Russia with a world-class conductor, although the orchestra also sounded a bit like the Vienna Philharmonic. Hans himself was also on the panel and had naturally recognized his own recording: wisely, he said nothing, but found it hard not to burst out laughing. After that, we made many more recordings together, including Schubert’s Symphony No. 9, Mahler’s Symphony No. 3 and Bruckner’s Symphonies Nos. 6 & 7. Perhaps other people did find him difficult at times, but we never really had a problem; and if some minor difference of opinion arose, he was almost always in the right.

“Beautiful playing for what became a fine conductor’s epitaph…This is an essential disc for admirers of the Dutch conductor Hans Vonk. The performances, beautifully played and vividly recorded, are marked by Vonk’s characteristic qualities of fine balancing of sound, with clear textures and a firm control of structure” (Gramophone)

Yvonne Naef, mezzo-soprano
Netherlands Radio Symphony Orchestra
Hans Vonk, conductor

No biography found.

Booklet for Brahms: Academic Festival Overture / Alto Rhapsody / Variations On A Theme by J. Haydn

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