Tu tierra Classico Latino

Album info

Album-Release:
2016

HRA-Release:
20.02.2022

Album including Album cover

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  • Juan Mari Asins: La feria de Manizales:
  • 1 Asins: La feria de Manizales 03:33
  • Victor Guerrero: Juegos de salon:
  • 2 Guerrero: Juegos de salon 02:19
  • Ivan Guevara: Melodia de serenata:
  • 3 Guevara: Melodia de serenata 03:47
  • Maruja Hinestroza de Rosero: El cafetero:
  • 4 Rosero: El cafetero 02:39
  • Isabel Saavedra: Tu tierra:
  • 5 Saavedra: Tu tierra 04:02
  • Graham walker: El pasillo ingles:
  • 6 walker: El pasillo ingles 02:16
  • El duelo:
  • 7 walker: El duelo 03:53
  • Fulgencio Garcia: La gata golosa:
  • 8 Garcia: La gata golosa 02:41
  • Alsemo Alvarado: Otro buchipluma:
  • 9 Alvarado: Otro buchipluma 02:45
  • Jorge Villamil (1929 - 2010): Si pasas por San Gil:
  • 10 Villamil: Si pasas por San Gil 04:49
  • Ivan Guevara: A lo que vinimos:
  • 11 Guevara: A lo que vinimos 02:24
  • Total Runtime 35:08

Info for Tu tierra



Classico Latino's fourth album, 'Tu Tierra', takes the listener on a pilgrimage to the Colombian Andes. This region has a proud musical tradition that developed from the ballrooms of the nineteenth century, where rhythms such as the Pasillo, the Joropo and the Bambuco developed from European dances such as the Waltz. Tu Tierra features Harriet Mackenzie on violin, Graham Walker on cello and Ivan Guevara on piano. Join Classico Latino on a journey through the mountains of Colombia, where luscious vegetation, colourful colonial towns and poignant, beautiful music surround and surprise the traveller at every turn.

Classico Latino



Classico Latino
was formed by the unlikely meeting of Colombian pianist Ivan Guevara and British cellist Graham Walker in Cambridge in 1997. Guevara, then studying for a PhD in Law at St John’s College, had heard about the young musician Walker, a Mathematics undergraduate, and invited him to try playing Latin-American music. An unusual musical relationship blossomed, and their first concert, in the Master’s Lodge at St John’s, which took place in early 1999, was a resounding success. Further performances around Cambridge followed, and shortly afterwards the pair invited Lizzie Ball, another St John’s student and the first of many violinists to work with the group, to take part in a number of concerts.

The group’s first overseas performances were in Switzerland, in the early 2000s. A loyal following developed, from British, European and Latin-American fans, and Classico Latino began a regular schedule of concerts around the UK and further afield. The group’s commitment to charitable work was evidenced by a series of concerts for Latin-American charities, notably Children of the Andes and the Friends of Colombia for Social Aid. The trio’s first tour to Latin America took place in 2006, and featured a sell-out concert in the Teatro Colón, Bogotá. Since then Classico Latino has performed many times in Colombia, most notably at the Festival Mono Nuñez, where their rendition of the iconic waltz Pueblito Viejo, broadcast live on national TV, received an unprecedented standing ovation. At the same festival Walker was presented with a plaque in recognition of his composition, El Pasillo Inglés, written in honour of the rich Colombian Andean musical tradition.

Classico Latino has a proud history of recordings. Their first album, Serenata, was released in 2009, launched at Ronnie Scott’s Jazz Club and St John’s, Smith Square. This was soon followed in 2010 by a Christmas album, Navidad con Classico Latino, which offered an intriguing insight into the world of Latin-American Christmas carols. 2012 saw the release of their most ambitious project to date, Journey Through Latin America. This recording, made at the famous Studio 2 Abbey Road, saw the group joined by Colombian star Andres Cepeda, Greek vocalist Eirini Tornesaki, English choir The Gentlemen of St John’s, Venezuelan and Colombian percussionists, Mexican and Colombian guitarists and British string players. The resulting sound was a remarkable blending of two cultures and traditions, summing up the core message of the group: “The collision of two worlds”. Subsequently, in 2015, Alfonsina y el Mar, the beautiful Argentinian lament, was released as a single in a special version for cello and piano, also recorded at Abbey Road Studios. This time also saw the group working with guest musicians, and since then Classico Latino has been proud to perform regularly with vocalist Andria Antoniou, bass players Rey Crespo and Jimmy Martinez, and percussionists Sebastian Laverde and Wil Sifontes.

2016 saw the launch of Classico Latino’s fourth album, Tu Tierra. This recording takes the group back to its roots, exploring the musical heritage of the Colombian Andes. Recorded at the Stapleford Granary in July 2015, this new disc, featuring the core trio, contrasts classic Colombian songs with original compositions written in homage to the wonderful cultural traditions of this extraordinary region.

Recording of their fifth album, Havana Classic, took place in July 2018 at the iconic EGREM studios in Havana, Cuba. With guest artists Omar Puente, Andria Antoniou and local musicians, this new album, to be released in 2019, will channel the tropical spirit of old Cuba with a unique classical twist.

This album contains no booklet.

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