Dune: Part Two (Original Motion Picture Soundtrack) Hans Zimmer

• 1 Beginnings Are Such Delicate Times 08:56
• 2 Eclipse 05:13
• 3 The Sietch 02:34
• 4 Water of Life 03:06
• 5 A Time of Quiet Between the Storms 04:21
• 6 Harvester Attack 03:40
• 7 Worm Ride 02:19
• 8 Ornithopter Attack 02:10
• 9 Each Man Is a Little War 01:21
• 10 Harkonnen Arena 05:22
• 11 Spice 00:37
• 12 Seduction 02:02
• 13 Never Lose Me 01:16
• 14 Travel South 01:10
• 15 Paul Drinks 01:47
• 16 Resurrection 02:16
• 17 Arrival 01:40
• 18 Southern Messiah 05:22
• 19 The Emperor 01:38
• 20 Worm Army 03:33
• 21 Gurney Battle 02:25
• 22 You Fought Well 01:42
• 23 Kiss the Ring 03:12
• 24 Only I Will Remain 06:44
• 25 Lisan al Gaib 06:36
• Total Runtime 01:21:02

Info for Dune: Part Two (Original Motion Picture Soundtrack)

The atmospheric soundtrack to the long-awaited sequel clocks in at twenty-five tracks that run through more than an hour.

Multi-award-winning composer Hans Zimmer has just released the highly-anticipated soundtrack to the long-awaited sequel of the 2021 blockbuster by Denis Villanueve, Dune.

Dune: Part Two‘s original score continues its predecessor’s tradition of featuring a blend of unconventional electronic synth usage and otherworldly instruments (some of which he built himself) –– which resulted in a retrofuturistic sound unlike anything he’s ever done. The original motion picture soundtrack to the upcoming film is also more expansive than its predecessor, with twenty-five tracks that run through a full duration of one hour and twenty-one minutes to accompany the visual feast that is to be expected in the upcoming film.

"I never left the world of Dune. In fact, I think [Denis Villeneuve] thought I was quite mad, because I kept writing after we finished the first movie. But because I knew the story, I knew the book, I knew what was coming our way. And in fact, a lot of the main themes in this second movie were written at the end of the first film, before Denis started shooting. It felt important to carry on writing when we were still in the same spirit, the same frame of mind." (Hans Zimmer)

During the 2022 Academy Awards, Zimmer took home the Oscar for Best Original Score for his work on Dune: Part One. Though Zimmer is perhaps more recognized for his contributions to the world of film for his soundtracks to Christopher Nolan’s Interstellar, Inception, and The Dark Knight Trilogy, the musical virtuoso previously mentioned that scoring the science-fiction blockbuster has always been his dream project. ‘Dune’ is one of my favorite books from my teenage years,” Zimmer said in a 2019 interview with The Playlist, also emphasizing that his work on creating solely originated from his love for and knowledge of Frank Herbert’s 1965 novel. “[In making this], I was coming at this from a sort of fresh way –– just from the book.”

"I wanted [Hans Zimmer] to write something unforgettable for Chani. A love theme, the love of Paul for Chani. I wanted something heartbreaking, and the most beautiful love theme ever written, and honestly I think he did it with the track ‘A Time of Quiet Between the Storms.’ It’s one of the most beautiful scores he’s written. I remember when I first listened to it, I was in tears." (Denis Villeneuve)

Yet with his passion for crafting the music for both Part One and Part Two of the film, the renowned composer was able to record and publish two complementary albums to the film, The Dune Sketchbook (Music From The Soundtrack) and The Art and Soul of Dune (Companion Book Music) –– with both of them receiving significant acclaim and recognition. Describing the music made for the films, Zimmer mentioned “As I worked, it became more and more abstract,” he says. “I never saw it as scenes. I saw everything as a totality. It’s an electronic score, not an orchestral one, but in a peculiar way it’s one of the more organic scores I’ve done.”

Hans Florian Zimmer
(1957) is a German film score composer and record producer. Since the 1980s, he has composed music for over 150 films. Zimmer was born in Frankfurt am Main. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home but had piano lessons only briefly as he disliked the discipline of formal lessons : "My formal training was 2 week(s) of piano lessons. I was thrown out of 8 schools. But I joined a band. I am self-taught. But I've always heard music in my head. And I'm a child of the 20th century; computers came in very handy. In a speech at the 1999 Berlin Film Festival, Zimmer stated that he is Jewish, and talked about his mother surviving World War II thanks to her escape from Germany to England in 1939. He said of his parents "My mother was very musical, basically a musician and my father was an engineer and an inventor. So, I grew up modifying the piano, shall we say, which made my mother gasp in horror, and my father would think it was fantastic when I would attach chainsaws and stuff like that to the piano because he thought it was an evolution in technology."

This album contains no booklet.