Mirror, Mirror (Remastered) Joe Henderson with Chick Corea

• 1 Blues for Liebestraum 07:58
• 2 Candlelight 06:15
• 3 Joe's Bolero 09:43
• 4 Keystone 09:41
• 5 Mirror, Mirror 05:56
• 6 What's New? 03:59
• Total Runtime 43:32

Info for Mirror, Mirror (Remastered)

Joe Henderson is the essence of jazz. He embodies all the elements that came together in his generation: the virtuosity of hard bop and the avantgarde. He can be harmonically abstract and yet keep to the roots.

He is my inspiration.” So spoke guitar great John Scofield about the tenor saxophonist. Henderson, who died in 2001, was one of the most important jazz musicians of the last third of the twentieth century. He became an overnight sensation as a member of Horace Silver’s band on the release of Silver’s “Song for My Father”.

Henderson’s solo on Silver’s hit composition is held up as a prime example of brilliant jazz improvisation. Another highpoint in this rather reserved musician’s life was the Grammy Henderson received in1991 for his album “Lush Life”. Henderson’s playing style was influenced by, among others, John Coltrane. The connection is amply demonstrated by Henderson’s ecstatic, piercing solo on his modally based composition “Joe’s Bolero”. On the standard “What’s New”, the saxophonist shows off his mellow, melodic side, a facet of Henderson’s playing that has always had an appeal beyond the jazz community.

With Chick Corea on Piano, Ron Carter on Bass and Drummer Billy Higgins, Henderson has gathered a truly all-star group. This album isn’t about a soloist and his sidemen: all the musicians are on an equal footing, everyone has their space to play.

„Tenor saxophonist Joe Henderson has had a remarkably consistent career. Although he has spent periods (such as the 1970s) in relative obscurity and others as almost a jazz superstar, Henderson's style and sound has been relatively unchanged since the 1960s. This lesser-known album finds Henderson in typically fine form in an acoustic quartet with pianist Chick Corea, bassist Ron Carter and drummer Billy Higgins. Carter and Corea contribute two songs apiece, Henderson gets to perform his 'Joe's Bolero' and the tenor sounds majestic on 'What's New.' (Scott Yanow)

Joe Henderson, tenor saxophone
Chick Corea, piano
Ron Carter, bass
Billy Higgins, drums

Recorded at Studio-Masters Los Angeles, January 1980

Digitally remastered

Joe Henderson
is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.

The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema. (Source: Blue Note Records, Scott Yanow)

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