Bach: Johannes-Passion, BWV 245 Collegium Vocale Gent, Philippe Herreweghe

• Johann Sebastian Bach (1685 - 1750): Johannes-Passion, BWV 245, Pt. 1:
• 1 Johannes-Passion, BWV 245, Pt. 1: I. Herr, unser Herrscher (Chorus) 09:20
• 2 Johannes-Passion, BWV 245, Pt. 1: II. Jesus ging mit seinen Jüngern (Recitative) 02:23
• 3 Johannes-Passion, BWV 245, Pt. 1: III. O große Lieb (Chorale) 00:45
• 4 Johannes-Passion, BWV 245, Pt. 1: IV. Auf dass das Wort (Recitative) 00:59
• 5 Johannes-Passion, BWV 245, Pt. 1: V. Dein Will gescheh, Herr Gott (Chorale) 00:46
• 6 Johannes-Passion, BWV 245, Pt. 1: VI. Die Schar aber (Recitative) 00:42
• 7 Johannes-Passion, BWV 245, Pt. 1: VII. Von den Stricken meiner Sünden (Aria) 04:32
• 8 Johannes-Passion, BWV 245, Pt. 1: VIII. Simon Petrus aber folgete Jesu nach (Recitative) 00:14
• 9 Johannes-Passion, BWV 245, Pt. 1: IX. Ich folge dir gleichfalls (Aria) 03:44
• 10 Johannes-Passion, BWV 245, Pt. 1: X. Derselbige Jünger (Recitative) 02:43
• 11 Johannes-Passion, BWV 245, Pt. 1: XI. Wer hat dich so geschlagen (Chorale) 01:27
• 12 Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative) 02:03
• 13 Johannes-Passion, BWV 245, Pt. 1: XIII. Ach, mein Sinn (Aria) 02:39
• 14 Johannes-Passion, BWV 245, Pt. 1: XIV. Petrus, der nicht denkt zurück (Chorale) 01:12
• Johannes-Passion, BWV 245, Pt. 2:
• 15 Johannes-Passion, BWV 245, Pt. 2: I. Christus, der uns selig macht (Chorale) 01:01
• 16 Johannes-Passion, BWV 245, Pt. 2: II. Da führeten sie Jesum (Recitative) 04:11
• 17 Johannes-Passion, BWV 245, Pt. 2: III. Ach großer König (Chorale) 01:25
• 18 Johannes-Passion, BWV 245, Pt. 2: IV. Da sprach Pilatus zu ihm (Recitative) 01:54
• 19 Johannes-Passion, BWV 245, Pt. 2: V. Betrachte, meine Seel (Arioso) 02:05
• 20 Johannes-Passion, BWV 245, Pt. 2: VI. Erwäge, wie sein blutgefärbter Rücken (Aria) 07:36
• 21 Johannes-Passion, BWV 245, Pt. 2: VII. Und die Kriegsknechte flochten (Recitative) 05:40
• 22 Johannes-Passion, BWV 245, Pt. 2: VIII. Durch dein Gefängnis, Gottes Sohn (Chorale) 00:53
• 23 Johannes-Passion, BWV 245, Pt. 2: IX. Die Jüden aber schrieen (Recitative) 04:15
• 24 Johannes-Passion, BWV 245, Pt. 2: X. Eilt, ihr angefochtnen Seelen (Aria and Chorus) 03:57
• 25 Johannes-Passion, BWV 245, Pt. 2: XI. Allda kreuzigten sie ihn (Recitative) 02:00
• 26 Johannes-Passion, BWV 245, Pt. 2: XII. In meines Herzens Grunde (Chorale) 00:53
• 27 Johannes-Passion, BWV 245, Pt. 2: XIII. Die Kriegsknechte aber (Recitative) 03:31
• 28 Johannes-Passion, BWV 245, Pt. 2: XIV. Er nahm alles wohl in acht (Chorale) 01:05
• 29 Johannes-Passion, BWV 245, Pt. 2: XV. Und von Stund (Recitative) 01:17
• 30 Johannes-Passion, BWV 245, Pt. 2: XVI. Es ist vollbracht! (Aria) 04:45
• 31 Johannes-Passion, BWV 245, Pt. 2: XVII. Und neiget das Haupt (Recitative) 00:16
• 32 Johannes-Passion, BWV 245, Pt. 2: XVIII. Mein teurer Heiland (Aria and Chorale) 04:11
• 33 Johannes-Passion, BWV 245, Pt. 2: XIX. Und siehe da (Recitative) 00:31
• 34 Johannes-Passion, BWV 245, Pt. 2: XX. Mein Herz, in dem die ganze Welt (Arioso) 00:50
• 35 Johannes-Passion, BWV 245, Pt. 2: XXI. Zerfließe, mein Herze (Aria) 06:54
• 36 Johannes-Passion, BWV 245, Pt. 2: XXII. Die Jüden aber (Recitative) 02:01
• 37 Johannes-Passion, BWV 245, Pt. 2: XXIII. O hilf, Christe, Gottes Sohn (Chorale) 01:02
• 38 Johannes-Passion, BWV 245, Pt. 2: XXIV. Darnach bat Pilatum (Recitative) 01:55
• 39 Johannes-Passion, BWV 245, Pt. 2: XXV. Ruht wohl, ihr heiligen Gebeine (Chorus) 07:25
• 40 Johannes-Passion, BWV 245, Pt. 2: XXVI. Ach Herr, lass dein lieb Engelein (Chorale) 02:05
• Total Runtime 01:47:07

Info for Bach: Johannes-Passion, BWV 245

Bach’s St John Passion, with its famous opening chorus traversed by shadows and light, is a powerful musical and spiritual reflection. Dramatic, grandiose, complex, resolutely theatrical: there has been no lack of superlatives to describe this supreme masterpiece of western music. Philippe Herreweghe and Collegium Vocale Gent present an accomplished reading that reflects their knowledge of the composer, based on extensive research and deepened by countless concerts. Soloists Krešimir Stražanac and Maximilian Schmitt demonstrate the breadth of their talents in the roles of Jesus and the Evangelist.

Collegium Vocale Gent
Philippe Herreweghe, direction

Collegium Vocale Gent
In 2010, Collegium Vocale Gent celebrated its founding forty years before, by a group of friends studying at the University of Ghent, on Philippe Herreweghe’s initiative. They were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals of Europe, Israel, the United States, Russia, South America, Japan, Hong Kong and Australia.

In recent years, Collegium Vocale Gent has grown organically into an extremely flexible ensemble whose wide repertoire encompasses a range of different stylistic periods. Its greatest strength is its ability to assemble the ideal performing forces for any project. Music from the Renaissance, for example, is performed by an ensemble of six to twelve singers. German Baroque music, particularly J.S. Bach’s vocal works, quickly became a speciality of the group and is still the jewel in its crown. Today Collegium Vocale performs this music with a small ensemble in which the singers take both the chorus and solo parts. Collegium Vocale is also specializing more and more in the Romantic, modern and contemporary oratorio repertoires. To this end, Collegium Vocale Gent entered into a partnership with the Accademia Chigiana in Siena and since 2011 enjoys the support of the European Union’s Cultural Programme. The result is a shared symphonic choir recruiting singers from all of Europe, in which experienced singers stand alongside young talent. Moreover, Collegium Vocale Gent fulfils an important educational position.

Besides using its own baroque orchestra, Collegium Vocale Gent works with several historically informed instrumental ensembles to perform these projects, including the Orchestre des Champs Elysées, Freiburger Barockorchester and Akademie für Alte Musik Berlin. It also works with prominent symphony orchestras such as deFilharmonie (Royal Flemish Philharmonic), the Rotterdam Philharmonic Orchestra, the Budapest Festival Orchestra and Amsterdam’s Royal Concertgebouw Orchestra. The ensemble has worked with Nikolaus Harnoncourt, Sigiswald Kuijken, René Jacobs, Paul Van Nevel, Iván Fischer, Marcus Creed, Kaspars Putnins, Yannick Nézet-Séguin and many others leading conductors.

Under Philippe Herreweghe’s direction, Collegium Vocale Gent has built up an impressive discography with more than 80 recordings, most of them with the Harmonia Mundi France and Virgin Classics labels. In 2010, Philippe Herreweghe started his own label φ (phi) in order to give himself full artistic freedom to build up a rich and varied catalogue. In 2011-2012 a new cd with Motets by J.S.Bach (LHI 002) was released, followed by a recording of Choral works by Johannes Brahms (LPH 003) , a new recording of Bach’s Mass in B minor (LPH 004) and T.Lde Victoria’s Officium defunctorum (LPH 005).

Collegium Vocale Gent enjoys the financial support of the Flemish Community, the Province of East Flanders and the city of Ghent. In 2011 the ensemble became Ambassador of the European Union.

Booklet for Bach: Johannes-Passion, BWV 245