Cover Schubert in English Vol. 4

Album info



Label: Signum Records

Genre: Classical

Subgenre: Vocal

Artist: Rowan Pierce, Roderick Williams, Christopher Glynn

Composer: Franz Schubert (1797-1828)

Album including Album cover Booklet (PDF)


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FLAC 192 $ 15.40
  • Franz Schubert (1797 - 1828):The Wanderer Speaks to the Moon, D. 870:
  • 1Schubert: The Wanderer Speaks to the Moon, D. 87002:12
  • The Stars, D. 939:
  • 2Schubert: The Stars, D. 93903:23
  • Nocturne, D. 672:
  • 3Schubert: Nocturne, D. 67205:39
  • Light and Love, D. 352:
  • 4Schubert: Light and Love, D. 35204:06
  • The Child of the Muses, D. 764:
  • 5Schubert: The Child of the Muses, D. 76402:05
  • Faith in Spring, D. 686:
  • 6Schubert: Faith in Spring, D. 68603:01
  • In Spring, D. 882:
  • 7Schubert: In Spring, D. 88204:33
  • Suleika II, D. 717:
  • 8Schubert: Suleika II, D. 71704:07
  • Love has Lied, D. 751:
  • 9Schubert: Love has Lied, D. 75102:55
  • The Boy by the Spring, D. 300:
  • 10Schubert: The Boy by the Spring, D. 30001:37
  • The Wanderer, D. 489:
  • 11Schubert: The Wanderer, D. 48905:16
  • Longing, D. 877/1:
  • 12Schubert: Longing, D. 877/103:18
  • On the Bridge at Bruck, D. 853:
  • 13Schubert: On the Bridge at Bruck, D. 85303:22
  • Listening to Love, D. 698:
  • 14Schubert: Listening to Love, D. 69804:08
  • The Trout, D. 550:
  • 15Schubert: The Trout, D. 55002:07
  • Wild Rose, D. 257:
  • 16Schubert: Wild Rose, D. 25701:43
  • To be Sung on the Water, D. 774:
  • 17Schubert: To be Sung on the Water, D. 77403:43
  • The Lonely One, D. 800:
  • 18Schubert: The Lonely One, D. 80004:10
  • Bliss, D. 433:
  • 19Schubert: Bliss, D. 43301:52
  • Winter Evening, D. 938:
  • 20Schubert: Winter Evening, D. 93807:28
  • To Music, D. 547:
  • 21Schubert: To Music, D. 54702:45
  • Total Runtime01:13:30

Info for Schubert in English Vol. 4

Christopher Glynn continues his ‘Schubert in English’ series by joining baritone Roderick Williams and soprano Rowan Pierce for songs of loneliness and companionship, nature and the seasons, faith and doubt, wandering and homecoming, caution and consolation - all in new English versions by Jeremy Sams.

“No songwriter has more to say to us than Schubert. I commissioned these new translations in the hope of bringing his songs to a wider audience, as well as offering a fresh perspective to those who know them well.

“A good translation is an act of homage - a retelling, not a replacement - and like a screen adaptation of a classic novel, can be a stepping stone to the original, or enjoyed in its own right.

“We hope listeners enjoy these new versions in which Jeremy Sams recreates the immediacy of Schubert’s storytelling for a modern English- speaking audience.” (Christopher Glynn)

Roderick Williams, baritone
Rowan Pierce, soprano
Christopher Glynn, piano

Rowan Pierce
Saltburn-by-the-sea soprano Rowan Pierce was awarded the President’s Award by HRH Prince of Wales at the Royal College of Music in 2017. She won both the Song Prize and First Prize at the inaugural Grange Festival International Singing Competition in 2017, the first Schubert Society Singer Prize in 2014 and the Van Someren Godfery Prize at the RCM. She was a Britten Pears young artist, a Rising Star of the Orchestra of the Age of Enlightenment and a Harewood Artist at English National Opera.

Rowan has appeared in concert throughout Europe and North and South America. She performs regularly with ensembles including the OAE, Academy of Ancient Music, Dunedin Consort, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra, City of Birmingham Symphony Orchestra and the Royal Northern Sinfonia.

Rowan made her BBC Proms debut at the Royal Albert Hall in 2017 with the OAE and returned in 2019 for Handel Jephtha with the Scottish Chamber Orchestra. She made her Wigmore Hall debut with the London Handel Players and has subsequently appeared with many other chamber ensembles in repertoire including Bach and Wolf.

Other recent highlights include performances with Les Arts Florissants, the Rotterdam Philharmonic, the Royal Liverpool Philharmonic Orchestra, Freiburg Baroque, La Nuova Musica, Polyphony, Royal Scottish National Orchestra, Early Opera Company and the Bournemouth Symphony Orchestra. Visits to the US in 2019 included appearances with the OAE at the Lincoln Center in New York, with the Academy of Ancient Music in San Francisco and at the Disney Hall in Los Angeles. She also gave a recital at the Kennedy Center, Washington with Richard Egarr and William Carter in January 2020 and gave a tour in New York with Philharmonia Baroque in the summer of 2021. Recent engagements also include Mahler 4 with the BBC National Orchestra of Wales and Martyn Brabbins.

Rowan has performed Drusilla in Monteverdi’s L’incoronazione di Poppea as a Britten Pears Young Artist, and roles as a Samling Artist included Susanna in Mozart’s The Marriage of Figaro, Miss Wordsworth in Britten’s Albert Herring and Princess in Ravel’s L’enfant et les sortilèges.

Nominated for The Time Sky Arts Award for opera in 2020 her future and recent operatic roles include Galatea / Acis & Galatea, Iris / Semele, Dorinda / Orlando, Belinda / Dido and Aeneas, Elsie / Yeoman of the Guard. As a Harewood Artist she has performed Tiny / Paul Bunyan, Papagena / The Magic Flute and Barbarina / The Marriage of Figaro. In 2019 Rowan made her debut at the Buxton Festival in the role of Papiria / Lucio Papirio Dittatore by Caldara with La Serenissima and performed the roles of Quivera and Orazia / The Indian Queen with Opéra de Lille under Emmanuelle Haïm, Other recent / future engagements include various roles in performances of both Purcell’s King Arthur and the Fairy Queen with the Gabrieli Consort and also with Ensemble Alia Mens in France, more performances of the Indian Queen with Opéra de Luxembourg, Opéra de Caen and Antwerp Opera as well as a recital with Philharmonia Baroque in Ryedale Festival. In 2020 she should have made her Covent Garden debut performing Barbarina but this was cancelled due to Covid. Instead she will make her debut there in 2023 singing Papagena in Mozart’s Magic Flute. In 2022 she made her Glyndebourne Festival debut singing Oberto / Alcina.

Roderick Williams
is one of this country’s most sought after baritones and is constantly in demand on the concert platform and in recital, encompassing a repertoire from the baroque to world premieres. In 2016 he won the Royal Philharmonic Society’s Singer of the year award.

Opera engagements have included for Royal Opera House Covent Garden Schaunard/La bohème and Ned Keene/Peter Grimes; for English National Opera Papageno/Die Zauberflöte, Pollux in Rameau’s Castor and Pollux, and Jaufre Rudel in Saariaho’s L’amour de loin ,as well as world premieres of From Morning to Midnight by David Sawer and A Better Place by Martin Butler. For Opera North his roles have included the title role of Don Giovanni, The Count/Le nozze di Figaro, Guglielmo/Cosi fan tutte, Figaro/Il barbiere di Siviglia, Ned Keene and Goryanchikov/From the House of the Dead. For Scottish Opera roles have included Marcello/La bohème, Lord Byron in the world premiere of Sally Beamish’s Monster and Count/ Figaro. Other notable world premieres have included Alexander Knaifel’s Alice in Wonderland and Michel van der Aa’s After Life for Netherlands Opera, as well as the title role in Robert Saxton’s The Wandering Jew with the BBC Symphony , which has been released on NMC to considerable critical acclaim. He made his North American opera debut singing Figaro/Il barbiere di Siviglia for Florida Grand Opera.

Among Roderick Williams’ many performances of opera in concert are recent appearances with the BBC Symphony Orchestra in Tippett’s The Knot Garden (Barbican) and Birtwistle’s The Second Mrs Kong (Royal Festival Hall) and with the London Symphony Orchestra and Daniel Harding Billy Budd. He has also sung the role of Eddie in Mark-Anthony Turnage’s Greek for the BBC. He has taken major roles in conductor Richard Hickox’s semi-staged performances of opera, including Britten’s Gloriana (Aldeburgh, 2003), Walton’s Troilus and Cressida and most of the Vaughan Williams operas. Other concert performances include Henze, Strauss, Stravinsky and Wagner (Donner in Das Rheingold for ENO).

Roderick Williams has sung concert repertoire with all the BBC orchestras, and many other ensembles including the Royal Scottish National Orchestra, Bournemouth Symphony Orchestra, Deutsches Symphonie-Orchester Berlin, Russian National Orchestra, Academy of Ancient Music, The Sixteen, Le Concert Spirituel, and Bamberg Symphony Orchestra. Recent successes include Britten’s War Requiem and Pilgrim in Vaughan Williams’s The Pilgrim’s Progress (semi-staged) with the Philharmonia, Jesus in The Last Supper by Birtwistle with the London Sinfonietta in Milan and Turin, Elgar’s Dream of Gerontius in Toulouse, a European tour of Handel’s Messiah with RIAS Kammerchor, Tippett’s The Vision of St Augustine with the BBC National Orchestra of Wales at the 2005 BBC Proms, Henze’s Elegy for Young Lovers with the Orchestre Philharmonique de Radio France, the world premiere of Birtwistle’s The Ring Dance of the Nazarene with VARA Radio (repeated at the BBC Proms), performances of Lieder eines fahrenden Gesellen at La Scala, concerts with the Philharmonia Baroque Orchestra in San Francisco, Scottish Chamber Orchestra and a concert with Bach Collegium Japan at the Edinburgh Festival.

Recent and future operatic engagements include Oronte in Charpentier’s Medée, Toby Kramer in Van der Aa’s Sunken Garden and Sharpless / Madam Butterfly for English National Opera, the title role in Eugene Onegin for Garsington Opera, the title role in Billy Budd for Opera North, Van der Aa’s After Life at Melbourne State Theatre and at Opera de Lyon, Captain Balstrode / Peter Grimes in a concert performance with the Bergen Philharmonic Orchestra, Papageno and Ulisse / Il ritorno di Ulisse in Patria for the Royal Opera House, Toby Kramer for Dallas Opera, a concert performance of Ned Keene/Peter Grimes with Accademia Nazionale di Santa Cecilia in Rome and Christus / St John Passion in staged performances with the Berlin Philharmonic Orchestra and the Orchestra of the Age of Enlightenment both under Sir Simon Rattle.

Recent and future concert engagements include performances with Royal Liverpool Philharmonic, Manchester Camerata, BBC National Orchestra of Wales, BBC Philharmonic, BBC Symphony, Royal Scottish National Orchestra, the Hallé, Britten Sinfonia, City of London Sinfonia, King’s College Cambridge, Goldsmiths Choral Union, Ex Cathedra, The Sixteen, The King’s Consort, New London Consort, London Philharmonic Orchestra, Le Concert Spirituel, Ensemble Orchestral de Paris, Berlin Philharmonic, Rias Kammerchor, Orquesta Sinfonica de Euskadi, Netherlands Radio Philharmonic, Iceland Symphony, Danish National Radio Symphony, San Francisco Symphony, Utah Symphony, Berlin Philharmonic Orchestra, Music of the Baroque Chicago, Bach Collegium Japan, Cappella Amsterdam, New York Philharmonic, Britten War Requiem with the Maggio Musicale and Semyon Bychkov in Florence, the UK premiere of Sally Beamish’s Judas Passion with the Orchestra of the Age of Enlightenment as well as with Philharmonia Baroque. In 2014 Roderick was the featured soloist at the BBC Last Night of the Proms.

He is an accomplished and highly sought after recital artist who can be heard at venues and festivals including Wigmore Hall, Kings Place, LSO St Luke’s, the Perth Concert Hall, the Concertgebouw, Oxford Lieder Festival, London Song Festival, Howard Assembly Room, the Musikverein, Vienna and on Radio 3, where he has participated on Iain Burnside’s Voices programme. Recent recitals include the three Schubert cycles at the Wigmore Hall, recitals for the BBC and appearances at the Ludlow Song Festival, Oxford Lieder Festival, Three Choirs Festival and at the Bath International Music Festival.

His numerous recordings include Vaughan Williams, Berkeley and Britten operas for Chandos, and an extensive repertoire of English song with pianist Iain Burnside for Naxos. He is currently in the process of recording the three Schubert Cycles for Chandos as well as recordings of Stanford and Somervell for Somm.

He is also a composer and has had works premiered at the Wigmore and Barbican Halls, the Purcell Room and live on national radio. Recent commissions include a major work, World without End, for the Rias Kammerchor and BBC Singers as well as a commission to celebrate the centenary of the RAF. He was Artistic Director of Leeds Lieder + in April 2016 and he is currently ‘singer-in-residence’ for Music in the Round in Sheffield, presenting concerts and leading on dynamic and innovative learning and participation projects that introduce amateur singers, young and old, to performing classical song repertoire. He was awarded an OBE for services to music in June 2017.

Christopher Glynn
s a Grammy award-winning pianist and one of the UK’s best-known accompanists and chamber musicians. He is also Artistic Director of the Ryedale Festival, where he programmes around 60 events each year in beautiful and historic venues across North Yorkshire.

Praised for his ‘breathtaking sensitivity’ (Gramophone), ‘irrepressible energy, wit and finesse’ (The Guardian) and ‘revelatory performances’ (BBC Music Magazine), Chris has appeared in recital with singers including Sir Thomas Allen, John Mark Ainsley, Benjamin Appl, Claire Booth, Ian Bostridge, Allan Clayton, Dame Sarah Connolly, Joshua Ellicott, Bernarda Fink, Dame Emma Kirkby, Anthony Rolfe Johnson, Christiane Karg, Jonas Kaufmann, Dame Felicity Lott, Christopher Maltman, Mark Padmore, Ian Partridge, Rowan Pierce, Joan Rodgers, Kate Royal, Kathryn Rudge, Nicky Spence, Toby Spence, Michael Spyres, Bryn Terfel, Sir John Tomlinson, Robin Tritschler, Ailish Tynan, Roderick Williams and many others.

He has also performed with instrumentalists including Julian Bliss, Andrej Bielow, Adrian Brendel, Michael Collins, Nicholas Daniel, David Garrett, Daniel Hope, Steven Isserlis, Tamsin Waley-Cohen and Adam Walker; with ensembles including the Elias, Heath, Albion, Brodsky and Maxwell Quartets, Britten Sinfonia and Scottish Chamber Orchestra; and with choirs including The Sixteen and VOCES8. Chris also performs on historic pianos with artists including Rachel Podger, with whom he has recorded Mozart and Beethoven sonatas.

Chris grew up in Leicester, read music at New College, Oxford, and studied piano with John Streets and Malcolm Martineau. He was awarded the accompaniment prize in the 2001 Kathleen Ferrier competition, the 2002 Geoffrey Parsons Award and the 2003 Gerald Moore Award. In 2021, he was elected a Fellow of the Royal Academy of Music.

Since making his debut at Wigmore Hall in 2001, Chris has performed in major venues and festivals throughout the world, including the BBC Proms, Carnegie Hall, Southbank Centre, Concertgebouw Amsterdam, Vienna Konzerthaus, Royal Opera House, Barbican, Edinburgh, Aldeburgh, Leeds Lieder and Oxford Lieder Festivals, and as far afield as Japan, Brazil, China and South Asia. He is regularly heard on BBC Radio 3 and has made many acclaimed and ground-breaking recordings on labels including Signum, Hyperion, Decca, DG, Coro, Chandos and Somm.

Recognised by The Times as a ‘visionary’ and ‘inspired programmer’, Chris has devised several concert series for the Wigmore Hall and curated projects for several international festivals. In 2015, he founded Polyhymnia to bring classical song to a wider audience, initially by commissioning Jeremy Sams to create new English versions of song cycles by Schubert, Schumann, Brahms and Wolf. These have been performed widely (including on a nationwide schools tour with Roderick Williams) and recorded for Signum Records.

Chris enjoys working with young musicians and is a Professor at the Royal Academy of Music. He gives masterclasses for the Samling Foundation, Britten Pears School and Oxford Lieder Festival, and has adjudicated many international competitions. Chris is also Vice-President of Music in Hospitals and Care, and Artistic Advisor to the Richard Shephard Foundation, which brings musical opportunities to children in the north of England.

Recent and future highlights include recording the piano soundtrack to the film Altamira (starring Antonio Banderas), giving the first performance of a newly-discovered work by Mendelssohn on BBC Radio 4, collaborations with the Richard Alston Dance Company and Streetwise Opera, devising a series of five concerts for the Wigmore Hall, a world premiere by Eric Whitacre, a tour of the USA with soprano Rowan Pierce, and recitals and recording projects with Roderick Williams, Kathryn Rudge, Claire Booth and Nicky Spence and Rachel Podger.

Booklet for Schubert in English Vol. 4

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