After Lady Lamb

• 1 Vena Cava 03:52
• 2 Billions of Eyes 05:10
• 3 Violet Clementine 04:44
• 4 Heretic 04:13
• 5 Sunday Shoes 05:18
• 6 Spat out Spit 04:29
• 7 Penny Licks 05:10
• 8 Dear Arkansas Daughter 05:53
• 9 Milk Duds 03:09
• 10 Ten 04:45
• 11 Batter 02:50
• 12 Atlas 06:04
• Total Runtime 55:37

Info for After

To many, Lady Lamb is an enigma. Her songs are at once intimate and unbridled– both deeply personal and existentially contemplative. Aly Spaltro is a fearless performer who can command a pitch black stage with nothing more than her voice. Yet, when the band bursts in and the lights come up, what began as a demonstration of restraint shifts seamlessly into an emphatic snarl. On her newest work, After, Spaltro explores dualities further - giving equal attention to both the internal and external, the before and after. Her most palpable fears and memories are on display here, with a familiar vulnerability even more direct than her last effort. After boasts driving rhythms, bold melodies, candid lyricism, and a growling sonic stamp that is all her own.

Spaltro’s formative years were full of change – moving houses, cities, and countries every three years until she landed in her family's home state of Maine. It was here that Spaltro found her voice among thousands of films at Bart & Greg’s DVD Explosion, an independent rental store in the small coastal town of Brunswick. During the day Spaltro would rent movies to the locals. At night she would lock up, pull out her 8-track recorder, and create songs completely uninhibited by musical conventions, learning to play and sing as she hit record. These creations brought forth nearly one hundred recordings, twelve of which were carefully curated and fully realized on her 2013 full-length studio debut Ripely Pine (released on Ba Da Bing! Records). Ripely Pine garnered praise for its lyrical intricacies, emotive vocals, and often unpredictable musicality, introducing Spaltro as a formidable new artist.

In between tours, Spaltro returned home, focusing with laser-like intent on writing, arranging, and demoing the songs on After. These new works - which found Spaltro co-producing with her Ripely Pine partner Nadim Issa at his Brooklyn studio, Let 'Em In - are sonically vibrant, with an assertive use of grit and brightness. Thematically, they provide direct insight into Spaltro’s rumination on mortality, family, friendships, and leaving home.

There are many songs on After that explore themes of a much larger scale. In “Heretic” Spaltro sings of a childhood UFO sighting in Arizona. In “Batter” she dies in a plane crash, while in “Spat Out Spit” she questions whether she was even born at all. Alternatively, in “Billions of Eyes” Spaltro can 'only see into her suitcase,' her mind simultaneously present and wandering as she 'gnaws [her] way back home.' The tender and sparse “Ten” delves into her mother’s childhood diary, giving the listener a clear view throughout into some of Spaltro's warmest memories of her loved ones. Ripely Pine was marked by an undeniable passion and confidence, but where it sometimes lacked in personal narrative and directness is where After shines. The last line on After encompasses the self-assurance of the work as a whole, stating 'I know where I come from.' This theme is a constant throughout After, as Spaltro seeks to allow the listener to move in closer than ever before, to reflect on the past with grace, and envision the future with fervor. Spaltro invites us to contemplate the dualities that make us human, encouraging the celebration of both fear and love: internally and externally, before and after.

Aly Spaltro, vocals, guitar

Lady Lamb the Beekeeper
is the stage name used by Aly Spaltro, a singer and songwriter whose music is a beguiling and imaginative fusion of folk, pop, and indie rock. Spaltro was born in Portsmouth, New Hampshire in 1990, and relocated to Brunswick, Maryland with her family in 2003. A serious film enthusiast, Spaltro became a regular customer at a video rental shop in Brunswick, Bart & Greg's DVD Explosion, and after graduating from high school, she took a job at the shop during a gap year before entering art school. Spaltro was working the closing shift at DVD Explosion, and with the permission of the owners, she used the space as a makeshift music studio after hours, writing and recording songs on makeshift gear from late at night into early in the morning. In 2007, she began releasing home-crafted recordings of her songs, featuring her own artwork and sold at a local music store; instead of billing herself as Aly Spaltro, she used the name Lady Lamb the Beekeeper, taken from some late-night jottings in her journal. Hoping to expand her boundaries as a musician, Spaltro moved to Portland, Maine in 2008, and began making a name for herself on the local music scene. In 2013, she was approached by Brooklyn, New York's Ba Da Bing Records to record an album, and Ripely Pine became Lady Lamb's first nationally distributed release. The album earned enthusiastic reviews and led to extensive touring in the United States, Europe, and the United Kingdom. Lady Lamb jumped to Mom & Pop Records for her next full-length album, 2015's After.

This album contains no booklet.