Album info

Album-Release:
2018

HRA-Release:
08.06.2018

Label: Alpha

Genre: Classical

Subgenre: Chamber Music

Album including Album cover

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  • Johann Sebastian Bach (1685-1750): Cello Suite No. 1 in G Major, BWV 1007:
  • 1I. Prélude (Arranged for Lute by Thomas Dunford)02:51
  • 2II. Allemande (Arranged for Lute by Thomas Dunford)04:56
  • 3III. Courante (Arranged for Lute by Thomas Dunford)02:51
  • 4IV. Sarabande (Arranged for Lute by Thomas Dunford)02:25
  • 5V. Menuet I - VI. Menuet II (Arranged for Lute by Thomas Dunford)03:17
  • 6VII. Gigue (Arranged for Lute by Thomas Dunford)01:47
  • Suite in G Minor, BWV 995:
  • 7I. Prélude (Arranged by Bach from Cello Suite No. 5 in C Minor, BWV 1011)06:21
  • 8II. Allemande (Arranged by Bach from Cello Suite No. 5 in C Minor, BWV 1011)06:25
  • 9III. Courante (Arranged by Bach from Cello Suite No. 5 in C Minor, BWV 1011)02:42
  • 10IV. Sarabande (Arranged by Bach from Cello Suite No. 5 in C Minor, BWV 1011)02:48
  • 11V. Gavotte I - VI. Gavotte II en rondeau (Arranged by Bach from Cello Suite No. 5 in C Minor, BWV 1011)04:08
  • 12VII. Gigue (Arranged by Bach from Cello Suite No. 5 in C Minor, BWV 1011)02:17
  • Violin Partita No. 2 in D Minor, BWV 1004:
  • 13V. Chaconne (Arranged for Lute by Thomas Dunford)13:26
  • Total Runtime56:14

Info for Bach



Thomas Dunford continues to expand his discography on Alpha with a programme of solo lute works by J.S. Bach, recorded in the ideal surroundings of the Salle de Musique of La Chaux-de-Fonds in Switzerland. He performs an original composition by Bach for lute, the Suite in G minor BWV 995, as well as his own arrangements of the (Cello) Suite BWV 1007 and the famous Chaconne from the Partita BWV 1004 – the latter piece has a notorious reputation for being (virtually) unplayable, at least on the violin!

Thomas Dunford, lute



Thomas Dunford
Born in Paris in 1988, Thomas Dunford discovered the lute at the age of nine, thanks to his first teacher Claire Antonini. He completed his studies in 2006 at the Conservatoire Supérieur de Paris (CNR), when he obtained a unanimous First Prize with honours in the class of Charles-Édouard Fantin. Thomas continued his studies at the Schola Cantorum in Basel with Hopkinson Smith, and was awarded his Bachelor’s degree in 2009. From September 2003 through to January 2005, Thomas gave his first performances playing the role of the lutenist in Shakespeare’s Twelfth Night on stage at the Comédie Française. Since then, Thomas has played recitals in New York’s Carnegie Hall and London’s Wigmore Hall, and made numerous solo or ensemble appearances in the most prestigious European festivals, including Ambronay, Arc La Bataille, Bozar, La Chaise-Dieu, Nantes, Saintes and Utrecht, and has also performed further afield in the United States, Israel, China, Japan and India.

Thomas has recorded extensively with leading ensembles including Cappella Mediterranea, Ensemble Clematis, La Serenissima, À Deux Violes Esgales, Capriccio Stravagante, Pygmalion and Arcangelo. He is attracted to a wide variety of music including jazz, and has collaborated in chamber music projects with conductors and soloists including Paul Agnew, Leonardo García Alarcón, Nicola Benedetti, Alain Buet, William Christie, Jonathan Cohen, Christophe Coin, Iestyn Davies, Bobby McFerrin, Monica Huggett, Alexis Kossenko, François Lazarevitch, Anne Sofie von Otter, Hugo Reyne, Skip Sempé and Jean Tubéry.

This album contains no booklet.

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