Musica viva, Vol. 51 Helmut Lachenmann (Live) Bavarian Radio Symphony Orchestra & Sir Simon Rattle
Album info
Album-Release:
2026
HRA-Release:
16.01.2026
Label: BR-Klassik
Genre: Classical
Subgenre: Orchestral
Artist: Bavarian Radio Symphony Orchestra & Sir Simon Rattle
Composer: Helmut Lachenmann (1935)
Album including Album cover Booklet (PDF)
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- Helmut Lachenmann (b. 1935): Harmonica:
- 1 Lachenmann: Harmonica: Strophe 1 (Live) 07:30
- 2 Lachenmann: Harmonica: Strophe 2 (Live) 06:47
- 3 Lachenmann: Harmonica: Kadenz I (Live) 02:49
- 4 Lachenmann: Harmonica: Strophe 3 (Live) 03:40
- 5 Lachenmann: Harmonica: Kadenz II (Live) 03:12
- 6 Lachenmann: Harmonica: Schlussstrophe (Live) 02:45
- 7 Lachenmann: Harmonica: Epilog (Live) 03:39
- Klangschatten:
- 8 Lachenmann: Klangschatten: Phase 1 09:18
- 9 Lachenmann: Klangschatten: Phase 2 04:10
- 10 Lachenmann: Klangschatten: Phase 3 03:30
- 11 Lachenmann: Klangschatten: Phase 4 10:25
Info for Musica viva, Vol. 51 Helmut Lachenmann (Live)
Helmut Lachenmann, who celebrates his 90th birthday in the music year of 2025, has composed several milestones in contemporary classical music. Sir Simon Rattle and the Bavarian Radio Symphony Orchestra are dedicating themselves to some of these exceptional works. In his tuba concerto Harmonica, Helmut Lachenmann explores the limits of sound – with music that oscillates between eruption and silence, by means of “strictly constructed denial” (Lachenmann) and by deliberately disrupting the familiar, and eludes socially preformed listening expectations. This appeal to the audience’s self-awareness remains as relevant as ever.
The soloist is Stefan Tischler, principal tuba player of the Bavarian Radio Symphony Orchestra, and the live recording with the BRSO conducted by Sir Simon Rattle was made on March 22, 2025. Klangschatten – mein Saitenspiel by Helmut Lachenmann deals with the "verso" of sound, its suppressed and "unwelcome" components. The spectrum here ranges from toneless or muffled sounds to differently coloured noise and clear tones. Lachenmann himself described the piece as " an offer of expressive intensity that reflects the bourgeois longing for beauty and seeks to fulfil it, that is, to overcome it.“ The work was performed by the Bavarian Radio Symphony Orchestra under the baton of Matthias Herrmann on May 23, 2025 in the Herkulessaal of the Munich Residenz.
Stefan Tischler, tuba
Yukiko Sugawara, piano
Tomoko Hemmi, piano
Alexander Waite, piano
Symphonie-Orchester des Bayerischen Rundfunks
Sir Simon Rattle, conductor
Matthias Hermann, conductor
Sir Simon Rattle
was born in Liverpool and studied at the Royal Academy of Music in London.
From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. He moved to Berlin in 2002 and held the positions of Artistic Director and Chief Conductor of the Berliner Philharmoniker until he stepped down in 2018. Sir Simon became Music Director of the London Symphony Orchestra in September 2017 and spent the 2017-18 season at the helm of both ensembles.
Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. Releases on EMI include Stravinsky’s Symphony of Psalms (which received the 2009 Grammy Award for Best Choral Performance) Berlioz's Symphonie fantastique, Ravel’s L'enfant et les sortileges, Tchaikovsky’s Nutcracker Suite, Mahler’s Symphony No. 2 and Stravinsky’s The Rite of Spring. From 2014 Sir Simon continued to build his recording portfolio with the Berliner Philharmoniker’s in-house label, Berliner Philharmoniker Recordings, which led to recordings of the Beethoven, Schumann and Sibelius symphony cycles. Sir Simon’s most recent recordings include Debussy’s Pelléas et Mélisande, Turnage’s Remembering, and Ravel, Dutilleux and Delage on Blue-Ray & DVD with the London Symphony Orchestra’s record label, LSO Live.
Music education is of supreme importance to Sir Simon, and his partnership with the Berliner Philiharmoniker broke new ground with the education programme Zukunft@Bphil, earning him the Comenius Prize, the Schiller Special Prize from the city of Mannheim, the Golden Camera and the Urania Medal. He and the Berliner Philharmoniker were also appointed International UNICEF Ambassadors in 2004 - the first time this honour has been conferred on an artistic ensemble. Sir Simon has also been awarded several prestigious personal honours which include a knighthood in 1994, becoming a member of the Order of Merit from Her Majesty the Queen in 2014 and most recently, was bestowed the Order of Merit in Berlin in 2018. In 2019, Sir Simon was given the Freedom of the City of London.
From 2013, Sir Simon took up residency at Baden-Baden Osterfestspiele performing Die Zauberflöte and a series of concerts with the Berliner Philharmoniker in his first season. Since then the partnership led to performances of Puccini’s Manon Lescaut, Peter Sellars’s ritualization of Bach’s St. John Passion, Strauss’s Der Rosenkavalier, Berlioz’s La damnation de Faust,Wagner’s Tristan und Isolde and most recently, Parsifal in 2018. For Salzburg Osterfestspiele, Rattle has conducted staged productions of Fidelio, Così fan tutte, Peter Grimes, Pelléas et Mélisande, Salome and Carmen, a concert performance of Idomeneo and many contrasting concert programmes. He has also conducted Wagner's Der Ring des Nibelungen with the Berliner Philharmoniker for Festival d'Aix-en-Provence and Salzburg Osterfestspiele and most recently at the Deutsche Oper Berlin and Wiener Staatsoper. Other recent opera productions for Sir Simon include Pelléas et Mélisande and Dialogues des Carmélites for the Royal Opera House; L'Étoile, Aus einem Totenhaus, Káťa Kabanová and La damnation de Faust for the Deutsche Staatsoper Berlin, and Andrew Norman’s A Trip to the Moon at the Barbican Centre, London.
Sir Simon has longstanding relationships with the leading orchestras in London, Europe and the USA; initially working closely with the Los Angeles Philharmonic and Boston Symphony Orchestra, and more recently with The Philadelphia Orchestra. He regularly conducts the Wiener Philharmoniker, with whom he has recorded the complete Beethoven symphonies and piano concertos with Alfred Brendel and is also a Principal Artist of the Orchestra of the Age of Enlightenment and Founding Patron of Birmingham Contemporary Music Group..
Sir Simon Rattle was knighted in 1994 and in the New Year’s Honours of 2014 he received the Order of Merit from Her Majesty the Queen.
Booklet for Musica viva, Vol. 51 Helmut Lachenmann (Live)
