Puccini: Messa di gloria & Orchestral Works Charles Castronovo, Ludovic Tézier, Orchestre Philharmonique Du Luxembourg & Gustavo Gimeno

• Giacomo Puccini (1858 - 1924): Messa di Gloria:
• 1 Puccini: Messa di Gloria: I. Kyrie 05:10
• 2 Puccini: Messa di Gloria: II. Gloria 02:02
• 3 Puccini: Messa di Gloria: III. Laudamus 02:26
• 4 Puccini: Messa di Gloria: IV. Gratias 03:40
• 5 Puccini: Messa di Gloria: V. Gloria 00:24
• 6 Puccini: Messa di Gloria: VI. Domine Deus 00:57
• 7 Puccini: Messa di Gloria: VII. Qui tollis peccata 04:05
• 8 Puccini: Messa di Gloria: VIII. Quoniam 01:07
• 9 Puccini: Messa di Gloria: IX. Cum Sancto Spiritu 03:49
• 10 Puccini: Messa di Gloria: X. Credo 02:46
• 11 Puccini: Messa di Gloria: XI. Et incarnatus 02:38
• 12 Puccini: Messa di Gloria: XII. Crucifixus 02:26
• 13 Puccini: Messa di Gloria: XIII. Et resurrexit 02:22
• 14 Puccini: Messa di Gloria: XIV. Et unam, sanctam 02:18
• 15 Puccini: Messa di Gloria: XV. Et vitam 01:13
• 16 Puccini: Messa di Gloria: XVI. Sanctus 01:17
• 17 Puccini: Messa di Gloria: XVII. Benedictus 02:14
• 18 Puccini: Messa di Gloria: XVIII. Agnus Dei 02:38
• Scherzo per archi, SC 56:
• 19 Puccini: Scherzo per archi, SC 56 05:21
• Capriccio sinfonico, SC 55:
• 20 Puccini: Capriccio sinfonico, SC 55 12:52
• Crisantemi. Elegia per quartetto d'archi, SC 65:
• 21 Puccini: Crisantemi. Elegia per quartetto d'archi, SC 65 07:20
• Total Runtime 01:09:05

Info for Puccini: Messa di gloria & Orchestral Works

Before turning his attention to opera, Puccini wrote a number of wonderful works that are perhaps less well known, even if they already put his full genius on show. This is particularly true of the astonishing Messa di Gloria, whose evocative power and shimmering colours well deserve the exceptional cast on this recording. Indeed, a special passion inspires the soloists and chorus gathered around Gustavo Gimeno and the Orchestre Philharmonique du Luxembourg.

The recording features the Messa di Gloria, – with Charles Castronovo, Ludovic Tézier und der Orfeó Català – as well as the Scherzo per archiand Crisantemi, which Puccini wrote for string quartet but which were arranged for string orchestra for this recording.

Charles Castronovo, tenor
Ludovic Tézier, baritone
Orchestre Philharmonique Du Luxembourg
Gustavo Gimeno, conductor

Charles Castronovo
Acclaimed internationally as one of the finest lyric tenors of his generation, Castronovo has also sung at most of the world’s leading opera houses such as the Royal Opera House, Covent Garden, Vienna State Opera, Berlin State Opera, Paris Opera, Bavarian State Opera, Munich, Theatre Royale de la Monnaie, Brussels, and many others including at the Salzburg and Aix en Provence Festivals. His repertoire spans from the great Mozart tenor roles in Don Giovanni, Cosi Fan Tutte and Die Zauberfloete, to Edgardo in Lucia di Lammermoor, Nemorino in L’Elisir D’Amore and Alfredo in La Traviata. In recent seasons Castronovo has also won wide acclaim for his performances as the title role in Faust, Romeo in Romeo et Juliette, the Duke in Rigoletto, Rodolfo in La Boheme and Tom Rakewell in The Rakes Progress. He starred in the title role of Daniel Catan’s Il Postino opposite Placido Domingo in the work’s world premiere in Los Angeles, as well as Paris and Santiago.

Charles Castronovo began his 12/13 season with his debut in Amsterdam in a concert performance of Les Pecheurs de Perles at the Concertgebeouw, after which he returned to the Opera de Paris as Tom Rakewell in The Rake’s Progress. Castronovo subsequently appeared at the Metropolitan Opera as Don Ottavio in Don Giovanni. He sang Gennaro in Lucrezia Borgia for the Bavarian State Opera in Munich, role that he will also sing at the Theatre Royale de la Monnaie and then will sing La Traviata for the Staatsoper Berlin. Castronovo will appear at the Royal Opera Covent Garden in two productions during the current season: as Tamino in Die Zauberfloete and in his first performances of Ruggero in La Rondine opposite Angela Gheorghiu. Future plans also include his first Des Grieux in Manon in Toulouse, Faust opposite Anna Netrebko in Baden Baden, a new production of Maria Stuarda at the Royal Opera Covent Garden opposite Joyce di Donato. He will appear in several works in Munich; among them Die Zauberfloete, L’Elisir D’Amore, La Boheme, at the Deutsche Oper Berlin in a new production of La Rondine, and as Lensky in Eugene Onegin and Nemorino in Vienna. Castronovo is also scheduled for his debut at the Gran Teatro del Liceo in Barcelona as Alfredo.

Born in New York and raised in California, Castronovo began his career as a resident at the Los Angeles Opera. He was invited to join the Metropolitan Opera's Lindemann Young Artists Development Program and in the autumn of 1999 made his debut at the Metropolitan as Beppe in the opening night performance of I Pagliacci. In the first years of his career Castronovo built his repertoire with debuts as Tamino in Die Zauberfloete and Fenton in Falstaff in Pittsburgh, as Don Ottavio in Don Giovanni and Ernesto in Don Pasquale in Boston, and as Ferrando in Cosi Fan Tutte in Portland ,where he also sang his first performances of Nemorino in L’Elisir D’Amore. His debut as Alfredo in La Traviata took place with the Minnesota Opera. as Belmonte in Die Entfuehrung aus dem Serail with the Colorado Opera, and as Elvino in La Sonnambula for the Michigan Opera Theater. Castronovo made his European stage debut at the 2000 Savonlinna Festival in Don Giovanni. He subsequently debuted in Germany at the Berlin State Opera in the same work under Daniel Barenboim, in France as Fenton at the Theatre du Capitole in Toulouse, and in Great Britain at the London Proms of 2002 in Ravel's L'Heure Espagnole. In the 2003/2004 season he made his debuts at the San Francisco Opera, Paris Opera and Vienna State Opera as Tamino; in September of 2004 at the Royal Opera, Covent Garden in September of 2004 as Ferrando. This was followed by his Italian stage debut as Alfredo at the Teatro Carlo Felice in Genoa. Other significant debuts included Alfredo at the Hamburg State Opera and at the Megaron in Athens, Fenton at the Theatre Royale Monnaie in Brussels . Ferrando at the Bavarian State Opera in Munich. A regular guest at all these theaters, Castronovo has since been heard as Alfredo in Vienna, London, Berlin and Aix en Provence, as Nemorino in Paris, Vienna, Nice and Berlin, as Belmonte in Munich and Rome, as Tamino in San Francisco, as Don Ottavio in Los Angeles, San Francisco, and Munich. He made his debut at the Salzburg Festival as Belmonte in Entfuerung.

In the summer of 2005 Castronovo sang his first Nadir in Les pêcheurs de perles at the San Francisco Opera, and has also also sung Nadir in Washington and San Diego. Several other new roles entered his repertoire in recent seasons; the title role in La Clemenza di Tito at the Bayerische Rundfunk in Munich, Rodolfo in La Boheme for the Michigan Opera, the Duke in Rigoletto in Bordeaux, and Faust in Pittsburgh. In the summer of 2008 he sang his first Tom Rakewell in a new production of The Rake’s Progress at the Royal Opera, Covent Garden; his debut as Edgardo in Lucia di Lammermoor in followed in 2009 in Brussels. In 2011 he sang his first Gennaro in Lucrezia Borgia opposite Edita Gruberova in Munich, as well as first Romeo in Romeo et Juliette for the Dallas Opera. Castronovo also added the title role in Berlioz’s Damnation de Faust to his repertoire in Nice. In June of 2012 he sang his first Nerone in Monteverdi’s L’Incoronazione di Poppea at the Teatro Real in Madrid. Among his other engagements in the past season were La Traviata in Aix en Provence and Vienna opposite Nathalie Dessay, Romeo in Romeo et Juliette at the Los Angeles Opera in November of 2011, and Cosi fan Tutte the Royal Opera House, Covent Garden. He made his long awaited debut at the Chicago Lyric Opera as Tamino in December of 2011.

Castronovo has also participated in revivals of more rarely performed works. He starred as Mylio in the revival of Lalo’s Le Roi D’Ys at Toulouse, opened the 2010/2011 season at the Paris Opera as Vincent in Mireille and debuted at the Festival de Montpellier in July of 2012 in Massenet’s Therese. He also recorded Mercadante’s Virginia for Opera Rara and sang Rossini’s Ermione in Santa Fe. A frequent soloist on the concert stage, he has appeared with the Chicago Symphony Orchestra, New York Philharmonic as well as in concerts in China, Japan, Russia, Sweden and Denmark.

Other roles in Castronovo’s developing repertoire include Massenet’s Werther, Offenbach’s Hoffmann, the title role in Donzietti’s Roberto Devereux and Oronte in Verdi’s I Lombardi.

Ludovic Tézier
is acknowledged as one of the world’s leading baritones of our days. Following his studies in Marseille and Paris, he celebrated his first successes in Lucerne, Toulouse and Lyon, from where his international career took off.

Since then, he has been established as guest at the world’s leading opera stages, such as the Metropolitan Opera New York, the Vienna State Opera, the Opéra National de Paris, the Deutsche Oper Berlin, La Scala Milan, the Liceu Barcelona, the Teatro Real in Madrid, the Grand Théâtre de Genève, the Royal Opera House in London, the Bavarian State Opera Munich, as well as at the Salzburg Easter and Summer Festivals, the Bregenz Festival, the Glyndebourne Festival, the Chorégies d’Orange and the Savonlinna Opera Festival.

Ludovic Tézier regularly collaborates with the internationally most renowned conductors, such as Sir John Eliot Gardiner, Myung-Whun Chung, Antonio Pappano, Riccardo Muti, Philippe Jordan, Gustavo Dudamel and Riccardo Chailly, just to name a few.

The French baritone gained reputation for his interpretation of the great Verdi roles such as Macbeth, Rigoletto, Simone Boccanegra, Renato (Un ballo in maschera), Ford (Falstaff), Germont (La Traviata) Posa (Don Carlo) and Don Carlo di Varga (La forza del destino), but his vast repertoire includes, among others, also the title roles of Hamlet and Eugene Onegin as well as Conte (Le nozze di Figaro), Werther (baritone version), Yeletsky (Pique Dame), Wolfram (Tannhäuser), Scarpia (Tosca), Amfortas (Parsifal) and Athanaël (Thaïs).

Previous highlights are his role debut as Jago (Otello) at the Vienna State Opera as well as his appearances as Conte di Luna (Il trovatore) at the Teatro Real in Madrid, as Athanael (Thais) in Monte-Carlo and Paris and as Amonasro (Aida) and Germont (La Traviata) at the Opéra national de Paris. Further marks in the career of the versatile baritone include Marc-Antoine (Cléopâtre) at the Salzburg Festival and at the Théâtre des Champs-Elysées in Paris, Alphonse XI (La Favorite) at the Bavarian State Opera, Escamillo (Carmen), Conte di Luna (Il trovatore) in Paris, Enrico (Lucia di Lammermoor) in Munich, Paris and London, Sir Riccardo Forth (I puritani) and Carlo Gérard (Andrea Chénier) at Opera Australia in Sydney, Don Carlo (Ernani) at Opéra de Monte-Carlo and Amonasro (Aida) in concert in Rome under the baton of Antonio Pappano, which has been recorded for Warner Classics.

The 2021/22 season ended with performances as Germont at the Arena di Verona and a concert performance of Lucia di Lammermoor at the Salzburg Festival.

The 2022/ 23 season sees him in a new production of Hamlet at the Opéra national de Paris, where he will also appear as Don Carlo in Forza del destino. He also returns to the Teatro di San Carlo in Naples as Posa (Don Carlo) and Rigoletto. Another highlight of this season is a new production of Aida at the Royal Opera House in London.

Ludovic Tézier is also a sought-after concert singer and performs with the world’s leading orchestras. Together with the pianist Maria Prinz, he regular sings in recitals with a focus on French and German lieder.

Major recordings include AIDA (CD), released in 2015 by Warner Classics and Carmina Burana (“Live from the Forbidden City”) released on CD and DVD by Deutsche Grammophon in early 2019. His first solo album of Verdi arias, released in February 2021 by Sony Classical, was highly acclaimed by the press. Together with tenor Jonas Kaufmann he recorded the album Insieme – Opera Duets, which will also be released by Sony Classical in October 2022.

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