Swing's The Thing Illinois Jacquet

• 1 Las Vegas Blues 06:17
• 2 Harlem Nocturne 04:32
• 3 Can't We Be Friends? 06:43
• 4 Achtung 05:07
• 5 Have You Met Miss Jones? 05:56
• 6 Lullaby Of The Leaves 05:45
• Total Runtime 34:20

Info for Swing's The Thing

Illinois Jacquet's 1956 album Swing's The Thing features Roy Eldridge, Jimmy Jones, Herb Ellis, Ray Brown and Jo Jones. Throughout his career, Jacquet, who was born of a Sioux mother and a Creole father, played marvelous swing music. He was famed for his imaginative improvisations and gave brilliant shows with the Count Basie orchestra and at a number of Jazz At The Philharmonic concerts.

The man from Louisiana performed swing at every live appearance - no wonder, then, that Norman Granz chose this theme as the title of the present recording, which was set down in October 1956. This time, however, Jimmy Jones on the piano was not responsible for providing the background for a vocal soloist; rather he delivers airy chords for the swinging tenor sax. That all musicians are superb interpreters of ballads is testified to in 'Harlem Nocturne,' where Illinois Jacquet's sound can best be described as 'soulful.'

„This recording represents the break-out Jazz Statement of 1951. Musical intensity and conviction is performed by all players. Evidently, this enthusiasm culminates from artistic license previously unrealized in larger Big Band formats. Illinois Jacquet swings the beat majestically. Just check out 'Can't We Be Friends'.

Illinois Jacquet, tenor saxophone
Roy Eldridge, trumpet
Jimmy Jones, piano
Herb Ellis, guitar
Ray Brown, bass
Jo Jones, drums

Recorded in October 1956 in Los Angeles
Produced by Norman Granz

Digitally remastered

Illinois Jacquet
is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely new style and sound for the tenor saxophone. His classic solo on “Flying Home” recorded with the Lionel Hampton Band at Decca Records in New York City, on May 26, 1942, catapulted Jacquet to international fame and the solo became more famous than the song itself. All saxophonists learned to play Jacquet’s solo, every band recorded it, and people all over the world were humming this most famous solo in jazz history.

Two years later, on July 2, 1944, while improvising with Nat King Cole on piano and Les Paul on guitar for a benefit concert at the Philharmonic Auditorium in Los Angeles, California, Jacquet began to play a range of notes not regularly heard on the tenor saxophone. With an innovational use of harmonics in a creative impulse, Jacquet expanded the upper register of the tenor saxophone by two and a half octaves. By contrasting these stratospheric notes with sudden punctuations of sound from the lowest notes on the horn, Jacquet created the formula for what evolved into Rhythm and Blues and Rock and Roll. In the less than three minute solo, later to be entitled “Philharmonic Blues, Part II”, Jacquet anticipated far into the future and encompassed the blue-print for several generations of saxophonists. This sensational explosive solo created the spark that helped to launch Music out of night clubs and into concert halls around the world. In addition to knowing how to please the crowd with fiery excitement, Jacquet’s broad spectrum of musicianship Allowed him to also carry listeners into the depths of their being with his soulfully sensitive mastery of the ballad. He continued to be a star attraction with JATP until the final concert in 1957.

Illinois Jacquet grew up on stage, singing and dancing as a small child in front of his father’s territory band in Houston, Texas, the family having moved there from Louisiana before Jacquet was a year old. Formal musical training began in high school on drums and alto saxophone which he played with Milt Larkin’s legendary territory band. Graduation took him to the universities of the Lionel Hampton, Cab Calloway and Count Basie bands. After “Flying Home” with Hampton. he appeared in the film “Stormy Weather” with Calloway. For Basie, he recorded the hits “The King” and “Mutton Leg”; and with his own record-breaking small band he had hits on every major label. For both Aladdin and Apollo, who started in the recording business with Jacquet, he produced a string of hits that quickly elevated them to major record label status. For more information visit: www.illinoisjacquetfoundation.org

This album contains no booklet.