Navigator of Silences Francesca Anderegg & Erika Ribeiro

• Yamandu Costa (b. 1980): Samba pro Rapha (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 1 Costa: Samba pro Rapha (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro) 02:38
• Radamés Gnattali (1906 - 1988): Sonatina in D Major for Flute and Piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 2 Gnattali: Sonatina in D Major for Flute and Piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro): I. Allegro moderato 02:43
• 3 Gnattali: Sonatina in D Major for Flute and Piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro): II. Expressivo 02:08
• 4 Gnattali: Sonatina in D Major for Flute and Piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro): III. Allegro “Lembrando Pixinguinha” 02:32
• Léa Freire (b. 1957): Choro na chuva (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 5 Freire: Choro na chuva (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro) 04:03
• Espiral (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 6 Freire: Espiral (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro) 02:23
• André Mehmari (b. 1977): Sonata para viola e piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 7 Mehmari: Sonata para viola e piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro): I. Maracatu 03:24
• 8 Mehmari: Sonata para viola e piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro): II. Lamento Religioso 05:39
• 9 Mehmari: Sonata para viola e piano (Transcr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro): III. Valsa Brasileira - Com ímpeto - Maracatu 05:27
• Luca Raele: Onde o Verso:
• 10 Raele: Onde o Verso 04:05
• Quando inverso:
• 11 Raele: Quando inverso 02:18
• Toninho Horta (b. 1948): Beijo Partido (Arr. Violin and Piano by Luca Raele):
• 12 Horta: Beijo Partido (Arr. Violin and Piano by Luca Raele) 03:40
• Bianca Gismonti (b. 1982): Navegador de Silêncios (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 13 Gismonti: Navegador de Silêncios (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro) 05:08
• Festa no Carmo (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro):
• 14 Gismonti: Festa no Carmo (Arr. for Violin and Piano by Francesca Anderegg and Erika Ribeiro) 04:20
• Clarice Assad (b. 1978): The Last Song:
• 15 Assad: The Last Song 03:21
• Total Runtime 53:49

Info for Navigator of Silences

Latin GRAMMY-nominated pianist Erika Ribeiro and acclaimed violinist Francesca Anderegg showcase their cross-continental partnership in Navigator of Silences. Their arrangements explore the cadence and choreography of Brazil in works by Clarice Assad, Léa Freire, André Mehmari, and Yamandu Costa, blending classical, samba, chôro and forró with folk and Afro-Brazilian traditions. The album takes listeners on a journey of the soul, illuminating how music bridges physical and spiritual divides.

Francesca Anderegg, violin
Erika Ribeiro, piano

Francesca Anderegg
Hailed by the New York Times for her “rich tone” and “virtuosic panache,” violinist Francesca Anderegg delivers insightful accounts of contemporary and classical music. Through her inventive programming, active composer collaborations, and precise yet impassioned interpretations, Anderegg has earned renown as a musical explorer of the first order.

Since her Carnegie Hall debut performance in 2008, Ms. Anderegg has given solo recitals in national and international venues, including Brooklyn's National Sawdust, The Arts Club of Washington, the National Museum of Colombia in Bógota, and many others across the world. Her three solo albums have been featured on radio programs throughout the country and noted for their “stunning virtuosity” (Fanfare Magazine), “lustrous tone” (The Strad Magazine), and “riveting listening experience” (Second Inversion). Her album "Wild Cities"

was selected as a favorite of 2016 by New Music Box, and her most recent commercial release, "Images of Brazil," was praised as “the mostdelightful disc of Brazilian chamber music to come along in years” (Fanfare Magazine). Ms. Anderegg’s appearances include concerts at Chicago’s Symphony Center and the Metropolitan Museum of Art in New York with Itzhak Perlman and members of the Perlman Music Program.

The search for unusual repertoire has made Ms. Anderegg a fierce advocate for new music. Since 2007, when she made her New York concerto debut performing Ligeti’s Violin Concerto with the Juilliard Orchestra, she has championed the artistic and emotional expression of works by 20th century and living composers. As concertmaster of the contemporary music ensemble AXIOM, she led Miller Theatre's production of Elliott Carter's opera What Next?, in a performance that was rated one of classical music's top 10 events of the year by Time Out magazine. She performed Daniel Schnyder's jazz-influenced Violin Concerto with Orchestra for the Next Century, and performed Pierre Boulez's orchestral and solo compositions under the direction of the composer at the Lucerne Festival in Switzerland. With her husband, the Venezuelan-American composer Reinaldo Moya, Anderegg has performed a series of his original works exploring magical realism and other elements of Latin American literature and imagination. In 2019, she gave the world premiere of Moya's violin concerto at the Lakes Area Music Festival with conductor Gemma New, and performed the South American premiere in Costa Rica in 2024.

Anderegg holds an undergraduate degree from Harvard University and masters' and doctoral degrees from The Juilliard School, where her teachers included Robert Mann, Ronald Copes, and Naoko Tanaka. She is a laureate of the Corpus Christi Competition and winner of fellowships from both the McKnight Foundation and the Leonore Annenberg Fund. An enthusiastic educator and mentor of young musicians, Anderegg is Associate Professor of Violin at St. Olaf College and has taught in the summers at Interlochen Center for the Arts, Brevard Music Center, and the Sarasota Music Festival. She has been an invited guest teacher at universities throughout the country and abroad.

Erika Ribeiro
Renowned for her remarkable musicality, transparency, and the spontaneity of her pianism, Latin Grammy nominee Erika Ribeiro is a truly 21st-century artist always on the search for new performance approaches, and combining diverse styles in her playing and programming.

Winner of 10 piano competitions in Brazil, Erika has performed extensively in her native country, as well as in United States, Europe and Latin America. She has played at prestigious venues such as Sala São Paulo, Theatro Municipal (Rio de Janeiro), Sala Minas Gerais, Cecilia Meireles Hall, among others. She has been a frequent guest soloist of main Brazilian orchestras, including the Brazilian Symphony Orchestra, Minas Gerais Philharmonic, Bahia Symphony Orchestra, OSUSP, Orchestra of the Radio and TV Cultura and many others; in Europe, she performed with the Kalisz Philharmonic (Poland) and the Gaia Philharmonic Orchestra (Portugal). As a chamber musician, Erika frequently collaborates with diverse singers and instrumentalists.

Her first solo album Erika Ribeiro (Igor Stravinsky, Hermeto Pascoal, Sofia Gubaidulina) was nominated for the LATIN GRAMMY 2022 as Best Classical Album, and was a finalist at the prestigious Brazilian "Prêmio Concerto" as Best Album of the Year. In this work, released by Rocinante Records, Erika originally transcribed pieces by Stravinsky and Pascoal for the piano, including rare pieces written by Russian composer Sofia Gubaidulina. In 2018, she recorded the acclaimed album Images of Brazil with American violinist Francesca Anderegg, released by Naxos Latin American Series, containing rare gems of Brazilian repertoire for violin and piano. Her new album Entre Luas with singer Tatiana Parra was just released by Maritaca Records.

Ms. Ribeiro holds a B.A and M.A in Music from the University of São Paulo, and a PhD from the University of Rio, where she studied the concept of pianism and pianist-composer Egberto Gismonti. She also studied at the prestigious Hochschule für Musik "Hanns Eisler" Berlin, Germany (2003-05), and chamber music at Écoles d 'Art de Fontainebleau, France (2008). She has attended music festivals in the U.S., Switzerland and France, where she received the highest honors in performance at the Fontainebleau Academy. Ms. Ribeiro is currently Piano and Chamber Music Professor at the Federal University of Rio de Janeiro (UNIRIO).

This album contains no booklet.