Anton Bruckner: Symphony No. 9 Bamberger Symphoniker & Jakub Hrůša

• Anton Bruckner (1824 - 1896): Symphony No. 9 in D Minor, WAB 109:
• 1 Bruckner: Symphony No. 9 in D Minor, WAB 109: I. (Feierlich, misterioso) 25:32
• 2 Bruckner: Symphony No. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell 10:32
• 3 Bruckner: Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich 24:01
• Total Runtime 01:00:05

Info for Anton Bruckner: Symphony No. 9

The sincerity and at the same time emotionality of Anton Bruckner's musical thoughts create an incomparable pull that makes you "forget" time in the best sense of the word while listening. Anyone who wants to approach Bruckner exclusively from an analytical point of view is likely to have their head turned, especially on first hearing him. His great power is a kind of "transcendent charm" that is common to all his symphonies.

In 2024, the music world will celebrate the 200th anniversary of Anton Bruckner's birth on 4 September 1824, and to mark the occasion, the Bamberg Symphony Orchestra - an orchestra extremely adept at interpreting Bruckner's symphonic cosmos - and its chief conductor Jakub Hrůša are presenting a new recording of the composer's last and unfinished symphony, his Ninth.

On 30 November 1894, Bruckner completed the third movement of his Ninth Symphony, which, like each of its predecessors, was in four movements. Work on the finale began on 24 May 1895, around 16 months before his death. He composed the first 172 bars of the movement in its entirety, after which the score is at least partially orchestrated for a further 200 bars. Although a playable version of the finale of Bruckner's Ninth exists, the three-movement torso has prevailed in practice. It seems as if the non-completion paradoxically demands its place. The Austrian critic and musicologist Walter Weidringer wrote that the Ninth "may serve as one of those examples from music history that prove that even fragments can attain a degree of completion that no longer seems possible."

Bamberg Symphony Orchestra
Jakub Hrusa, conductor

Jakub Hrůša
In September 2016, Jakub Hrůša assumed musical direction of the Bamberg Symphony. »I am very happy that in Jakub Hrůša we have been able to secure a musical director for the Bavarian State Philharmonic in Bamberg who is young and also enjoys a high profile«, says Bavaria's Minister for the Arts, Dr. Ludwig Spaenle. »The position of Chief Conductor of the Bamberg Symphony is extremely demanding; more than any other musician, he is responsible for the artistic standards of this exceptional orchestra. In view of the Bamberg Symphony’s history, which saw its members move from Prague to Bamberg after the war, the new Chief Conductor bridges once more, 70 years after the foundation of the Orchestra, its past and its present.«

»I am truly delighted to be Chief Conductor of the Bamberg Symphony«, says Jakub Hrůša. »Even before I had a chance to conduct this jewel among European orchestras, I had been a huge admirer. They are an embodiment of orchestral culture, with everything imagined by this term. And with the Orchestra having its origins in Prague, we breathe the same musical air, sharing our cultural backgrounds, being artistically and historically very close. With the Bamberg Symphony, every phrase can turn to be a little miracle, and every concert is a transfiguration.«

Jakub Hrůša is the fifth Chief Conductor in the history of the Bamberg Symphony. Born in Brno in 1981, he studied conducting at the Academy of Performing Arts in Prague. Principal Guest Conductor of the Philharmonia Orchestra, Permanent Guest Conductor of the Czech Philharmonic, Principal Guest Conductor of Tokyo Metropolitan Symphony Orchestra, and served as Music Director and Chief Conductor of PKF-Prague Philharmonia from 2009-2015.

He is a regular guest with many of the world's greatest orchestras. Recent highlights have included débuts with the Orchestra dell’Accademia Nazionale di Santa Cecilia, Filarmonica della Scala, Royal Concertgebouw Orchestra, Mahler Chamber Orchestra, New York Philharmonic, Boston Symphony and Chicago Symphony; Bohemian Legends and The Mighty Five – two major series specially devised for the Philharmonia Orchestra; and returns to the Leipzig Gewandhaus Orchestra, The Cleveland Orchestra, Vienna Symphony, DSO Berlin and Los Angeles Philharmonic. The 17/18 season will see his débuts with the San Francisco Symphony and Munich Philharmonic Orchestra.

As a conductor of opera, he has been a regular guest with Glyndebourne Festival and has served as Music Director of Glyndebourne On Tour for three years. Elsewhere he has led productions for Vienna State Opera, Opéra National de Paris, Frankfurt Opera, Finnish National Opera, Royal Danish Opera and Prague National Theatre. The 17/18 season will see his return to the Opera National de Paris and his début at the Royal Opera House Covent Garden.

Jakub Hrůša is currently President of the International Martinů Circle. In 2015 he was the inaugural recipient of the Sir Charles Mackerras Prize. He lives with his wife and his two children in Prague.

This album contains no booklet.