Enoch Arden Paul Pattloch & Brandt Fredriksen

• Richard Strauss (1864 - 1949): Enoch Arden, Op. 38, Pt. 1:
• 1 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 1, Vorspiel – In langen Klippenreih’n 02:05
• 2 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 2, Allegretto – Vor hundert Jahren 01:04
• 3 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 3, In einer engen Höhlung 01:57
• 4 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 4, Enoch sprach sein Lieben aus 00:51
• 5 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 5, Allegro moderato – An einem herbstlich goldenem Abend war’s 02:55
• 6 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 6, So wurden jene Zwei vermählt 08:32
• 7 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 7, Langsam – Enoch, du bist klug 00:29
• 8 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 8, Hm, scherzte Enoch 01:46
• 9 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 9, Allegro appassionato – Sie lieh am Tag 02:38
• 10 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 10, Dann, ob sie gleich 00:55
• 11 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 11, Agitato 01:04
• 12 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 12, In jener Woche 03:29
• 13 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 13, Zur Schule 01:13
• 14 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 14, Tranquillo – Zehn Jahre 01:12
• 15 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 15, Ins Holz zum Nüssepflücken 01:18
• 16 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 16, Langsam – Annie sprach kein Wort 01:06
• 17 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 17, Philipp, ein wenig näher rückend 02:34
• 18 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 18, Sie sprach’s 00:59
• 19 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 19, Nachgrad begann 01:40
• 20 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 20, Annies Traum – Langsam 03:44
• 21 Strauss: Enoch Arden, Op. 38, Pt. 1: No. 21, Nachspiel 00:57
• Enoch Arden, Op. 38, Pt. 2:
• 22 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 1, Vorspiel – Und wo war Enoch? 03:23
• 23 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 2, Andante – Wohl Tag für Tag 04:11
• 24 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 3, So über Enochs früh ergrauend Haupt 06:53
• 25 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 4, Denn Philipps Wohnung 01:34
• 26 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 5, Allegro agitato – Als jetzt 05:21
• 27 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 6, Er war nicht ganz unglücklich 04:22
• 28 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 7, Langsam – Frau, stört mich nicht 04:27
• 29 Strauss: Enoch Arden, Op. 38, Pt. 2: No. 8, Die dritte Nacht 01:10
• Total Runtime 01:13:49

Info for Enoch Arden

There was a time before streaming – indeed, even before cinema – when the most captivating stories were told through melodrama: spoken narration set to music. Some of the greatest composers turned to this genre, among them Franz Liszt and Richard Strauss. With “Enoch Arden”, Strauss created a dramatic and romantic sea narrative inspired by Tennysons’s famous poem – the touching story of a sailor who suffers a shipwreck far from home and returns years later to find his life irrevocably changed. Baritone Paul Pattloch and pianist Brandt Fredriksen now release this passionate musical narration on GENUIN – an intimate yet powerful Strauss experience, full of storm and sea, homesickness, longing, and great love.

Paul Pattloch, baritone
Brandt Fredriksen, piano

Paul Pattloch
attended the Stage School of Music, Dance and Drama in Hamburg and graduated with a major in acting. In his final year of training he made his professional stage debut in Lutherstadt Wittenberg as Koloss in Nigel Williams’s Class Enemy. This was followed by three years with the Schleswig-Holstein State Theatre and Symphony Orchestra. There he played roles in William Shakespeare’s The Merchant of Venice (Lorenzo), Bertolt Brecht’s and Kurt Weill’s The Threepenny Opera (Filch), Friedrich Hebbel’s The Nibelungen (Giselher), and many more.

Together with his colleague Karl-Heinz Barthelmeus, Pattloch organized a reading of texts by Wolfgang Borchert in Berlin. In New York he studied singing with Betty Allen at the Harlem School of the Arts and with James King at Indiana University Bloomington. This was followed by touring productions such as Fiddler on the Roof (Jerry Bock) and The Phantom of the Opera by Arndt Gerber and Paul Wilhelm.

Paul Pattloch also worked at ASA Event GmbH in Bietigheim-Bissingen in tour management, ticketing, and tour organization. Since then, he has worked as a voice coach, voice artist, actor, and personal coach in the USA.

Brandt Fredriksen
performs internationally as both a soloist and accompanist, appearing at prestigious venues such as Zankel Hall at Carnegie Hall, Lincoln Center, Merkin Hall, Florence Gould Hall in New York, Munich’s Gasteig, the Megaron in Athens, and concert halls in Thessaloniki and Beijing. He made his debut recital at Weill Recital Hall at Carnegie Hall, the Gasteig in Munich, and the Vafopoulio Cultural Center in Thessaloniki.

An active chamber musician, Fredriksen has performed with members of the New York Philharmonic, the Metropolitan Opera Orchestra, and the American String Quartet. His performances have been broadcast on radio and television in the USA, Greece, and China. He is also the pianist and musical director of That’s Not Tango: Astor Piazzolla – A Life in Music, conceived and written by Lesley Karsten and Stephen Wadsworth.

Fredriksen is a recipient of the Munz Award from the Juilliard School. He holds a Doctor of Musical Arts from Stony Brook University (State University of New York), a Master of Music from the Juilliard School, and a Bachelor of Music from Indiana University.

Booklet for Enoch Arden