Locklair: Requiem & Other Choral Works The Choir of Royal Holloway, Southern Sinfonia, Martin Baker & Rupert Gough

• Dan Locklair (b. 1949): Requiem:
• 1 Locklair: Requiem: I. Introit & Kyrie 07:41
• 2 Locklair: Requiem: II. Let Not Your Heart Be Troubled 03:12
• 3 Locklair: Requiem: III. Sanctus - Benedictus 03:37
• 4 Locklair: Requiem: IV. Pie Jesu 03:05
• 5 Locklair: Requiem: V. Agnus Dei 04:29
• 6 Locklair: Requiem: VI. I Am the Resurrection 02:35
• 7 Locklair: Requiem: VII. Lux aeterna 04:54
• 8 Locklair: Requiem: VIII. I Will Lift Up Mine Eyes 04:03
• 9 Locklair: Requiem: IX. In paradisum - Requiescant in pace 06:07
• Comfort Ye My People:
• 10 Locklair: Comfort Ye My People 04:31
• Calm on the Listening Ear of Night:
• 11 Locklair: Calm on the Listening Ear of Night 06:41
• O Light of Light:
• 12 Locklair: O Light of Light 03:12
• Arise in Beauty:
• 13 Locklair: Arise in Beauty 07:10
• The Mystery of God:
• 14 Locklair: The Mystery of God 03:10
• Magnificat & Nunc dimittis (Montréal):
• 15 Locklair: Magnificat & Nunc dimittis (Montréal): I. Magnificat 04:47
• 16 Locklair: Magnificat & Nunc dimittis (Montréal): II. Nunc dimittis 03:21
• Total Runtime 01:12:35

Info for Locklair: Requiem & Other Choral Works

“This is music of confident, muscular vitality which breathes new life into the Requiem Mass. There are moments of great intimacy and solace to be found amongst the drama of this setting and the unequivocal final impression is one of true celebration and thanksgiving. Rapture and beauty are qualities common to the other fine works presented here - coupled with a truly individual approach to even the most familiar texts.” (George Richford) Dan Locklair is Composer-in-Residence and Professor of Music at Wake Forest University in Winston-Salem, North Carolina. His compositional catalog, influenced by a wide variety of traditions, includes internationally performed symphonic works, a ballet, an opera, and numerous solo, chamber, vocal, organ, and choral compositions.

Hilary Cronin, soprano
Elisabeth Paul, alto
Christopher Willoughby, tenor
Geoff Williams, bass
Martin Baker, organ
Choir The Choir of Royal Holloway
Orchestra Southern Sinfonia
Rupert Gough, conductor

Dan Locklair
The music of Dan Locklair (b. 1949) is widely performed throughout the U.S., Canada and abroad, including performances in England, Germany, France, Denmark, Hungary, Poland, Sweden, Korea, Japan, South Africa, Finland and Russia. His prolific output includes symphonic works, a ballet, an opera and numerous solo, chamber, vocal and choral compositions.

Locklair’s music has been premiered and/or performed by such ensembles as the Helsinki (Finland) and Buffalo Philharmonics, the Saint Louis, North Carolina, Kansas City, Omaha, Winston-Salem, Western Piedmont and Salisbury (NC) Symphonies, The Louisville Orchestra, the Gregg Smith Singers, the BBC Singers, the St. Thomas Choir of Men and Boys (NY City), the Cathedral Choral Society (Washington, DC), the Pittsburgh New Music Ensemble, the Elmer Iseler Singers of Toronto, the Chicago Ensemble and The Oxford Players (UK), as well as by harpsichordists Igor Kipnis and Jukka Tiensuu, organists Marilyn Keiser, Thomas Murray, John Scott, Thomas Trotter and many others. Read Less

His 1995 composition, Since Dawn (A Tone Poem for Narrator, Chorus and Orchestra based on Maya Angelou’s On the Pulse of Morning), is the first musical setting of Maya Angelou’s well-known and important poem commissioned for the 1993 Inauguration of U.S. President Bill Clinton. One of the movements of his Rubrics, one of the most frequently programmed pieces of late 20th century American organ music, was performed at the funerals of Presidents Ronald Reagan and George H.W. Bush.

His commissions have included works for Arizona MusicFest, the Knoxville Symphony, the North Carolina Dance Theatre, the Binghamton Symphony, two American Guild of Organists’ National Conventions (1992, 1996), the Association of Anglican Musicians, the Choral Art Society (Portland, Maine), the Virginia Chorale and Symphony (for the 2007 Virginia Festival of American Voices, Resident Composer), Casavant Frères (for this important organ builder’s 125th Anniversary in 2004), an IBM commission for the Binghamton Youth Symphony, the Charlotte Symphony Orchestra, the Mallarmé Chamber Players, the Bel Canto Company and a Barlow Endowment Commission.

In addition to performances of his music in such halls as New York’s Carnegie Hall and Alice Tully Hall, Disney Hall in Los Angeles and Washington’s Kennedy Center and National Gallery of Art, Locklair’s works have been programmed on major festivals throughout the world, including the Aspen Music Festival, Spoleto U.S.A., the Chautauqua Festival, Interlochen, the Brevard Music Center (Composer-in-Residence, 1989, 2002 seasons), Southern Cathedrals Festival (England), Warsaw Autumn (Poland), Vendsyssel Festival (Denmark), the Bergen Festival (Norway) and the Internationale Orgelwoche Nürnberg Musica Sacra festival (Germany). Broadcasts of his music have been heard world-wide over Voice of America, Vatican Radio, Finnish Radio, the BBC, Czech Radio, the Canadian Broadcasting Corporation, With Heart and Voice and American Public Media’s Performance Today, St. Paul Sunday and Pipedreams.

Dr. Locklair’s many awards have included consecutive ASCAP Awards since 1981, a Kennedy Center Friedheim Award, an Aliénor Award, the New Music Award from the Omaha Symphony Society, two North Carolina Composer Fellowship Awards and the top Barlow International Competition Award for 1989. In 1992, Dr. Locklair became the first American composer ever to be invited to and have music performed at the thirty-five year old Czech Festival of Choral Arts in Jihlava, Czech Republic and, again at the invitation of the Czech government, was invited to return to be a part of this Festival during 1997. In its Centennial Year, Dr. Locklair was named 1996 AGO Composer of the Year by the American Guild of Organists, a distinguished honor awarded yearly to an American composer who has not only enriched the organ repertoire, but who has also made significant contributions to symphonic and concert music.

His music is commercially available on the Koch, Naxos, Ondine, Albany, Convivium, MSR, Acis, Gasparo, Capstone, Priory, Regent, Arsis, Titanic, Raven, Pro Organo, Gothic, Loft, ACA Digital, Pro Arte Fanfare, Orion and Opus One labels. His primary publishers are Subito Music Publishing and Ricordi [Boosey & Hawkes and Hal Leonard, U.S. agents]. He is listed in numerous biographical dictionaries, including the International Who’s Who In Music, Contemporary American Composers, Dictionary Of Distinguished Americans, Dictionary Of International Biography and Baker’s Biographical Dictionary Of Musicians (1996 ed.).

Dan Locklair is a native of Charlotte, North Carolina (USA). He holds a Master of Sacred Music degree from the School of Sacred Music of Union Theological Seminary in New York City and a Doctor of Musical Arts degree from the Eastman School of Music in Rochester, New York. His former teachers have included Joseph Goodman, Ezra Laderman, Samuel Adler and Joseph Schwantner (composition), as well as Donna Robertson, Robert Baker and David Craighead (organ). Presently, Dr. Locklair is Composer-in-Residence and Professor of Music at Wake Forest University in Winston-Salem, North Carolina.

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