Queen on the Hillside Jeanette Lindström

• 1 Queen on the Hillside 03:45
• 2 Fragments 04:38
• 3 Falling 05:09
• 4 Vem 04:22
• 5 That Cloud 04:11
• 6 This Is How 04:22
• 7 Somehow 05:10
• 8 Commence 02:09
• 9 Breathe 06:34
• 10 Try to Be 05:12
• 11 North 03:00
• Total Runtime 48:32

Info for Queen on the Hillside

How do we become who we are? Those who go before us, what do they pass on to us? Do we inherit something? What does a role model, an early source of inspiration, mean?

In the title track on her new album Queen on the Hillside, dedicated to her grandmothers and to those who have gone before, Jeanette Lindström explores what it means to have someone who sets the example to never give up, and at the same time conveys lust, the courage to dream and the freedom to create something of your own. Finding your own way.

That Jeanette has found her own musical path is obvious. With Swedish Grammis winner Attitude & Orbit Control (2009) she had taken yet another step towards an expression and a sound that was already more than hinted at in her previous albums Walk (2003) and In the Middle of this Riddle (2005). A music still rooted in jazz but with an increasingly elaborate production and arrangements pointing towards pop music and a much heavier sound.

Attitude & Orbit Control was a milestone in more than one way, not least for the collaboration with the legendary Robert Wyatt who came to collaborate on five of the album’s tracks. Jeanette Lindström and Magnus Öström’s fruitful producer collaboration also meant a lot for the final result. That the album eventually was rewarded with the Grammis for best jazz album of the year 2010 was a well-deserved ending of a very memorable journey.

The new album, Queen on the Hillside, her seventh full-length album in her own name, is bursting with original music. Eleven tracks with music and lyrics from Jeanette Lindström’s pen. Songs with strong melodies in intricate and airy production with meaningful lyrics. And then that magical voice that always so congenially presents them.

This time around Jeanette Lindström has chosen to produce herself. With Fingerspitzengefühl she has carefully chosen musicians to colour each song as required. She is backed by her own band; Jonas Östholm, piano and keyboards, Andreas Hourdakis, guitars, Thobias Gabrielson, electric bass and Magnus Öström, drums and electronics, but we also hear Steve Dobrogosz and Daniel Karlsson on piano, Dan Berglund on double bass, Rigmor Gustafsson, vocals, John Eriksson and Pelle Jacobsson, marimba and the Stenhammar Quartet in string arrangements by Per Mårtensson, Karl-Johan Ankarblom and Jeanette Lindström herself.

Together with her band and these guest musicians, Jeanette Lindström takes another big step on her own path.

“Lindström sings in such a way as to invite the listener into her own world. Like waking up on a warm summer day, welcomed by birds singing. It’s a world full of depth, dimension and beauty.” (Jazzreview.com)

Jeanette Lindström
The Stenhammar Quartet

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