Shelby Lynne Shelby Lynne

Album info

Album-Release:
2020

HRA-Release:
17.04.2020

Label: Everso Records

Genre: Songwriter

Subgenre: Folk Rock

Artist: Shelby Lynne

Album including Album cover

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  • 1 Strange Things 03:34
  • 2 I Got You 04:23
  • 3 Love is Coming 04:29
  • 4 Weather 04:42
  • 5 Revolving Broken Heart 04:11
  • 6 Off My Mind 04:43
  • 7 Don't Even Believe in Love 04:40
  • 8 My Mind's Riot 03:40
  • 9 Here I Am 04:06
  • 10 The Equation 06:45
  • 11 Lovefear 01:41
  • Total Runtime 46:54

Info for Shelby Lynne



Grammy Award-winning singer/songwriter Shelby Lynne returns with Shelby Lynne, her first solo album since 2015.

Shelby Lynne finds the acclaimed artist laying herself bare in both her performances and in the untraditional recording methods, making this the most unique album of her celebrated career. The genesis of Shelby Lynne came from Lynne’s collaboration with lyricist/director/screenwriter Cynthia Mort to film When We Kill The Creators. The film stars Lynne as a deeply conflicted artist struggling at the intersection of art and commerce. Songs “Here I Am,” “Strange Things” and “Weather” were recorded during the filming, while “Revolving Broken Heart” and “Love is Coming” are featured in both the film and on the album. All of these tracks capture the raw intimacy of Lynne’s performances.

The sparse, deep album highlights the push and pull nature of love, with Lynne challenging and ultimately succumbing to it. Lynne claims, “As an artist, I don’t mind being naked. Everything is so fake, so manufactured these days, I want to get real. It’s the only way to communicate these days.”

Shelby Lynne features a range of human emotions. Throughout the album, Lynne is both tormented and exposed, but still giving in to the power of love. The soulful and aching “Don’t Even Believe in Love” captures the helplessness felt when love walks in. Other highlights include the smoky torch song “Strange Things” and the sweet, soulful sound of “I Got You.” Listeners can feel her dark anticipation on “Love is Coming”’ and her unbridled passion on “My Mind’s Riot.”

Lynne notes, “These are eleven songs I love and want to share with the world. They were recorded in very different circumstances at various times but I think they go together. It’s time to not hide behind the game but put your work out as it is.”

Although Lynne enlists keyboardists Benmont Tench, Mimi Friedman, Ed Roth and Billy Mitchell to play on the album, she is the key musician on most tracks. Lynne plays guitar, bass, drums, keyboards and even saxophone throughout the release. The album revels in its simplicity.

Born in Virginia and raised in Jackson Alabama, Shelby Lynne recorded her debut album Sunrise in 1989. She continued releasing celebrated albums and gaining a devoted fanbase.

Shelby Lynne, vocals


Shelby Lynne
was destined to be a singer. Born a singer. She was raised in rural Alabama by musical parents who stressed individuality and the importance of standing apart from others. A terrible student, but avid reader, she loved the written lyric and a beautiful melody. Around the house she was surrounded by country music from the past, Hank Williams, Dottie West, Waylon Jennings, as well as old 45′s that belonged to her parents stacked high with most all Everly Brothers, Beatles, Elvis. It was the old pop music that really turned her soul on. The harmonies that came so naturally to her from such an early age stemmed from her mother, a naturally gifted singer, who guided the diamond in the rough talent on rides to school on freezing Alabama mornings with her younger sister Allison. They sang three part harmonies to pass the time, which brought the threesome so close in life, and in music. The Mills Brothers, Ink Spots, Kay Starr, Everly’s and anything that needed a harmony – this was the car in which to find it.

Shelby started playing guitar by age seven in order to accompany herself on these songs. Her father was a weekend guitar player in bands and bars and taught her a three-chord progression in E, and from there the hunger for more was so intense she learned the rest on her own. By high school graduation, her mind was made up and a trip to Nashville was inevitable. Married to her high school sweetheart with dreams of country music success in mind, they packed and moved to Music City where she met veteran songwriter Bob Tubert. With only a cassette demo in hand, he took a chance and played the tape for the TV producer of a long since gone program on the Nashville Network called “Nashville Now,” hosted by Ralph Emory. After the performance, she was offered a record deal by CBS Records where legendary producer Billy Sherrill came out of semi retirement to produce her first record. It included a duet with country legend George Jones, who praised Lynne’s ability to “own” a song at such an early age. After five albums in Nashville, Lynne was hungry for a change from the Nashville system and searched for a record producer who wanted to collaborate on a project. She enlisted Bill Bottrell, who had produced for Michael Jackson, Madonna, and had big success with Sheryl Crow on the highly successful Tuesday Night Music Club. The album, I Am Shelby Lynne, was recorded on the Northern California coast in 1998.

With the critical success and recognition of I Am Shelby Lynne, she was awarded the Best New Artist GRAMMY® in 2000 – after nearly 13 years in the business. Love, Shelby was released in 2001, followed by a pair of intimate, self-produced albums – Identity Crisis (2003) and Suit Yourself (2005). She made her acting debut in 2005, playing Johnny Cash’s mother in the Fox Searchlight motion picture Walk the Line. Just a Little Lovin’, her critically acclaimed tribute to Dusty Springfield, was released in 2008.

Never one to go with the crowd, Shelby continues to stand apart from the mainstream music world. She recently founded her own label, EVERSO RECORDS. Lynne’s Tears, Lies, And Alibis, EVERSO’s first release, debuted at No. 16 on Billboard’s Top Independent Albums chart in April of 2010. A Top 10 hit at Americana radio, it was hailed by Newsday as “her strongest album in a decade,” a sentiment echoed by numerous critics. She followed Tears, Lies, And Alibis with her first-ever holiday collection, Merry Christmas, released in the fall of 2010.

Revelation Road – Shelby’s most personal record yet – was released on October 18, 2011. She wrote, recorded and produced the album, which included the single ““Heaven’s Only Days Down The Road.” The track was tapped by NPR Music as the “Song of the Day” and the accompanying video was added by CMT. After a yearlong solo acoustic tour, she released Revelation Road Deluxe Edition. In addition to the original disc, the box set included her first-ever live album, Live At McCabe’s, and her first live DVD, Live In London, plus five bonus acoustic tracks, a documentary on the making of Revelation Road and more.

This album contains no booklet.

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