C.P.E. Bach: Magnificat, Wq. 215 RIAS Kammerchor

Album info

Album-Release:
2014

HRA-Release:
19.02.2014

Label: harmonia mundi

Genre: Classical

Subgenre: Chamber Music

Artist: RIAS Kammerchor, Akademie für Alte Musik Berlin & Hans-Christoph Rademann

Composer: Carl Philipp Emanuel Bach (1714-1788)

Album including Album cover

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  • Carl Philipp Emanuel Bach (1714-1788): Magnificat in D, Wq. 215 (H772)
  • 11. Chor. Magnificat anima mea Dominum02:53
  • 22. Arie. Quia respexit humilitatem (S)05:31
  • 33. Arie. Quia fecit mihi magna (T)04:00
  • 44. Chor. Et misericordia eius04:00
  • 55. Arie. Fecit potentiam in bracchio suo (B)03:38
  • 66. Duett. Deposuit potentes de sede (A, T)05:53
  • 77. Arie. Suscepit Israel puerum suum (A)04:43
  • 88. Chor. Gloria Patri et Filio01:51
  • 99. Chor. Sicut erat in principio05:15
  • Carl Philipp Emanuel Bach (1714-1788): Heilig (Te Deum Laudamus), Wq. 217 (H778)
  • 101. Ariette. Herr, wert, dass Scharen der Engel (A)01:44
  • 112. Chor der Engel und Voelker. Heilig, heilig, heilig ist Gott05:57
  • Carl Philipp Emanuel Bach (1714-1788): Symphony in D major, Wq. 183/1 (H663)
  • 12I. Allegro di molto05:47
  • 13II. Largo01:35
  • 14III. Presto02:52
  • Total Runtime55:39

Info for C.P.E. Bach: Magnificat, Wq. 215

On 9 April 1786, Carl Philipp Emanuel Bach conducted a charity concert in Hamburg featuring three of his finest and most representative works: the Symphony Wq 183/1 (1780), the Magnificat written in 1749 in the hope of succeeding his father as Kantor in Leipzig, and finally the stupendous Heilig (1776) for double choir, of which he wrote: ‘It will be my swansong of this kind, and will serve to ensure that I shall not soon be forgotten after my death.’ He was right: 300 years after his birth, this album with the same programme proves as much.

“Hans-Christoph Rademann finds eloquence in the choral music and lets the Berlin Akademie rip with edgy tone in the symphony.” (The Observer)

“Chorus and orchestra launch the work in exhilarating style, as Bach emulates his father’s trumpety celebratory style, but with Vivaldian panache...This is a glorious disc.” (The Sunday Times)

Elizabeth Watts, soprano
Wiebke Lehmkuhl, alto
Lothar Odinius, tenor
Markus Eiche, bass
RIAS Kammerchor
Akademie für Alte Musik Berlin
Hans-Christoph Rademann, conductor

The album consists of various sampling rates: Tracks 1-11 in 48kHz and 96kHz tracks 12-14.

No biography found.

This album contains no booklet.

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