REFLECTIONS: Scott Joplin Reconsidered Lara Downes

• Scott Joplin (1868 - 1917): Treemonisha:
• 1Joplin: Treemonisha: Prelude (Arr. by Lara Downes)02:02
• Weeping Willow:
• 2Joplin: Weeping Willow02:42
• Peacherine Rag:
• 3Joplin: Peacherine Rag01:49
• Maple Leaf Rag (Arr. By Stephen Buck):
• 4Joplin: Maple Leaf Rag (Arr. By Stephen Buck)02:56
• The Chrysanthemum:
• 5Joplin: The Chrysanthemum03:29
• Bethena:
• 6Joplin: Bethena04:17
• The Entertainer:
• 7Joplin: The Entertainer03:15
• Reflection Rag:
• 8Joplin: Reflection Rag03:38
• Magnetic Rag (Arr. Stephen Buck):
• 9Joplin: Magnetic Rag (Arr. Stephen Buck): Magnetic Rag03:36
• A Picture Of Her Face (Arr. Jeremy Siskind):
• 10Joplin: A Picture Of Her Face (Arr. Jeremy Siskind)04:04
• Euphonic Sounds:
• 11Joplin: Euphonic Sounds02:17
• Solace (Arr. by Lara Downes & Joe Brent):
• 12Joplin: Solace (Arr. by Lara Downes & Joe Brent)05:18
• Louis Chauvin (1881 - 1908), Scott Joplin: Heliotrope Bouquet:
• 13Chauvin, Joplin: Heliotrope Bouquet02:20
• Scott Joplin: Eugenia:
• 14Joplin: Eugenia03:25
• Elite Syncopations (Arr. by Stephen Buck & Adam Abehouse):
• 15Joplin: Elite Syncopations (Arr. by Stephen Buck & Adam Abehouse)02:24
• Grantley Marshall (b. 1959), Scott Joplin: Swipesy:
• 16Marshall, Joplin: Swipesy02:53
• Scott Joplin: A Real Slow Drag (Arr. by Stephen Buck):
• 17Joplin: Treemonisha: A Real Slow Drag (Arr. by Stephen Buck)03:54
• Lara Downes (b. 1973): Album Commentary:
• 18Downes: Album Commentary (44.1kHz)08:40
• Total Runtime01:02:59

Info for REFLECTIONS: Scott Joplin Reconsidered

Chart-topping pianist Lara Downes, hailed as "A musical ray of hope" by NBC News, reflects on the music of American innovator Scott Joplin through a 21st-century lens, revealing its many layers of genre-blurring subtlety and nuance.

Iconoclastic pianist Lara Downes takes a fresh look at the music of Scott Joplin on her album Reflections: Scott Joplin Reconsidered, featuring the Grammy Award-winning Brooklyn Youth Chorus and Grammy-nominated baritone Will Liverman as special guests, and produced by Grammy award-winning producer Adam Abeshouse. This recording looks back through a modern lens to explore the many layers of Joplin’s creative vision, as well as the complexities of his American experience. Now, half a century after the Joplin revival of the 1970s, Ms. Downes reintroduces audiences to Joplin through works that range from his early ballad "A Picture Of Her Face," in a world-premiere recording with baritone Will Liverman, to selections from Joplin’s opera Treemonisha, and his most beloved rags, reimagined in kaleidoscopic arrangements by Ms. Downes and other writers. In contrast to many Black composers of his era, Joplin is familiar to mainstream listeners, but while his ragtime compositions are celebrated for their importance to American music, the full scope and depth of his artistry remain little appreciated.

In Lara’s words: “Joplin’s music is an extraordinary reflection of many disparate influences: his father’s plantation melodies; his piano teacher’s sonatas and fantasies; decorous parlor waltzes in the homes his mother cleaned; boisterous “jig-piano” tunes in the saloons and brothels where he played in his youth. … Joplin’s music is a total embrace of everything he was made of, and a vision of making something new.”

The album is book-ended by selections from Joplin’s 1911 opera Treemonisha, opening with a solo piano arrangement by Ms. Downes of the "Prelude to Treemonisha," and closing with the opera’s finale "A Real Slow Drag," featuring the Brooklyn Youth Chorus.

Ms. Downes’ effervescent arrangements include Joplin’s greatest hit, "Maple Leaf Rag," and his final published composition, the forward-looking "Magnetic Rag." "Chrysanthemum" and "Bethena: A Concert Waltz" are placed side by side, both written for Joplin’s wife Freddie, who died just ten weeks after their wedding. These pieces serve as testament to the composer’s remarkable lyricism, as does the title track, "Reflection Rag." "The Entertainer" is reimagined as a piano/mandolin duet and "Solace" is given an atmospheric accompaniment on vihuela. Ms. Downes takes a solo turn in performances of numerous Joplin works, bringing her perspective as a musical innovator and cultural investigator to this music in an effort to reveal the essence of Joplin’s broad vision and remarkable legacy.

Lara Downes, piano

Lara Downes
American pianist Lara Downes has been called "a delightful artist with a unique blend of musicianship and showmanship" by NPR, and praised by the Washington Post for her stunning performances "rendered with drama and nuance". Known for her eclectic presentations of the piano repertoire - from iconic favorites to newly-commissioned works – her solo performances bridge musical genres and traditions, and engage a wide range of audiences with what San Francisco Classical Voice has called “an elegant example of how accessibility and a breezy relevance can exist, organically, in a classical music concert.’

Downes is the 2016 laureate of the Sphinx Organization Medals of Excellence award, recognizing her influence as an extraordinary artist of her generation and her leadership in expanding audiences for classical music.

Born in San Francisco and raised in Europe, Downes' musical outlook reflects the diversity of her personal heritage and extensive travels. Her interest in connecting music to a wide and inclusive breadth of human experience mines her own mixed African American and Eastern European background and the impressions of her transatlantic adventures to produce a unique range of creative projects, from an exploration of the music of Jewish composers in exile to a centenary tribute to Billie Holiday, from an intimate portrait of the marriage of Robert and Clara Schumann to a sweeping look at the musical breakthroughs of the American 20th Century, all captured with timeless relevance and a deeply personal style that the Huffington Post has called "addicting - Downes plays with an open, honest heart."

Downes' European training under Hans Graf and Rudolph Buchbinder led to early debuts at the Queen Elizabeth Hall London, the Vienna Konzerthaus and the Salle Gaveau Paris, and has won over audiences at diverse venues ranging from Carnegie Hall and the Kennedy Center to Le Poisson Rouge and Classical Revolution. Recent performances include the San Francisco Chamber Orchestra, Bargemusic, San Francisco Performances, Maverick Concerts, the Montreal Chamber Music Festival, Portland Piano International and the University of Washington World Series, among many others. Her musical collaborations include diverse partnerships with artists including cellist Zuill Bailey, violinist Rachel Barton Pine, the Brubeck Institute Jazz Quintet, the Musical Art Quintet, composers David Sanford, Benny Golson, Daniel Felsenfeld, Mohammed Fairouz and Daniel Bernard Roumain, and former U.S. Poet Laureate Rita Dove. Her original solo performance projects have received support from prominent organizations such as the National Endowment for the Arts, the Barlow Endowment for Music Composition, the Mellon Foundation, the Center for Cultural Innovation and American Public Media.

Lara’s solo recordings have met tremendous critical and popular acclaim. Exiles’ Café (Steinway & Sons, 2013) topped the bestseller charts and was called “ravishing” by Fanfare magazine. Some Other Time (Steinway & Sons, 2014), a duo recording with cellist Zuill Bailey, debuted in the Billboard Top 10 and was called "luscious, moody and dreamy" by the The New York Times. Her recent chart-topping release, A Billie Holiday Songbook, has been embraced by both jazz and classical critics and listeners, called “possibly the most intriguing Holiday tribute” of this centenary year by Jazz Weekly.

Lara’s live performances and recordings are heard regularly on national radio programs with features including NPR Music, Marketplace, Performance Today, Sirius XM Symphony Hall, WNYC's New Sounds, and WFMT’s Impromptu. She is the producer and host of The Green Room, a radio show about the lives of classical musicians, distributed nationally by the WFMT Network. Her writing has been published in Listen Magazine, The Rumpus, Arts Journal and San Francisco Classical Voice. She is the founder and director of The Artist Sessions, a pop-up concert series featuring international soloists and ensembles at the forward edges of classical music.

Lara serves as Artist in Residence at the Mondavi Center for the Performing Arts, UC Davis where she mentors the next generation of young musicians as Director of the Mondavi Center National Young Artists Program. She is the Founder and President of the 88 KEYS Foundation, supporting arts education experiences in California public schools through instrument donations and teaching artist presentations.

This album contains no booklet.