Jauchzet Gott Magdalene Harer, Hannes Rux, Harmonie Universelle

• Christoph Graupner (1683 - 1760): Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 1, Das Licht des Lebens gehet auf:
• 1 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 1, Das Licht des Lebens gehet auf 01:08
• No. 2, Wie viel Ihn aufnahmen, denen gab Er Macht:
• 2 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 2, Wie viel Ihn aufnahmen, denen gab Er Macht 01:34
• No. 3, Komm, o Jesu, Glanz des Lebens:
• 3 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 3, Komm, o Jesu, Glanz des Lebens 05:08
• No. 4, Verschmähen andere Dein Licht:
• 4 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 4, Verschmähen andere Dein Licht 01:28
• No. 5, Jesu, meine Glaubensarme:
• 5 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 5, Jesu, meine Glaubensarme 07:00
• No. 6, Ach Sterbliche, lasst euch in solchem Sinn:
• 6 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 6, Ach Sterbliche, lasst euch in solchem Sinn 00:51
• No. 7, Die ihr schwebt in großem Leiden:
• 7 Graupner: Das Licht des Lebens gehet auf, GWV 1107 No. 44: No. 7, Die ihr schwebt in großem Leiden 01:34
• Christoph Graupner: Concerto for 2 Violins in E-Flat Major, GWV 319: I. Largo:
• 8 Graupner: Concerto for 2 Violins in E-Flat Major, GWV 319: I. Largo 02:36
• Concerto for 2 Violins in E-Flat Major, GWV 319: II. Allegro:
• 9 Graupner: Concerto for 2 Violins in E-Flat Major, GWV 319: II. Allegro 05:53
• Concerto for 2 Violins in E-Flat Major, GWV 319: III. Canon all'unisono. Largo:
• 10 Graupner: Concerto for 2 Violins in E-Flat Major, GWV 319: III. Canon all'unisono. Largo 02:12
• Concerto for 2 Violins in E-Flat Major, GWV 319: V. Allegro:
• 11 Graupner: Concerto for 2 Violins in E-Flat Major, GWV 319: IV. Allegro 05:07
• Jan Dismas Zelenka (1679 - 1745): Laudate pueri, ZWV 81: No. 1, Laudate pueri Dominum:
• 12 Zelenka: Laudate pueri, ZWV 81: No. 1, Laudate pueri Dominum 03:18
• No. 2, Quis sicut Dominus:
• 13 Zelenka: Laudate pueri, ZWV 81: No. 2, Quis sicut Dominus 04:11
• No. 3, Gloria Patri et Filio et Spiritu Sancto:
• 14 Zelenka: Laudate pueri, ZWV 81: No. 3, Gloria Patri et Filio et Spiritu Sancto 01:59
• Johann Sebastian Bach (1685 - 1750): Sinfonia in D Major, BWV 1045:
• 15 Bach: Sinfonia in D Major, BWV 1045 05:48
• No. 1, Jauchzet Gott in allen Landen!:
• 16 Bach: Jauchzet Gott in allen Landen!, BWV 51 (Version for Voice & Orchestra): No. 1, Jauchzet Gott in allen Landen! 04:01
• No. 2, Wir beten zu dem Tempel an:
• 17 Bach: Jauchzet Gott in allen Landen!, BWV 51 (Version for Voice & Orchestra): No. 2, Wir beten zu dem Tempel an 02:07
• No. 3, Höchster, mache deine Güte:
• 18 Bach: Jauchzet Gott in allen Landen!, BWV 51 (Version for Voice & Orchestra): No. 3, Höchster, mache deine Güte 04:58
• No. 4, Sei Lob und Preis mit Ehren:
• 19 Bach: Jauchzet Gott in allen Landen!, BWV 51 (Version for Voice & Orchestra): No. 4, Sei Lob und Preis mit Ehren 03:19
• No. 5, Alleluja!:
• 20 Bach: Jauchzet Gott in allen Landen!, BWV 51 (Version for Voice & Orchestra): No. 5, Alleluja! 02:18
• Total Runtime 01:06:30

Info for Jauchzet Gott

It was literally "highly virtuosic" when the great composers of the 18th century brought together solo soprano and clarinet trumpet in glorious praise of God.

Johann Sebastian Bach's cantata Jauchzet Gott in allen Landen is a prominent example of this.

That his courtly colleagues Jan Dismas Zelenka in Dresden and Christoph Graupner in Darmstadt were just as imaginative and effective when composing for their best interpreters is demonstrated by the ensemble Harmonie Universelle with Magdalene Harer (soprano) and Hannes Rux (trumpet) in the breathtaking solo parts.

Magdalene Harer, soprano
Hannes Rux, trumpet
Harmonie Universelle
Florian Deuter, violin & direction
Monica Waisman, violin & direction

Magdalene Harer German-born Soprano Magdelene Harer excels in a variety of music styles. She appears on the international stage performing repertoire spanning seven centuries, in oratorio, song and chamber music.

Under the baton of Konrad Junghänel, Jarosław Thiel, Raphaël Pichon, Alexander Liebreich, Paul van Nevel, Philippe Herreweghe, Peter Neumann, Hermann Max and Jörg Straube, she has given concerts in many of Europe’s most prestigious venues, including Koelner Philharmonie, International House of Music (Moscow), National Forum of Music (Wroclaw), Tchaikovsky Concert Hall (Moscow), and National Theatre (Sarajevo).

Magdalene’s current focus is ensemble and consort singing and she regularly appears with some of Europe’s most celebrated period ensembles, such as Cantus Coelln, Collegium Vocale Gent, Huelgas Ensemble, Ensemble Pygmalion and ensemble polyharmonique.

Equally at home on the solo platform, she has appeared with numerous orchestras, among them Concerto Köln, Lautten Compagney Berlin, Nordwestdeutsche Philharmonie, Göttinger Symphonieorchestrer, Neue Philharmonie Westfalen, Neue Düsseldorfer Hofmusik, Münchener Kammerorchester and others.

Hans-Martin Rux
(born 1965) studied modern trumpet with Prof. Edmund Buschinger at the Düsseldorf College of Music, and historical trumpet with Friedemann Immer at the Cologne College of Music. This was followed by graduate studies in historical performance practice in Hilversum.

Already during his studies, Hans-Martin Rux dedicated himself almost exclusively to the Baroque natural trumpet on which he is today one of the most sought-after performers. As a regular member of Concerto Köln, and first call for ensembles such as La Stagione, Il Complesso Barocco, Musica Antiqua Köln, Das kleine Konzert, and Musica Fiata, Hans-Martin Rux is at home in numerous internationally renowned ensembles for early music. He is also a regular guest with the Akademie für Alte Musik Berlin, Tafelmusik Toronto, San Francisco’s Philharmonia Baroque Orchestra, the Orquestra Barocca di Sevilla, Il Fondamento, etc.

In the course of his musical activities, Hans-Martin Rux has already participated in over a hundred CD recordings, including the famous Telemann Concerto with Camerata Köln, sonatas by Schmelzer and Biber with Music Fiata, as well as many of Bach’s major works, including the Second Brandenburg Concerto on several occasions, e.g. with the French ensemble “Café Zimmermann.”