Pure Comedy Father John Misty

• 1 Pure Comedy 06:23
• 2 Total Entertainment Forever 02:53
• 3 Things It Would Have Been Helpful to Know Before the Revolution 04:18
• 4 Ballad of the Dying Man 04:50
• 5 Birdie 05:19
• 6 Leaving LA 13:11
• 7 A Bigger Paper Bag 04:41
• 8 When the God of Love Returns There'll Be Hell to Pay 04:04
• 9 Smoochie 03:45
• 10 Two Wildly Different Perspectives 03:12
• 11 The Memo 05:16
• 12 So I'm Growing Old on Magic Mountain 09:58
• 13 In Twenty Years or So 06:27
• Total Runtime 01:14:17

Info for Pure Comedy

Pure Comedy, Father John Misty’s third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. Tillman has released two widely acclaimed albums – Fear Fun (2012) and I Love You, Honeybear (2015) – and the recent “Real Love Baby” single as Father John Misty, and recently contributed to songs by Beyoncé, Lady Gaga, and Kid Cudi.

While we could say a lot about Pure Comedy – including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen – we think it’s best to let its creator describe it himself. Take it away, Mr. Tillman:

Pure Comedy is the story of a species born with a half-formed brain. The species’ only hope for survival, finding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like “love,” “culture,” “family,” etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species’ loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence.

Something like that.

Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty’s longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).

"Like anything that comes out of the mouth of Father John Misty -- the hipster gadfly persona Josh Tillman adopted after leaving the Fleet Foxes in 2012 -- it can be difficult to discern whether the title of Pure Comedy is intended sincerely. Father John Misty cherishes his public role as a prankster, a stance that can sometimes seem at odds with his grand artistic ambitions. And, make no mistake about it, Pure Comedy is indeed a very grand record, an old-fashioned major statement designed to evoke memories of classic long-players from the '70s. Often, its stately march and decorated pianos call to mind early Elton John, suggesting the hazy vistas of Madman Across the Water. This shift toward progressive pop underscores how Father John Misty has streamlined his music since I Love You, Honeybear, whittling away the minor feints toward modern music and stripping away lingering rustic folk influences. He's now a postmodern troubadour, halfway between a song poet and a baroque craftsman. Where his antecedents (and clear influences) Leonard Cohen and Randy Newman sculpted their music and words, Tillman isn't quite so restrained. He's a maximalist, overstuffing his lyrics with florid imagery and letting his songs spill out at lengths up to 13 minutes. From a certain angle, all this can play like an elaborate stunt -- particularly when he baits the listener with lines about "bedding Taylor Swift" -- but there's a strong melancholy undercurrent to Pure Comedy that suggests Father John Misty is something more than a jester. All of this can be felt through the music itself -- through the melodies and movement, through the arrangement and production -- and that, more than the verbal gymnastics, is why Pure Comedy delivers upon much of Father John Misty's outlandish promises." (Stephen Thomas Erlewine, AMG)

Father John Misty

Father John Misty
brings folk into the 21st century with each eclectic element he incorporates into his unique sound, and his charismatic showmanship makes his live shows a must-see. When he's strumming his way through ballads like ìThe Night Josh Tillman Came to Our Apartmentî his emotional vocals and heartbreaking lyrics make alt-country fans feel right at home. But heís just as comfortable strutting his stuff to noisy, spiteful rockers like ìThe Ideal Husbandî and turning out full-blown electronica on tracks like the transcendently beautiful ìTrue Affectionî. With his singular combination of Americana traditions with cutting-edge sounds, Father John Misty is a folk icon for a new generation.

Before making his debut as Father John Misty in 2012, singer-songwriter and multi-instrumentalist Joshua Tillman was busy recording late-night demos in the Seattle-area. After self-releasing two CD-R demos he attracted the attention of Fargo Records, and in 2006 the label released his debut album Minor Works. In 2008 Tillman was tapped by indie darlings Fleet Foxes, who needed a drummer for the recording of their self-titled debut. Though he gained widespread exposure and success with Fleet Foxes, Tillman left to pursue his creative reinvention as Father John Misty in 2012. After a warm reception from critics and fans for his debut album Fear Fun, he set out on his first solo headlining tour. His 2015 follow-up album I Love You, Honeybear was a breakthrough success, appearing on best-of lists from esteemed sources like Pitchfork, Roughtrade, and Stereogum. As he continues to breathe new life into indie folk with his wide-ranging influences and poetic gifts, Father John Mistyís electrifying performances have fans eagerly anticipating whatís next from the innovative troubadour.

This album contains no booklet.