I and Silence: Women's Voices in American Song Marta Fontanals-Simmons & Lana Bode

• Aaron Copland (1900 - 1990): 12 Poems of Emily Dickinson (Excerpts):
• 112 Poems of Emily Dickinson (Excerpts): No. 3, Why Do They Shut Me out of Heaven?02:08
• 212 Poems of Emily Dickinson (Excerpts): No. 4, The World Feels Dusty01:41
• 312 Poems of Emily Dickinson (Excerpts): No. 9, I Felt a Funeral in My Brain02:19
• Dominick Argento (1927 - 2019):From the Diary of Virginia Woolf:
• 4From the Diary of Virginia Woolf: No. 1, The Diary03:26
• 5From the Diary of Virginia Woolf: No. 2, Anxiety01:52
• 6From the Diary of Virginia Woolf: No. 3, Fancy02:16
• 7From the Diary of Virginia Woolf: No. 4, Hardy’s Funeral05:48
• 8From the Diary of Virginia Woolf: No. 5, Rome02:59
• 9From the Diary of Virginia Woolf: No. 6, War05:28
• 10From the Diary of Virginia Woolf: No. 7, Parents04:21
• 11From the Diary of Virginia Woolf: No. 8, Last Entry05:39
• Samuel Barber (1910 - 1981): 4 Songs, Op. 13:
• 124 Songs, Op. 13: No. 4, Nocturne03:18
• Peter Lieberson (1946 - 2011): Rilke Songs:
• 13Rilke Songs: No. 1, O ihr Zärtlichen02:51
• 14Rilke Songs: No. 2, Atmen, du unsichtbares Gedicht!03:04
• 15Rilke Songs: No. 3, Wolle die Wandlung02:54
• 16Rilke Songs: No. 4, Blumenmuskel, der der Anemone02:35
• 17Rilke Songs: No. 5, Stiller Freund03:39
• George Crumb (b. 1929): 3 Early Songs:
• 183 Early Songs: No. 2, Let It Be Forgotten03:39
• Total Runtime59:57

Info for I and Silence: Women's Voices in American Song

‘Did I sing too loud?’ asked Emily Dickinson in 1861, in a poem set a century later by Aaron Copland. The expectations of silence often placed on women, historically and politically, and music’s power to break through them, are the themes of this deeply personal recital by mezzo-soprano Marta FontanalsSimmons and pianist Lana Bode.

Their programme reflects and channels the voices of female writers and musicians: Dickinson herself, Sara Teasdale and Virginia Woolf are among those whose words are set in the works brought together here, two of which – Dominick Argento’s From the Diary of Virginia Woolf and Peter Lieberson’s Rilke Songs – were written for great mezzo-sopranos of the recent past, Dame Janet Baker and Lorraine Hunt Lieberson.

"A remarkable exploration of “women’s voices in American song”, this five-work, tonally mellifluous sequence begins with three of Copland’s 12 Poems of Emily Dickinson and ends with an early song by George Crumb." (Sunday Times)

Marta Fontanals-Simmons, mezzo
Lana Bode, piano

Marta Fontanals-Simmons
Praised for her “warm mezzo” (The Telegraph) and “velvet-voice” (Daily Telegraph), British-Spanish mezzo-soprano Marta Fontanals-Simmons recently made critically acclaimed house and role debuts at the Royal Opera House, Covent Garden as Siébel in David McVicar's production of Faust and as Hel in the world premiere of Gavin Higgins The Monstrous Child at the Linbury Theatre. Upcoming highlights in the 2019/20 season include her house and role debut at English National Opera as Eurydice Woman in Daniel Kramer’s new production of Birtwisle’s The Mask of Orpheus, her house debut as Jennie Hildebrand in Street Scene for Opéra de Monte- Carlo, and her return to the Teatro Real, Madrid for Vlasta The Passenger. In concert she will perform Elgar Sea Pictures with the Royal Philharmonic Orchestra and Stravinsky Pulcinella with the CBSO, appear at the Three Choirs Festival, and return to the BBC Proms.

Recent operatic highlights for Fontanals-Simmons include Amando Le Grand Macabre with the NDR Elbphilharmonie Orchester and Alan Gilbert, Zweite Dame Die Zauberflöte for Glyndebourne Festival Opera, Jennie Hildebrand Street Scene at the Teatro Real, Cherubino Le nozze di Figaro for Garsington Opera and at the Théâtre Champs Elysées, the title role La Cenerentola for Diva Opera and Kate Pinkerton Madama Butterfly for the Glyndebourne Tour and for Grange Park Opera.

On the concert platform, recent highlights include the European premiere of Alasdair Nicolson Shadows on the Wall – Five Hauntings at the Barbican, Berlioz La Captive with the BBC Symphony Orchestra, Verdi Requiem with the Philharmonia Orchestra at the Royal Festival Hall, Vaughan Williams Serenade to Music with Sakari Oramo at the Last Night of the Proms, Mendelssohn Elijah with CBSO at Birmingham Symphony Hall, L’Enfant et les Sortilèges with Stéphane Denève and the Radio- Sinfonieorchester Stuttgart, Mozart Requiem with the Royal Philharmonic Orchestra, Bach Mass in B Minor with Ryan Wigglesworth at the St Endellion Festival, Handel Messiah with Lawrence Cummings at the London Handel Festival, Stravinsky Les Noces at Queen Elizabeth Hall, and Haydn Harmoniemesse with the Royal Philharmonic Orchestra. In recital, she has performed with artists including Roger Vignoles, Simon Lepper and Iain Burnside.

A keen exponent of contemporary music, Fontanals-Simmons premiered the role of Ursula in the Royal Opera House and Glyndebourne coproduction of David Bruce Nothing, recorded two new songs cycles (Damsel, Wife, Witch by Glyndebourne composer in residence Lewis Murphy and Letters from Home by award-winning composer Benjamin Ellin), and performed Jonathan Harvey Songs of Li Po with Richard Baker at Barbican Hall which was broadcast live on BBC Radio 3. Fontanals- Simmons trained at the Guildhall School of Music & Drama, London, where she was awarded the Gold Medal, and was a Jerwood Artist at Glyndebourne for the 2015/16 season.

This album contains no booklet.