Romantic Viennese Waltzes London Concertante

• Johann Strauss II (1825 - 1899): Die Fledermaus:
• 1 Die Fledermaus: Overture 08:34
• Johann Strauss II:
• 2 Tritsch-Tratsch Polka, Op. 124 02:47
• Dmitri Shostakovich (1906 - 1975):
• 3 Jazz Suite No. 2: VI Waltz No. 2 04:21
• Jean Sibelius (1865 - 1957):
• 4 Valse Triste, Op. 44 05:55
• Pjotr Iljitsch Tschaikowski (1840 - 1893): The Sleeping Beauty, Op. 66:
• 5 The Sleeping Beauty, Op. 66: Waltz 04:52
• Franz Schubert (1797 - 1828):
• 6 Rondo in A major, D438 14:20
• Pjotr Iljitsch Tschaikowski: Nutcracker Suite, Op. 71a:
• 7 Nutcracker Suite, Op. 71a: March 02:10
• 8 Nutcracker Suite, Op. 71a: Dance of the Sugar-Plum Fairy 01:44
• 9 Nutcracker Suite, Op. 71a: Russian Dance 01:09
• 10 Nutcracker Suite, Op. 71a: Arabian Dance 03:59
• 11 Nutcracker Suite, Op. 71a: Dance of the Flutes 02:12
• 12 Nutcracker Suite, Op. 71a: Waltz of the Flowers 04:10
• Johann Strauss II:
• 13 The Blue Danube, Op. 314 14:20
• Total Runtime 01:10:33

Info for Romantic Viennese Waltzes

London Concertante is one of the finest chamber ensembles in the country, its players brought together through a shared passion for chamber music. The group has the rare ability to combine flexibility of instrumental grouping and consistently maintain superb artistic endeavour. With an enviable array of critical acclaim, a stunning selection of recordings on such prestigious labels as Chandos, Toccata Classics and Harmonia Mundi, and performances throughout the UK and Europe, London Concertante rightfully claims its position at the forefront of classical performers in the UK.

London Concertante

London Concertante
Founded in 1991 by a group of graduates from London’s acclaimed music colleges, London Concertante has developed a reputation as one of the finest chamber ensembles in the UK. Its inspired programming, with repertoire from the Baroque to contemporary music, film scores to Viennese waltzes and Americana jazz to Argentine tango has led to both public and critical acclaim throughout its 30-year history, with past collaborators including celebrated jazz musicians such as Tim Garland, Byron Wallen and The David Gordon Trio, composers including John Tavener and John Woolrich and soloists including Giovanni Guzzo, Alexander Sitkovetsky, Mark Padmore, Michael Collins and many, many more.

The ensemble released their first recording in 1995 on its own label with a recording of Vivaldi’s Four Seasons, but has then gone on to record for Chandos, Toccata Classics, Harmonia Mundi and ARC Music, with notable projects including an inventive reimagining of the music of Astor Piazzola and, most recently, a Christmas Baroque disc. They have another release planned for 2022 with a catalogue totalling more than 20 disks. London Concertante’s popularity has taken them all over the UK and beyond, with regular appearances at venues such as the Southbank Centre, Barbican, Alexandra Palace, Cadogan Hall and Cathedrals throughout the country as well as past tours to the USA, Finland, Italy, Germany, Spain, France and the Netherlands.

What London Concertante prides itself most on, however, it its ethos and unique rapport it builds with its audience. Its desire is to bring classical music to a new and ever more diverse and inclusive audience; they do not aim their performances at any one particular audience bracket. On average, one in two of their audience members have not been to a concert of classical music before. The group’s commitment to enriching the lives of multiple communities is reflected in their musical output: they perform around 100 concerts a year in cathedrals, churches, concert halls, clubs and festivals, making them the busiest ensemble of its kind in the country.

This album contains no booklet.