Mahler: Symphony No. 4 (Remastered) Elisabeth Schwarzkopf, Philharmonia Orchestra & Otto Klemperer
Album info
Album-Release:
2020
HRA-Release:
21.02.2020
Label: Warner Classics
Genre: Classical
Subgenre: Vocal
Artist: Elisabeth Schwarzkopf, Philharmonia Orchestra & Otto Klemperer
Composer: Gustav Mahler (1860-1911)
Album including Album cover
I`m sorry!
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- Gustav Mahler (1860 - 1911): Symphony No. 4 in G Major:
- 1 Mahler: Symphony No. 4 in G Major: I. Heiter, bedächtig. Nicht eilen 17:59
- 2 Mahler: Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast 09:57
- 3 Mahler: Symphony No. 4 in G Major: III. Ruhevoll 18:09
- 4 Mahler: Symphony No. 4 in G Major: IV. Sehr behaglich 09:05
Info for Mahler: Symphony No. 4 (Remastered)
"The five songs that follow the performance of the Fourth Symphony (two from Des Knaben Wunderhorn and three from the Rückert-Lieder) date from the time of the Klemperer/Ludwig Das Lied von der Erde, and rank among the finest examples of Mahler singing ever recorded. Christa Ludwig's "Ich bin der Welt abhanden gekommen"--the most beautiful song in the world?--is every bit as fine as Janet Baker's more celebrated version on the same label, and Otto Klemperer's unsentimental conducting style suits the music's "innigkeit" ("inwardness") better than Barbirolli's more affectionate approach. The Symphony No. 4, another highly successful performance, sports some superb playing by the Philharmonia, and is further noteworthy for its measured (but rock-solid) opening and its surprisingly quick third movement Adagio. On the whole, it's a highly personal and very effective interpretation. One minor drawback is Elisabeth Schwarzkopf's cutesy-pooh vocal noodling in the song-finale, but this was the price that Klemperer paid for an EMI career courtesy of Walter Legge (a.k.a. Mr. Schwarzkopf). This finale is, in any case, a child's vision of heaven, and Schwarzkopf's bratty approach does remind us that not all kids are angels." (David Hurwitz, ClassicsToday)
Elisabeth Schwarzkopf, soprano
Christa Ludwig, mezzo-soprano
Philharmonia Orchestra
Otto Klemperer, conductor
Digitally remastered
No biography found.
This album contains no booklet.