Istantanee 21X22 - Musica per ensemble con flauti Impetus Flute Ensemble

• Barbara Rettagliati (b. 1964): Il serio... un po’ in fuga:
• 1 Rettagliati: Il serio... un po’ in fuga 01:38
• Il romantico assai vibrante:
• 2 Rettagliati: Il romantico assai vibrante 01:43
• Il filologico... Barocco:
• 3 Rettagliati: Il filologico... barocco 01:35
• Il Magico piccolo:
• 4 Rettagliati: Il Magico piccolo 01:39
• Andrea Talamelli: Dorme la terra in un azzurro nembo:
• 5 Talamelli: Dorme la terra in un azzurro nembo 06:32
• Pietro Tonolo (b. 1959): Quipu:
• 6 Tonolo: Quipu 05:00
• Luca Ricci (b. 1992): Un vivace morire:
• 7 Ricci: Un vivace morire 04:18
• Gian Francesco Amoroso (1567 - 1630): Giana Suite:
• 8 Amoroso: Giana Suite 05:35
• Francesco Bellomi: Le mie vene aperte:
• 9 Bellomi: Le mie vene aperte 05:28
• La luce non ha confini:
• 10 Bellomi: La luce non ha confini 02:02
• Valeria Temporini: Girasoli:
• 11 Temporini: Girasoli 03:46
• Alberto Maniaci (b. 1987): Walls have ears:
• 12 Maniaci: Walls have ears 07:54
• Silvia Zaru: Adagio:
• 13 Zaru: Adagio 02:38
• Allegro Swing:
• 14 Zaru: Allegro Swing 01:52
• Presto:
• 15 Zaru: Presto 03:04
• Andrea Vigani (b. 1970): Con precisione:
• 16 Vigani: Con precisione 01:54
• Tempo giusto:
• 17 Vigani: Tempo giusto 01:43
• Con spirito:
• 18 Vigani: Con spirito 01:44
• Lentissimo:
• 19 Vigani: Lentissimo 01:41
• Alberto Tacchini (b. 1967): Pedro’s Moon:
• 20 Tacchini: Pedro’s Moon 03:20
• Bill Evans (1929 - 1980): 34 Skidoo:
• 21 Evans: 34 Skidoo 04:00
• Total Runtime 01:09:06

Info for Istantanee 21X22 - Musica per ensemble con flauti

The ductility and timbral richness of the modern transverse flute's sound have made this instrument a protagonist of 20th century music, from Claude Debussy to Edgar Varèse to the latest generations of composers. Its particular timbre, the bearer of mélos, has always been perceived as akin to the human voice and associated with the intimacy of the psyche, from the madness scene in Donizetti's Lucia di Lammermoor to Schoenberg's lieder cycle Pierrot Lunaire, probably because the breath is transformed into sound in direct contact with the instrument without any intermediary elements. The interest in the timbre peculiarities of the flute has gradually extended to all sizes of the instrument from the piccolo to the double bass and has made it possible to rediscover the expressive potential of the sound of this ensemble, as had been the case with string instruments for centuries, providing a repertoire capable of inspiring the different technical and artistic solutions featured in this recording that brings together works written or revised between 2021 and 2022 for the Impetus quintet. The result is a series of musical ‘snapshots’ that are meaningful for the listener but also for those who produce them, like photographs of the present that surrounds us, moments of musical life and soundscapes. An eclectic panorama made up of different techniques and languages, sometimes transfigured or stylised, allusions and glimpses of worlds that intersect almost by chance in the present time.

Impetus Flute Ensemble

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