Rob Keeley: Orchestral Music Málaga Philharmonic Orchestra, Liepāja Symphony Orchestra & Paul Mann

• Rob Keeley (b. 1960): Symphony No. 2:
• 1 Symphony No. 2: I. Allegro molto 06:20
• 2 Symphony No. 2: II. Scherzo. Allegro con brio 04:28
• 3 Symphony No. 2: III. Adagio molto 06:06
• 4 Symphony No. 2: IV. Allegro molto 06:08
• Flute Concerto:
• 5 Flute Concerto: I. Andantino 06:09
• 6 Flute Concerto: II. Adagio - Allegro molto 09:11
• Triple Concerto:
• 7 Triple Concerto: I. Allegro molto 06:26
• 8 Triple Concerto: II. Scherzo. Presto 03:37
• 9 Triple Concerto: III. Andante con moto, misurato 06:30
• Variations for Orchestra:
• 10 Variations for Orchestra: Theme. Andante moderato 01:14
• 11 Variations for Orchestra: Var. 1, Allegro 01:12
• 12 Variations for Orchestra: Var. 2, Stesso tempo 01:03
• 13 Variations for Orchestra: Var. 3, Lo stesso tempo 01:18
• 14 Variations for Orchestra: Var. 4, Meno mosso 01:11
• 15 Variations for Orchestra: Var. 5, Allegro 01:10
• 16 Variations for Orchestra: Var. 6, Quarter Note Equals 144 01:27
• 17 Variations for Orchestra: Var. 7, Slower 01:53
• 18 Variations for Orchestra: Var. 8, Allegro vivace 01:10
• 19 Variations for Orchestra: Var. 9, Allegro 01:49
• 20 Variations for Orchestra: Var. 10, Andantino 01:04
• 21 Variations for Orchestra: Var. 11, Vivace 01:10
• 22 Variations for Orchestra: Var. 12, Adagio 02:35
• 23 Variations for Orchestra: Var. 13, Presto 01:20
• 24 Variations for Orchestra: Passacaglia-Finale 03:39
• Total Runtime 01:18:10

Info for Rob Keeley: Orchestral Music

The music of Rob Keeley – born in south Wales in 1960 but immersed in London musical life since boyhood – embraces a wide range of influences. Stravinsky’s angular melodies and Tippett’s buoyant rhythms can be heard in the spiky but bucolic Second Symphony. Keeley readily confesses to an allegiance to ​Gallic Neo-Classicism in his Flute Concerto and, more surprisingly, reveals a taste for Telemann as the inspiration behind his Triple Concerto, with the ‘Enigma’ Variations of ‘my beloved Elgar’ acting as a model for Keeley’s own recent set of orchestral variations. Among the factors unifying these eclectic stimuli into an individual musical language are a concern for textural clarity and lightness of touch, a fondness for dance and a hint of good humour.

Sarah Desbruslais, flute
James Turnbull, oboe
Michael Sluman, oboe
Patrick Flanaghan, cor anglais
Malaga Philharmonic Orchestra
Liepaja Symphony Orchestra
Paul Mann, conductor

No biography found.

Booklet for Rob Keeley: Orchestral Music