Peter Frampton At The Royal Albert Hall (Live) Peter Frampton

Album info

Album-Release:
2023

HRA-Release:
01.09.2023

Album including Album cover

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  • 1Somethin's Happening (Live At Royal Albert Hall, 2022)05:20
  • 2Lying (Live At Royal Albert Hall, 2022)05:56
  • 3Lines On My Face (Live At Royal Albert Hall, 2022)07:05
  • 4Show Me The Way (Live At Royal Albert Hall, 2022)04:51
  • 5Georgia On My Mind (Live At Royal Albert Hall, 2022)04:24
  • 6All I Want To Be (Is By Your Side) (Live At Royal Albert Hall, 2022)09:15
  • 7(I'Il Give You) Money (Live At Royal Albert Hall, 2022)12:18
  • 8Baby, I Love Your Way (Live At Royal Albert Hall, 2022)05:09
  • 9Do You Feel Like We Do (Live At Royal Albert Hall, 2022)16:50
  • Total Runtime01:11:08

Info for Peter Frampton At The Royal Albert Hall (Live)



In November 2022, Grammy-winning artist and virtuosic guitar player Peter Frampton performed at the historic Royal Albert Hall in London to a rapturous sold-out crowd. The special evening was filmed, capturing stunning performances of Frampton’s finest songs, and will be released as a live album on September 1, 2023.

The record features 9 live performances with Frampton’s long-standing band of Rob Arthur, Adam Lester, Dan Wojciechowski and Steve Mackey, and includes tracks “Show Me the Way,” “Baby, I Love Your Way,” “Do You Feel Like We Do?” and more. The legendary performance is currently streaming on PBS as part of their Pledge Drive.

Peter Frampton is one of the most celebrated artists and guitarists in rock history. In 2007, Frampton won a Grammy for Best Pop Instrumental Album for Fingerprints and in 2014 was inducted into the Musicians Hall of Fame. He received the prestigious Les Paul Innovation Award from NAMM’s TEC Awards in 2019 and his album All Blues was #1 for fifteen weeks on Billboard’s Blues Chart. In 2020 Frampton was inducted into the Grammy Hall of Fame, his autobiography Do You Feel Like I Do?: A Memoir debuted on The New York Times Bestsellers list, and his 2021 album Frampton Forgets The Words was released to widespread critical acclaim. After 47 years, Frampton Comes Alive! remains one of the top-selling live records of all time selling over 17 million worldwide.

Most recently, Frampton announced that on July 28 Intervention Records will release Frampton@50, a numbered limited-edition vinyl box set featuring Frampton’s essential 1972-1975 studio releases Wind of Change, Frampton’s Camel and Frampton.

Peter Frampton

Digitally remastered


Peter Frampton
has long been since been a mainstay on the rock scene. He played in such late ‘60s-early ‘70s bands as Herd and Humble Pie, as well as appeared on George Harrison’s classic All Things Must Pass album. Frampton’s debut solo album, Wind of Change (A&M), was released in 1972. Prior to releasing Frampton Comes Alive!, the prolific songwriter had recorded a handful of well-received solo albums, with the gold-selling Frampton reaching #32 on the U.S. charts in 1975. This is the studio recording that yielded the classics, such as “Show Me The Way” and “Do You Feel Like We Do,” that would help drive the enormous success of Frampton’s live opus.

His most recent album, Fingerprints features Frampton having exhilarating musical conversations with a who’s who of the pop world, including Rolling Stones Charlie Watts and Bill Wyman, Pearl Jam’s Mike McCready and Matt Cameron, original Shadows Hank Marvin and Brian Bennett, Allman Brothers/Gov’t Mule slide slinger Warren Haynes, Nashville pedal steel virtuoso Paul Franklin and gypsy guitar maestro John Jorgenson. In addition, Frampton band mate, Gordon Kennedy, who co-wrote many of the originals as well as co-produces the album, is prominently featured as a guitar companion

“This is the album I’ve been waiting my entire life to make,” says Peter Frampton of his remarkable new CD, Fingerprints (A&M/New Door/UME). It’s an impressive 14-tune collection of guitar mastery that crosses several musical borders, from funked-up r&b to razor-edged rockers to rootsy blues to country-flamed beauties to jazzy Django swing to reflective impressionism. And, on the disc, in what may come as a surprise to longtime fans, Frampton begs off singing to focus exclusively on the six-string.

In 2000, Frampton earned a “Best Rock Instrumental Performance” Grammy nomination for Live in Detroit. His last album, 2003’s Now (Framptone/33rd Street Records), prompted the Associated Press to declare: “When it comes to fiery, guitar-drenched rock, Frampton delivers.”

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