Outstairs Christian Wallumrød Ensemble

• 1 Stille Rock 09:16
• 2 Bunadsbangla 08:20
• 3 Tridili # 2 03:45
• 4 Very Slow 06:50
• 5 Startic 02:31
• 6 Beatknit 06:29
• 7 Folkskiss 03:22
• 8 Third Try 03:39
• 9 Ornament 03:44
• 10 Outstairs 02:31
• 11 Exp 05:33
• Total Runtime 56:00

Info for Outstairs

The ensemble of Christian Wallumrød continues to evolve in its own idiosyncratic way on Outstairs. By now, Wallumrød’s compositional signature is instantly recognizable. Nobody else writes pieces like this – multi-dimensional chamber music inspired by the sonorities of Norwegian folk and church music, influenced by early music and the post-Cage avant-garde, and liberated by jazz’s freedom of thought. This time around, the ensemble members share the arranging credits between them, making the music still more organic and flexible as new sound combinations emerge.

“The immense sonic resources of these players seem to keep on growing” noted The Guardian of their last release, “Fabula Suite Lugano”, and the ensemble of Christian Wallumrød continues to evolve in its own idiosyncratic way on “Outstairs”. By now, Wallumrød’s compositional signature is instantly recognizable. Nobody else writes pieces like this – multi-dimensional chamber music inspired by the sonorities of Norwegian folk and church music, influenced by early music and the post-Cage avant-garde, and liberated by jazz’s freedom of thought. This time around, the ensemble members share the arranging credits between them, making the music still more organic and flexible. New sound combinations emerge, but the genre, the idiom, remains uniquely Wallumrød’s.

Like “Fabula Suite Lugano”, “Outstairs” was produced by Manfred Eicher and recorded at the Auditorio RSI in Lugano, Switzerland. The studio’s naturally clear acoustic sound also contributes to the musical outcome: in Wallumrød’s music, often built of small gestures rather than dramatic flourishes, acute listening is of paramount importance.

'..with this latest salvo his creations have never sounded more bewitching and elusive (..) the luminescent sound of the group is practically enough to dazzle the ears for hours.' (Peter Margesak, Downbeat)

'...a music that is, by turns, of the head and heart, celebratory and mocking (..) Is it jazz? No. It's music that makes its own space.' (Ray Comiskey, Irish Times)

Christian Wallumrød, piano, harmonium, toy piano
Eivind Lønning, trumpet
Gjermund Larsen, violin, hardanger fiddle, viola
Espen Reinertsen, tenor saxophone
Tove Törngren, cello
Per Oddvar Johansen, drums, vibraphone

Recorded in May 2012, Auditorio Radiotelevisione svizzera, Lugano
Engineered by Markus Heiland
Produced by Manfred Eicher

Christian Wallumrød
made his ECM debut with the trio album “No Birch”, recorded in 1996. “Sofienberg Variations” (recorded 2001) introduced the first version of the Christian Wallumrød Ensemble – with Nils Økland, Arve Henriksen and Per Oddvar Johansen – “A Year From Easter” (2004) followed. The sextet version of the Ensemble was launched with ”The Zoo Is Far” (recorded 2006). In 2008 the trumpeter Eivind Lønning replaced Arve Henriksen in the sextet version of CWE, and the ensemble recorded and released the album ”Fabula Suite Lugano” in 2009. It was nominated for the Nordic Music Prize 2010. Since 2002, the Wallumrød Ensemble has toured widely through Europe, North America, Japan and Australia.

In his performing life, Wallumrød juxtaposes the meticulously composed music of the Ensemble with totally free group improvising in the group Dans Les Arbres with Ingar Zach, Ivar Grydeland and Xavier Charles. The DLA group also has albums issued by ECM: “Dans les Arbres” (recorded 2006) and “Canopée” (2010-11).

In May 2013, Christian Wallumrød premiered a commissioned orchestral work, “When celebrities dream of casual sleep (second try)” at the Angelica International Festival in Italy. It was performed by the Orchestra del Teatro Comunale di Bologna.

There are some changes in the line-up: Espen Reinertsen comes in on tenor saxophone, and Tove Törngren is the band’s new cellist. Reinertsen and CWE trumpeter Eivind Lønning have much experience together, playing free improvised music in the duo Streifenjunko and in the quintet Koboku Senju, as well as earlier collaborations with Sidsel Endresen and Keith Rowe. Their shared feeling for timbre, texture and extended instrumental technique is well-utilized by Wallumrød – as is the resourcefulness of Swedish cellist Tove Törngren, who works regularly in contexts from chamber music to pop to improvisation.

Gjermund Larsen, who joined the ensemble in time for the first sextet recording “The Zoo Is Far”, has a sound informed by a profound knowledge of Norwegian folk music. The yearning tone of his Hardanger fiddle has become one of the characteristic sounds of the Wallumrød group.

Wallumrød and Per Oddvar Johansen have been collaborating for more than twenty years in diverse projects, and the drummer (who has also recorded for ECM with Trygve Seim’s ensembles) has a highly-developed sense for shading and detailing the inner architecture of Wallumrød’s compositions.

Booklet for Outstairs