Salvation (feat. Nasheet Waits, Tom Arthurs, Bernhard Meyer, Ivars Arutyunyan & Tobias Backhaus) Wanja Slavin Lotus Eaters
- 2W.S. 106:53
- 3Melancholia 106:24
- 4Melancholia 203:50
- 5W.S. 206:33
- 6Moonlight Becomes You04:47
- 7Love Song03:52
Info for Salvation (feat. Nasheet Waits, Tom Arthurs, Bernhard Meyer, Ivars Arutyunyan & Tobias Backhaus)
Wanja Slavin (BMW World Jazz Award, Echo Jazz Award) presents his new album, “Salvation” with music that dazzles like the iridescent layers of a rainbow, evoking a radiance and authority – seven compositional gems with an orchestral feeling, rich tonal colors and sophisticated arrangements.
It’s a given that he’s one of the best alto saxophonists in Germany – or anywhere else, for that matter. His play has earned him the commensurate awards – important waystations along Wanja Slavin’s musical journey rather than any sort of existential musical goal. The exceptional new album from Slavin and his Lotus Eaters is the best evidence that the bandleader wants more. It’s the reason why he is so meticulous about the music he releases and why he so scrupulously fine-tunes his arrangements; it’s why time and again he alters his band personnel in order to more conclusively encompass the overriding musical ideas. The music on “Salvation” dazzles like the iridescent layers of a rainbow. Yet it does not intrude on or attempt to overwhelm the listener. It develops its radiant power and authority reflectively, with discipline, devoid of clichés. In listening, one witnesses the burgeoning of something beautiful. Known for his free play in diverse Avant-garde constellations, here Wanja commits to the melodics of song form. Wanja Slavin considers The Lotus Eaters to be his most important band.
Like a gourmet, he seeks out the musicians that best suit his intentions. Thus, this second Lotus Eaters album consists of three recording sessions with alternating lineups and seven musical gems. There is an orchestral feeling to the music, with rich tonal colors and sophisticated arrangements. The solos are delineated, and come quickly and precisely to the particular point, since totally free play would not serve the purpose. Less is more, with pieces that project the feel of thoroughly arranged pop songs, or a kinship to Alfred Schnittke, or they could be the heroes of an imaginary Shorter-Wheeler-Konitz lineup leaning towards a rare multi-dimensional quality. After listening to the music, it’s clear that the particular line-up is essential.
Wanja isn’t one to hide behind his music. In this postmodern period, he has to deal with everything that’s out there. With the Lotus Eaters, he has come a long way in the art of defining and refining the essential. He doesn’t copy and he stays clear of irony. He doesn’t need those crutches because he’s not afraid of standing on his own two feet.
The music alludes to something precious that goes beyond the six individuals involved and towards a spiritual level in which everything is transformed.
Tom Arthurs, trumpet
Erik Kimestad Pedersen, trumpet
Wanja Slavin, alto saxophone, synthesizer
Philipp Gropper, tenor saxophone
Rainer Böhm, piano, Fender Rhodes
Andreas Lang, bass
Bernhard Meyer, bass
Petter Eldh, bass, synthesizer
Ivars Arutyunyan, drums
Tobias Backhaus, drums
Nasheet Waits, drums
Wanja Slavin (b.1982), started with clarinet and piano at the age of six. His first teachers were his father and Hildegard Niemann, later Nicolas Simion (Saxophon and Composition), Lee Konitz (Saxophon), Rolf Weber (Clarinet) and Kazue Suzuki (Piano).
At the age of 15 Slavin started at the Richard- Strauss Konservatorium studying Clarinet and Saxophon by Leszek Zadlo. Beside he’s studies at the Conservatory he also took lessons in composition by Vadim Werbitzky.
2008 – 2010 Slavin began he’s further education in Film music at HFF in Potsdam Babelsberg by professor Ulrich Reuter.
As a musician Wanja Slavin gain several prices: at New Generation Förderpreis des Bayerischen Rundfunks he won the first price twice. At Gasteig Musikwettbewerb, Jugend Jazzt and BMW Welt Jazz Award 2011 he gained the second price.
2005 Wanja Slavin debuted as composer at festival der Münchner Gesellschaft für neue Musik. About the same time he premiered pieces by composer Benedikt W. Schiefer and Vadim Werbitzky that specially had directed their work to Slavin.
Wanja Slavin has been invited to festivals such as Münchner Klaviersommer and Moers Festival and worked with musician Joachim Kühn, Kenny Wheeler, Mederic Collignon, John Schröder, Rudi Mahall, Alexander von Schlippenbach, Tobias Delius, Marty Cook, Geoff Goodman,Paulo Cardoso, Wilfried Hiller, Christian Lilinger to name a few.
His current projects are: Lotus Eaters, Wanja Slavin Sextet and the trio Slavin / Eldh / Lillinger.
This album contains no booklet.