Kenneth Fuchs: Orchestral Works, Vol. 2 Timothy McAllister, James Buckle, Sinfonia of London & John Wilson

• Kenneth Fuchs (b. 1956): Light Year:
• 1 Light Year: I. Star Gazing 04:24
• 2 Light Year: II. Stella Polaris 05:49
• 3 Light Year: III. Lunar Valley 05:12
• 4 Light Year: IV. Hot Ice 05:04
• 5 Light Year: V. Constellation 03:01
• 6 Light Year: VI. Light Year 04:11
• Eventide:
• 7 Eventide: I. Introduzione 01:04
• 8 Eventide: II. Tema 01:28
• 9 Eventide: III. Variazione I 01:16
• 10 Eventide: IV. Variazione II 01:44
• 11 Eventide: V. Variazione III 00:53
• 12 Eventide: VI. Variazione IV 01:02
• 13 Eventide: VII. Variazione V 00:59
• 14 Eventide: VIII. Variazione VI 00:58
• 15 Eventide: IX. Variazione VII 01:30
• 16 Eventide: X. Fugato 02:40
• 17 Eventide: XI. Quodlibet 01:40
• 18 Eventide: XII. Coda 04:06
• Bass Trombone Concerto:
• 19 Bass Trombone Concerto: I. Adagietto 03:58
• 20 Bass Trombone Concerto: II. Allegro 05:47
• 21 Bass Trombone Concerto: III. Allegro poco agitato 02:29
• 22 Bass Trombone Concerto: IV. Allegro con brio 01:48
• Point of Tranquility:
• 23 Point of Tranquility: I. Adagio misterioso 01:54
• 24 Point of Tranquility: II. Più mosso 01:29
• 25 Point of Tranquility: III. Maestoso 01:19
• 26 Point of Tranquility: IV. Più mosso 01:18
• 27 Point of Tranquility: V. [Più mosso] 02:57
• 28 Point of Tranquility: VI. Poco più mosso 02:36
• Total Runtime 01:12:36

Info for Kenneth Fuchs: Orchestral Works, Vol. 2

Sinfonia of London’s second album of works of Kenneth Fuchs features four world-première recordings. Two of the works feature soloists: the Bass Trombone Concerto loosely follows sonata form whilst utilising the full range of the instrument, and revelling in its lyrical side. Eventide, for alto saxophone and orchestra, is a re-working of an earlier concerto that Fuchs wrote for cor anglais. Described by the composer as a set of ‘fantasy variations based upon the simple triadic intervals typical of spirituals’, the alto saxophone version was composed for this album’s soloist, Tim McAllister. Point of Tranquility was originally composed for wind band, but Fuchs then prepared this orchestral version at the request of JoAnn Falletta for her Buffalo Philharmonic Orchestra. The piece is inspired by Fuchs’s reaction to the eponymous painting by Morris Louis. The orchestral suite Light Year is also inspired by a series of paintings, these ones by Helen Frankenthaler. Cast in six movements, the extremely evocative work captures the breath-taking scale and mysterious nature of the universe. Light Year was composed for and dedicated to John Wilson and Sinfonia of London.

Timothy McAllister, saxophone
James Buckle, bass trombone
Sinfonia of London
John Wilson, conductor

Timothy McAllister
Today’s most celebrated classical saxophonist TIMOTHY McALLISTER is an acclaimed soloist, soprano chair of the GRAMMY® winning PRISM Quartet, and champion of contemporary music credited with over fifty recordings and two hundred premières of new compositions by eminent and emerging composers worldwide. McAllister has appeared with more than forty of the world's most prominent orchestras in over twenty countries, from the Chicago Symphony Orchestra to the BBC Symphony Orchestra at the Proms. Following his premiere of John Adams’s Saxophone Concerto with the Sydney Symphony Orchestra under the baton of the composer, he performed the Concerto and Adam's City Noir on the 2015 GRAMMY® Award-winning recording with the St. Louis Symphony and David Robertson. His recent recordings of Kenneth Fuchs's Saxophone Concerto, Rush, with JoAnn Falletta and the London Symphony Orchestra and his reprise of City Noir with the Berlin Philharmonic under Gustavo Dudamel both appeared on 2019 GRAMMY® Nominated albums, with the Fuchs winning for “Best Classical Compendium.” Recent performances included the China Premiere of the Adams Saxophone Concerto with Edo de Waart and the Hong Kong Philharmonic and the Belgium Premiere of Guillaume Connesson's Saxophone Concerto: A Kind of Trane under Stéphane Denève and the Brussels Philharmonic, on the Deutsche Grammophon label.

As guest soloist, other recent engagements include the symphonies of Albany, Buffalo, Detroit, Houston, Indianapolis, Milwaukee, Seattle, St. Louis, among many others. In 2022, he premiered John Corigliano’s Triathlon: Concerto for Saxophonist and Orchestra with Giancarlo Guerrero and San Francisco Symphony to widespread acclaim. 2023 featured the U.S. Premiere of Tyshawn Sorey’s Adagio (For Wadada Leo Smith) for alto saxophone and orchestra with the Atlanta Symphony Orchestra.

A widely-respected teacher of his instrument, McAllister is Professor of Saxophone at the University of Michigan School of Music, Theatre and Dance, and he appears at summer festivals and courses worldwide. He holds degrees from the University of Michigan, having studied with legendary saxophonist, Donald Sinta.

James Buckle
30-year-old bass trombonist James Buckle is one of the UK’s most exciting and gifted young musicians. At the age of 23 he became the only brass player in history to win the Royal Over-Seas League Gold Medal, following in the footsteps of some of the world’s most revered musicians, such as Jaqueline Du Pré, and receiving great acclaim from international soloists including baritone Jonathan Lemalu, oboist Nicholas Daniel and pianist Piers Lane.

A year later James was appointed Principal Bass Trombone of the Philharmonia Orchestra; the latest in a globally respected lineage of bass trombone players that include Ray Premu, Bob Hughes, Keith McNicoll, and Christian Jones. In the same year James was invited to join John Wilson’s Sinfonia of London, and Sir John Eliot Gardiner’s Orchestre Revolutionnaire et Romantique and English Baroque Soloists. For the last two years James has been a Trustee on the Board of Directors of the Philharmonia.

In 2019, aged 26, he was appointed as a Professor at the Royal College of Music, London, having previously been assistant professor to Ian Bousfield at the Hochschule der Künste, Bern, Switzerland. In the three years since, James has built up a formidable class of bass trombonists that are winning auditions and working in orchestras both in the UK and abroad. He is in demand as a teacher outside of the Royal College and has given masterclasses at Guildhall School of Music and Drama, Royal College of Music, Royal Northern College of Music, Trinity Laban Conservatoire of Music, São Paulo University of Music, and Wells Cathedral Specialist Music School.

Passionate about modern music, James has commissioned solo and chamber pieces for the bass trombone and has performed three contemporary concertos with orchestra, including a world premiere. As a freelance musician he has played as guest principal with the Orchestre de la Suisse Romande, Aurora, BBC Concert, BBC Philharmonic, BBC Scottish, Bournemouth Symphony, Hallé, London Philharmonic, London Symphony, Royal Philharmonic & Royal Philharmonic Concert, Ulster, English National Opera, Royal Opera House Covent Garden & Welsh National Opera Orchestras as well as the Academy of St Martin in the Fields, London Sinfonietta, Royal Northern Sinfonia, European Philharmonic of Switzerland, & the Orchestra of Europe. He regularly plays in West End musicals including The Lion King, The Phantom of the Opera, 42nd Street, Les Misérables, Sweeney Todd, & Sunset Boulevard and has appeared in several Film, TV, Game, Pop & classical recordings. He is a former member of both the Gustav Mahler Jugendorchester and the European Union Youth Orchestra.

James studied at the Royal Academy of Music where he held a full scholarship and received awards from the David Richards Memorial, Oldhurst Charitable, Countess of Munster and Craxton Memorial Trusts. Whilst studying at the Academy James grew an interest in developing his solo career; he won first prize in the Drummond Sharp Prize for Brass and the British Trombone Society Bass Trombone competition; he was invited to perform in front of the Academy’s Symphonic Brass in the Duke’s Hall and he premiered a Concerto for Bass Trombone and Viola by Ian Pillow. James graduated in 2015 with a First Class (Hons) Bachelor’s Degree. In 2018 James was made an Associate of the Royal Academy of Music.

James has long been a “sports-nut” and alongside following the global sporting scene and his passion for road cycling, James recently began solo-skydiving and jumps from the Hinton drop zone in Northamptonshire.

Booklet for Kenneth Fuchs: Orchestral Works, Vol. 2