Antonio Vivaldi: Complete Cello Sonatas (Remastered) Ophélie Gaillard & Pulcinella Orchestra

• Antonio Vivaldi (1678 - 1741): Cello Sonata in A Minor, RV 43:
• 1 Vivaldi: Cello Sonata in A Minor, RV 43: I. Largo 04:21
• 2 Vivaldi: Cello Sonata in A Minor, RV 43: II. Allegro 03:09
• 3 Vivaldi: Cello Sonata in A Minor, RV 43: III. Largo 04:12
• 4 Vivaldi: Cello Sonata in A Minor, RV 43: IV. Allegro 03:03
• Cello Sonata in E Minor, RV 40:
• 5 Vivaldi: Cello Sonata in E Minor, RV 40: I. Largo 03:11
• 6 Vivaldi: Cello Sonata in E Minor, RV 40: II. Allegro 02:46
• 7 Vivaldi: Cello Sonata in E Minor, RV 40: III. Largo 03:38
• 8 Vivaldi: Cello Sonata in E Minor, RV 40: IV. Allegro 02:06
• Cello Sonata in G Minor, RV 42:
• 9 Vivaldi: Cello Sonata in G Minor, RV 42: I. Preludio. Largo 04:30
• 10 Vivaldi: Cello Sonata in G Minor, RV 42: II. Allemanda. Andante 03:43
• 11 Vivaldi: Cello Sonata in G Minor, RV 42: III. Sarabanda. Largo 04:55
• 12 Vivaldi: Cello Sonata in G Minor, RV 42: IV. Gigue. Allegro 02:14
• Cello Sonata in F Major, RV 41:
• 13 Vivaldi: Cello Sonata in F Major, RV 41: I. Largo 03:03
• 14 Vivaldi: Cello Sonata in F Major, RV 41: II. Allegro 02:23
• 15 Vivaldi: Cello Sonata in F Major, RV 41: III. Largo 03:34
• 16 Vivaldi: Cello Sonata in F Major, RV 41: IV. Allegro 02:33
• Cello Sonata in A Minor, RV 44:
• 17 Vivaldi: Cello Sonata in A Minor, RV 44: I. Largo 02:14
• 18 Vivaldi: Cello Sonata in A Minor, RV 44: II. Alegro poco 02:25
• 19 Vivaldi: Cello Sonata in A Minor, RV 44: III. Largo 03:30
• 20 Vivaldi: Cello Sonata in A Minor, RV 44: IV. Alegro 02:27
• Cello Sonata in B-Flat Major, RV 46:
• 21 Vivaldi: Cello Sonata in B-Flat Major, RV 46: I. Preludio. Largo 02:24
• 22 Vivaldi: Cello Sonata in B-Flat Major, RV 46: II. Allemanda. Allegro 02:27
• 23 Vivaldi: Cello Sonata in B-Flat Major, RV 46: III. Largo 02:48
• 24 Vivaldi: Cello Sonata in B-Flat Major, RV 46: IV. Corrente. Allegro 02:36
• Cello Sonata in B-Flat Major, RV 45:
• 25 Vivaldi: Cello Sonata in B-Flat Major, RV 45: I. Largo 04:05
• 26 Vivaldi: Cello Sonata in B-Flat Major, RV 45: II. Allegro 02:33
• 27 Vivaldi: Cello Sonata in B-Flat Major, RV 45: III. Largo 04:49
• 28 Vivaldi: Cello Sonata in B-Flat Major, RV 45: IV. Allegro 03:10
• Cello Sonata in B-Flat Major, RV 47:
• 29 Vivaldi: Cello Sonata in B-Flat Major, RV 47: I. Largo 03:32
• 30 Vivaldi: Cello Sonata in B-Flat Major, RV 47: II. Allegro 03:08
• 31 Vivaldi: Cello Sonata in B-Flat Major, RV 47: III. Largo 03:21
• 32 Vivaldi: Cello Sonata in B-Flat Major, RV 47: IV. Allegro 02:08
• Cello Sonata in E-Flat Major, RV 39:
• 33 Vivaldi: Cello Sonata in E-Flat Major, RV 39: I. Larguetto 04:05
• 34 Vivaldi: Cello Sonata in E-Flat Major, RV 39: II. Allegro 02:44
• 35 Vivaldi: Cello Sonata in E-Flat Major, RV 39: III. Andante 02:39
• 36 Vivaldi: Cello Sonata in E-Flat Major, RV 39: IV. Allegro 02:52
• Total Runtime 01:53:18

Info for Antonio Vivaldi: Complete Cello Sonatas (Remastered)

The nine surviving cello sonatas by Vivaldi can be presumed to represent only a proportion of the number he probably wrote. I say that knowing that there is room for at least slight doubts as to the authenticity of all of them, especially no.6. Given his clear fondness for the instrument he surely wrote more. After all here was a composer who wrote many cello concertos, There was also the presence of a number of very fine cellists amongst the musicians of the Ospedale della Pièta niot to mention the growing vogue of the instrument in the Venice of his time.

He seems to have taken less trouble to preserve the manuscripts of his sonatas - for whatever solo instrument - than of some of his other music. Though he published two sets of violin sonatas (opp. 2, 5) he chose not to issue any of his sonatas for the cello. The first six to be published appeared in Paris in 1740, in what was surely a pirated edition.

The sonatas we do have very probably date from the 1720s. A few exist in more than one manuscript; none of them autograph. All are in four movements alternating in the sequence slow-fast-slow-fast, a pattern that we associate with the sonata da chiesa. A number of the faster movements are very much informed by the spirit of the dance; in one manuscript, the Wiesentheid, which contains two sonatas, such movements actually carry titles designating the relevant dance rhythms. The slow movements have a winning gravity, in which elegance and a serious quality are held in a beautiful balance.

There is no doubt that the artist has captured the full diversity of these nine sonatas, all of which are built on the same model of the *sonata da chiesa*. From orchestral preludes to stylized dances, the musicians of Pulcinella always find the right tone. Ophélie Gaillard’s playing is above all focused and elegant, with finely nuanced expression." (Philippe Venturini, 4, le Monde de la Musique, 2006)

"I have enjoyed this recording greatly. It has a properly Italianate spirit of measured flamboyance and a consistent vision of the music. It is played with acute intelligence – and plenty of feeling – and is beautifully recorded." (Glyn Pursglove, MusicWeb International)

Ophélie Gaillard, cello
Ensemble Pulcinella

Digitally remastered

Ophélie Gaillard
… could we read in the editorial published in the Diapason magazine of June 2011, (Ophélie Gaillard was awarded the Diapason d’Or for the Suites of Bach). The English Newspapers also underlined this appreciation. In August 2011, The Strad magazine wrote that “Gaillard was at the top “ whereas in 2007 The Times already welcomed her “wizard fingering, big lyrical heart, and kaleidoscope of colors”.

This brilliant Franco-Swiss musician embodies an insatiable curiosity, a taste for risk and an immoderate appetite for the whole of the concertante cello repertoire.

Voted “Revelation: Solo Instrumentalist of the Year” at the Victoires de la Musique Classique in 2003, she has since then appeared in recital at many prestigious venues.

Ophélie Gaillard is a child of Baroque. From a very young age, she was specialized in the early and classical cellos and soon shared the stage with Christophe Rousset, Emmanuelle Haïm and Amaryllis. Then, in 2005, she found Pulcinella, a collective of virtuosos with a passion for performance practice on period instruments. The recordings devoted to Vivaldi, Boccherini and Bach reaped excellent ratings and several awards.

In 1998, she was the winner of the Leipzig Bach Competition. Then, in 2000 she recorded Bach’s complete Cello Suites for the Ambroisie label and enjoyed a great critical acclaim. She renewed that exploit in 2011, this time for the Aparté label, and received maximum ratings from Diapason, Strad magazine, etc.

Ophélie Gaillard also performs modern and contemporary works. She has made successful recordings of Britten’s complete cello suites or Pierre Bartholomée’s Oraison.

The Romantic repertoire is not neglected: she has successfully recorded the complete cello works of Schumann, Fauré, Chopin and Brahms.

She appears as a soloist with the Orchestre de Cannes-Provence-Alpes Côte d’Azur, the Polish Radio Orchestra (Gabriel Chmura), the Orchestre de Picardie (Edmon Colomer), the European Camerata, the Franz Liszt Orchestra of Budapest, the New Japan Philharmonic under the baton of Werner Andreas Alpert, the Bangkok Symphony Orchestra, the Moscow Chamber Orchestra, the Orchestre de Chambre de Toulouse, the Romanian Radio Orchestra or else, the Monte-Carlo Philharmonic Orchestra under the direction of James Judd.

Her solo album Dreams, made with the Royal Philharmonic Orchestra at the legendary Abbey Road Studios in London, proved to be a great public success.

A sought-after teacher, she regularly gives master classes in Europe, Asia and in Latin and Central America. She is invited as a member of the jury at the ARD competitions and is a professor at the Haute Ecole de Musique of Geneva (HEM) since 2014.

She is regularly heard on radio (France Musique, France Culture, France Inter, Radio Classique, Espace 2, BBC Radio 3) and often appears on television (France 2, Mezzo, Arte).

In December 2015, her double-CD album Alvorada won over a vast audience and was named a ‘Star Recording’ by The Strad magazine. This programme, blending ‘highbrow’ and popular Spanish and South-American music went on tour in 2016 through France, Italy (MiTo festival), and Mexico (Cervantino Festival), in particular with the Brazilian singer Toquinho.

After the international success of her first album (Diapason d’Or in 2014, special recognition from the Strad magazine, concerts in France and Germany…), a second recording of CPE Bach for the Aparté Label will be released in 2016 with the Pulcinella Orchestra and incensed by the press (Diapason d’Or, Choc de la Musique Classica, ffff Télérama, Gramophone …).

She was invited to play for the prestigious concert series given at the honour court of the Prince’s Palace of Monaco. She subsequently recorded her next disc Exils (expected release in Spring 2017) around the concertos of Korngold and Bloch with the Philharmonic orchestra of Monte Carlo and supervised by James Judd.

Ophélie Gaillard plays a cello by Francesco Goffriller (1737), generously loaned to her by CIC, and also a Flemish violoncello piccolo (anonymous).

Booklet for Antonio Vivaldi: Complete Cello Sonatas (Remastered)