No Greater Love (Remastered) Eddie Thompson

Album info



Label: MPS

Genre: Jazz

Subgenre: Free Jazz

Artist: Eddie Thompson

Album including Album cover


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FLAC 88.2 $ 9.00
  • 1The Lamp Is Low04:23
  • 2Poor Butterfly04:43
  • 3There Is No Greater Love04:47
  • 4Close Your Eyes04:38
  • 5Surrey with the Fringe on Top05:21
  • 6Quiet Nights06:05
  • 7You Took Advantage of Me04:20
  • 8Cry Me a River05:30
  • 9Body and Soul08:28
  • Total Runtime48:15

Info for No Greater Love (Remastered)

A wicked little set from British pianist Eddie Thompson – a player who always wasn't as well noticed on this side of the Atlantic, but who will forever be remembered for this classic date for MPS! The set's got a great criss-crossing of styles – a punctuated way of playing the keys with roots that go back to jazz piano of the pre-war years – yet a flowing, open approach to the groove that's also pure MPS too – kind of a timeless match that's really compelling, and which makes the record unlike anything else we can think of from the time.

Eddie Thompson, piano
Tony Archer, bass
Terry Jenkins, drums

Digitally remastered

Eddie Thompson
was born in Shoreditch, London on May 31, 1925. Blind from birth he first attended Linden Lodge School for the Blind, Wandsworth (as did George Shearing) and then, during the war, at Dorton House, Seal, Sevenoaks. He had been introduced to jazz through listening to the family radio and was awestruck by such greats as Fats Waller, Earl Hines, and especially Art Tatum.

His strong personality and love of jazz eventually led to a curtailment of his formal education and by 1947 he was part of the London jazz scene and playing in the company of Vic Ash, Tony Crombie, Ronnie Scott, and Carlo Krahmer. He was able to supplement his jazz income, always precarious, with a career as a piano tuner. One of his first recordings was made in February 1948 with the Johnny Dankworth quartet which had teenage Vic Feldman on drums.

Throughout the fifties he consolidated his reputation playing with top London musicians and was at home playing mainstream or bop. In 1962 he decided to try New York as he felt he needed that challenge that only New York, then as now, can give jazz musicians. He secured a residency at the Hickory House between 1963-67 and made many musical friendships including Duke Ellington, Erroll Garner, and Thelonious Monk. In spite of a growing reputation in New York he returned to London in 1972 where he was soon in demand and formed his own trio. There were regular BBC Jazz Club gigs, he recorded for the German BASF label and Doug Dobell's 77 label, and as visiting American soloists proliferated he became one of the first call accompanists.

Eddie's strength other than his prodigious technique was that he knew literally hundreds of tunes with a preference for Gershwin. He also had the ability, when he felt it necessary, to drop into the style of his heroes Garner, Peterson, and Nat Cole. In the late seventies and early eighties he made a series of recordings for HEP as soloist and as equal musical partner along with Roy Williams and tenor saxist Spike Robinson. These are generally regarded as his finest work.

Although blind he fearlessly travelled to evening work in London clubs by the Underground, and also to clubs throughout the UK often accompanied by his faithful guide dog, Maida. Sadly, due to a lifelong smoking habit, he developed emphysema which contributed to his early death on November 6, 1986. Paradoxically, in the late eighties his playing enjoyed a sudden popularity in Japan. Such an irony would have caused him to smile.

This album contains no booklet.

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